An Introduction To The Study Of National Music Comprising Researches Into Popular Songs Traditions
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An Introduction to the Study of National Music
| Author | : Carl Engel |
| Publisher | : London : Longmans, Green, Reader, and Dyer |
| Total Pages | : 462 |
| Release | : 1866 |
| Genre | : Folk songs |
| ISBN | : |
An Introduction to the Study of National Music
| Author | : Carl Engel |
| Publisher | : London : Longmans, Green, Reader, and Dyer |
| Total Pages | : 456 |
| Release | : 1866 |
| Genre | : Folk songs |
| ISBN | : |
The National Quarterly Review
| Author | : Edward Isidore Sears |
| Publisher | : |
| Total Pages | : 414 |
| Release | : 1869 |
| Genre | : Periodicals |
| ISBN | : |
The Cambridge History of World Music
| Author | : Philip V. Bohlman |
| Publisher | : Cambridge University Press |
| Total Pages | : 943 |
| Release | : 2013-12-12 |
| Genre | : Music |
| ISBN | : 1316025667 |
Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.
American Negro Folk-songs
| Author | : Newman Ivey White |
| Publisher | : |
| Total Pages | : 520 |
| Release | : 1928 |
| Genre | : Music |
| ISBN | : |
While his father works in the city over the winter, a young boy thinks of some good times they've shared and looks forward to his return to their South African home in the spring.
Evolution and Victorian Musical Culture
| Author | : Bennett Zon |
| Publisher | : Cambridge University Press |
| Total Pages | : 377 |
| Release | : 2017-10-12 |
| Genre | : Music |
| ISBN | : 1108326269 |
This engaging book explores the dynamic relationship between evolutionary science and musical culture in Victorian Britain, drawing upon a wealth of popular scientific and musical literature to contextualize evolutionary theories of the Darwinian and non-Darwinian revolutions. Bennett Zon uses musical culture to question the hegemonic role ascribed to Darwin by later thinkers, and interrogates the conceptual premise of modern debates in evolutionary musicology. Structured around the Great Chain of Being, chapters are organized by discipline in successively ascending order according to their object of study, from zoology and the study of animal music to theology and the music of God. Evolution and Victorian Musical Culture takes a non-Darwinian approach to the interpretation of Victorian scientific and musical interrelationships, debunking the idea that the arts had little influence on contemporary scientific ideas and, by probing the origins of musical interdisciplinarity, the volume shows how music helped ideas about evolution to evolve.
