An Unheard Melody
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Author | : Swapan Kumar Bondyopadhyay |
Publisher | : Roli Books Private Limited |
Total Pages | : 190 |
Release | : 2005-04-01 |
Genre | : Biography & Autobiography |
ISBN | : 8174368558 |
Baba Allauddin Khan's daughter, Pandit Ravi Shankar's first wife, Ustad Ali Akbar Khan's sister, representative of Maihar-Senia gharana - Annapurna Devi has an illustrious lineage. And she is a star in her own right - she is the only female surbahar player in the country. Yet, Annapurna's life is shrouded in mystery. Though she is a true guru to her hishyas, to others she is an eccentric recluse or simply too strong-minded. This first authorised biography offers a glimpse into her life, not to reveal or to shock, but to set the record straight - her turbulent years with Ravi Shankar, the death of her only son, her single-minded pursuit of music and a life in seclusion. Drawing on interviews with Annapurna Devi and her family members, admirers, critics and students, Swapan Kumar Bondyopadhyay offers an absorbing portrait of a brilliant individual, who shuns public erformances devoting her time instead to her music, her students and to keeping her father's legacy alive.
Author | : Claudia Gorbman |
Publisher | : Bloomington : Indiana University Press |
Total Pages | : 208 |
Release | : 1987 |
Genre | : Music |
ISBN | : |
Author | : Anthony Hecht |
Publisher | : JHU Press |
Total Pages | : 334 |
Release | : 2003-05-22 |
Genre | : Literary Criticism |
ISBN | : 9780801869563 |
In these essays, acclaimed poet and critic Anthony Hecht explores the ways in which poetry can be read and the many pleasures it affords. Ranging from Shakespeare's sonnets to Eliot, Frost, and Simic, Melodies Unheard offers profound insight into poetic form, meter, rhyme, and meaning--into the mysteries of poetry itself. Anthony Hecht's vast knowledge of literature and his gift for mesmerizing argument are both amply present in Melodies Unheard. Whether defending the sestina against accusations of boredom and dolefulness or examining the structure of Shakespeare's sonnets or unraveling some of the complexity of Moby-Dick, these essays are models of civility, candor, and grace. I know of no other poet, certainly none of Anthony Hecht's stature, who sheds as much light on the intricacies and hidden designs of poems and who does it with such style.--Mark Strand Anthony Hecht declares himself 'a poet first and only secondarily a critic, ' but Melodies Unheard proves again that he is a master in both trades. His discourse on such subjects as rhyme, the sestina, and 'the music of forms' is both scholarly and delightful; his articles on individual poets are finely done; and best of al
Author | : Peter Filkins |
Publisher | : JHU Press |
Total Pages | : 109 |
Release | : 2021-04-06 |
Genre | : Fiction |
ISBN | : 1421440083 |
"Exploring and delineating the space between nature and culture, the poems of this collection anchor themselves in the timely and the timeless. Rich and diverse in their formal intricacy, they move with ease from narrative to meditation, from close physical observation to the haunts of memory, and from lyric sorrow to the pleasure of living in the world. The book's fifty-three poems are divided into five parts"--
Author | : Eric Bluestine |
Publisher | : GIA Publications |
Total Pages | : 228 |
Release | : 2000 |
Genre | : Education |
ISBN | : 9781579991081 |
How do children learn music? And how can music teachers help children to become independent and self-sufficient musical thinkers? Author Eric Bluestine sheds light on these issues in music education.
Author | : Billy Bragg |
Publisher | : Faber & Faber |
Total Pages | : 357 |
Release | : 2017-05-30 |
Genre | : Music |
ISBN | : 0571327761 |
SHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZERoots, Radicals & Rockers: How Skiffle Changed the World is the first book to explore this phenomenon in depth - a meticulously researched and joyous account that explains how skiffle sparked a revolution that shaped pop music as we have come to know it. It's a story of jazz pilgrims and blues blowers, Teddy Boys and beatnik girls, coffee-bar bohemians and refugees from the McCarthyite witch-hunts. Billy traces how the guitar came to the forefront of music in the UK and led directly to the British Invasion of the US charts in the 1960s.Emerging from the trad-jazz clubs of the early '50s, skiffle was adopted by kids who growing up during the dreary, post-war rationing years. These were Britain's first teenagers, looking for a music of their own in a pop culture dominated by crooners and mediated by a stuffy BBC. Lonnie Donegan hit the charts in 1956 with a version of 'Rock Island Line' and soon sales of guitars rocketed from 5,000 to 250,000 a year. Like punk rock that would flourish two decades later, skiffle was a do-it-yourself music. All you needed were three guitar chords and you could form a group, with mates playing tea-chest bass and washboard as a rhythm section.
Author | : Lolete Falck Barlow |
Publisher | : |
Total Pages | : 148 |
Release | : 1996 |
Genre | : |
ISBN | : |
Author | : Peter Dayan |
Publisher | : Routledge |
Total Pages | : 154 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351557114 |
Why does poetry appeal to music? Can music be said to communicate, as language does? What, between music and poetry, is it possible to translate? These fundamental questions have remained obstinately difficult, despite the recent burgeoning of word and music studies. Peter Dayan contends that the reasons for this difficulty were worked out with extraordinary rigour and consistency in a French literary tradition, echoed by composers such as Berlioz and Debussy, which stretches from Sand to Derrida. Their writing shows how it is both necessary and futile to look for music in poetry, or for poetry in music: necessary, because each art defines itself by reference to what it is not, and cannot be, in order to point to an idealized totality outside itself; futile, because the musicality of poetry, like the poetic meaning of music, must remain as elusive as that idealized totality; its distance is the very condition of the art. Thus is generated a subtle but unmistakable general definition of the nature of art which has proved uniquely able to survive all the probings of poststructuralism. That definition of art is inseparable from a disturbingly effective scepticism towards all forms of explication and explanation in critical discourse, so it is doubtless not surprising that critics in general have done their best to ignore it. But by bringing out what Sand, Baudelaire, Mallarmé, Proust, Debussy, Berlioz, Barthes, and Derrida all do in the same way as they work on the limits of the analogy between music and literature, this book shows how it is possible, productive, illuminating, and fascinating to work on those limits; though to do so, as we find repeatedly, in Chopin's dreams as in Derrida's 'tombeaux', requires us to have the courage to face, in music, our literal death, and the limits of our intelligence.
Author | : Melody Beattie |
Publisher | : Simon and Schuster |
Total Pages | : 289 |
Release | : 2008-12-30 |
Genre | : Self-Help |
ISBN | : 1439117691 |
The New Codependency is an owner’s manual to learning to be who you are and gives you the tools necessary to reclaim your life by renouncing unhealthy practices. In Codependent No More, Melody Beattie introduced the world to the term codependency. Now a modern classic, this book established Beattie as a pioneer in self-help literature and endeared her to millions of readers who longed for healthier relationships. Twenty-five years later concepts such as self-care and setting boundaries have become entrenched in mainstream culture. Now Beattie has written a followup volume, The New Codependency, which clears up misconceptions about codependency, identifies how codependent behavior has changed, and provides a new generation with a road map to wellness. The question remains: What is and what is not codependency? Beattie here reminds us that much of codependency is normal behavior. It’s about crossing lines. There are times we do too much, care too much, feel too little, or overly engage. Feeling resentment after giving is not the same as heartfelt generosity. Narcissism and self-love, enabling and nurturing, and controlling and setting boundaries are not interchangeable terms. In The New Codependency, Beattie explores these differences, effectively invoking her own inspiring story and those of others, to empower us to step out of the victim role forever. Codependency, she shows, is not an illness but rather a series of behaviors that once broken down and analyzed can be successfully combated. Each section offers an overview of and a series of activities pertaining to a particular behavior—caretaking, controlling, manipulation, denial, repression, etc.—enabling us to personalize our own step-by-step guide to wellness. These sections, in conjunction with a series of tests allowing us to assess the level of our codependent behavior, demonstrate that while it may not seem possible now, we have the power to take care of ourselves, no matter what we are experiencing.
Author | : Douglas Kelly |
Publisher | : Boydell & Brewer Ltd |
Total Pages | : 380 |
Release | : 2014 |
Genre | : Literary Criticism |
ISBN | : 1843843722 |
"A milestone in Machaut studies and in late-medieval French literature in general. Machaut, already considered the seminal figure in late-medieval poetics and music, here comes across in these respects more clearly than ever. Kelly also further contextualises him within what we might call the authorial apprenticeship tradition' of Boethius, the Roman de la Rose, Dante, and later Gower, Chaucer, and Christine de Pizan. The fruit of one of the field's most distinguished scholars today." Nadia Margolis, Mount Holyoke College. Guillaume de Machaut was celebrated in the later Middle Ages as a supreme poet and composer, and accordingly, his poetry was recommended as a model for aspiring poets. In his Voir Dit, Toute Belle, a young, aspiring poet, convinces the Machaut figure to mentor her. This volume examines Toute Belle as she masters Machaut's dual arts of poetry and love, focusing on her successful apprenticeship in these arts; it also provides a thorough review of Machaut's art of love and art of poetry in his dits and lyricsm, and the previous scholarship on these topics. It goes on to treat Machaut's legacy among poets who, like Toute Belle, adapted his poetic craft in new and original ways. A concluding analysis of melodie identifies the synaesthetic pleasure that late medieval poets, including Machaut, offer their readers. Douglas Kelly is Professor Emeritus at the University of Wisconsin, Madison.