An Introduction To Literature Criticism And Theory
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Author | : Andrew Bennett |
Publisher | : Routledge |
Total Pages | : 449 |
Release | : 2016-03-02 |
Genre | : Literary Criticism |
ISBN | : 1317313127 |
Lively, original and highly readable, An Introduction to Literature, Criticism and Theory is the essential guide to literary studies. Starting at ‘The Beginning’ and concluding with ‘The End’, chapters range from the familiar, such as ‘Character’, ‘Narrative’ and ‘The Author’, to the more unusual, such as ‘Secrets’, ‘Pleasure’ and ‘Ghosts’. Now in its fifth edition, Bennett and Royle’s classic textbook successfully illuminates complex ideas by engaging directly with literary works, so that a reading of Jane Eyre opens up ways of thinking about racial difference, for example, while Chaucer, Raymond Chandler and Monty Python are all invoked in a discussion of literature and laughter. The fifth edition has been revised throughout and includes four new chapters – ‘Feelings’, ‘Wounds’, ‘Body’ and ‘Love’ – to incorporate exciting recent developments in literary studies. In addition to further reading sections at the end of each chapter, the book contains a comprehensive bibliography and a glossary of key literary terms. A breath of fresh air in a field that can often seem dry and dauntingly theoretical, this book will open the reader’s eyes to the exhilarating possibilities of reading and studying literature.
Author | : Andrew Bennett |
Publisher | : Prentice Hall |
Total Pages | : 320 |
Release | : 1999 |
Genre | : Language Arts & Disciplines |
ISBN | : |
This book presents the key critical concepts in literary studies today, taking care to avoid the jargon that can arise in contemporary criticism and theory. It focuses on a range of texts including Chaucer, Achebe, Milton and Morrison.
Author | : Charles E. Bressler |
Publisher | : |
Total Pages | : 328 |
Release | : 1999 |
Genre | : Literary Criticism |
ISBN | : |
The second edition of Literary Criticism by Charles E. Bressler is designed to help readers make conscious, informed, and intelligent choices concerning literary interpretation. By explaining the historical development and theoretical positions of eleven schools of criticism, author Charles Bressler reveals the richness of literary texts along with the various interpretative approaches that will lead to a fuller appreciation and understanding of such texts.
Author | : Anne H. Stevens |
Publisher | : Broadview Press |
Total Pages | : 302 |
Release | : 2015-06-18 |
Genre | : Literary Criticism |
ISBN | : 1770485619 |
Literary Theory and Criticism: An Introduction provides an accessible overview of major figures and movements in literary theory and criticism from antiquity to the twenty-first century. It is designed for students at the undergraduate level or for others needing a broad synthesis of the long history of literary theory. An introductory chapter provides an overview of some of the major issues within literary theory and criticism; further chapters survey theory and criticism in antiquity, the Middle Ages and Renaissance, the Enlightenment, and the nineteenth century. For twentieth- and twenty-first-century theory, the discussion is subdivided into separate chapters on formalist, historicist, political, and psychoanalytic approaches. The final chapter applies a variety of theoretical concepts and approaches to two famous works of literature: William Shakespeare’s Hamlet and Mary Shelley’s Frankenstein.
Author | : Anne H. Stevens |
Publisher | : Broadview Press |
Total Pages | : 302 |
Release | : 2015-06-18 |
Genre | : Literary Criticism |
ISBN | : 1554812372 |
Literary Theory and Criticism: An Introduction provides an accessible overview of major figures and movements in literary theory and criticism from antiquity to the twenty-first century. It is designed for students at the undergraduate level or for others needing a broad synthesis of the long history of literary theory. An introductory chapter provides an overview of some of the major issues within literary theory and criticism; further chapters survey theory and criticism in antiquity, the Middle Ages and Renaissance, the Enlightenment, and the nineteenth century. For twentieth- and twenty-first-century theory, the discussion is subdivided into separate chapters on formalist, historicist, political, and psychoanalytic approaches. The final chapter applies a variety of theoretical concepts and approaches to two famous works of literature: William Shakespeare’s Hamlet and Mary Shelley’s Frankenstein.
Author | : Andrew Bennett |
Publisher | : Routledge |
Total Pages | : 241 |
Release | : 2014-07-10 |
Genre | : Literary Criticism |
ISBN | : 131786431X |
Fresh, original and compelling, An Introduction to Literature, Criticism and Theory is the essential guide to literary studies. Starting at ‘the beginning’ and concluding with ‘the end’, the book covers topics that range from the familiar (character, narrative, the author) to the more unusual (secrets, pleasure, ghosts). Eschewing abstract isms, Bennett and Royle successfully illuminate complex ideas by engaging directly with literary works – so that a reading of Jane Eyre opens up ways of thinking about racial difference, whilst Chaucer, Raymond Chandler and Monty Python are all invoked in a discussion of literary laughter. Each chapter ends with a narrative guide to further reading and the book also includes a glossary and bibliography. The fourth edition has been revised to incorporate two timely new chapters on animals and the environment. A breath of fresh air in a field that can often seem dry and dauntingly theoretical, this book will open the reader’s eyes to the exhilarating possibilities of both reading and studying literature.
Author | : Jonathan Culler |
Publisher | : |
Total Pages | : 188 |
Release | : |
Genre | : |
ISBN | : 019285318X |
Author | : Michael Ryan |
Publisher | : John Wiley & Sons |
Total Pages | : 226 |
Release | : 2012-02-13 |
Genre | : Literary Criticism |
ISBN | : 1405182822 |
An accessible and thorough introduction to literary theory and contemporary critical practice, this book is an essential resource for beginning students of literary criticism. Covers traditional approaches such as formalism and structuralism, as well as more recent developments in criticism such as evolutionary theory, cognitive studies, ethical criticism, and ecocriticism Offers explanations of key works and major ideas in literary criticism and suggests key elements to look for in a literary text Also applies critical approaches to various examples from film studies Helps students to build a critical framework and write analytically
Author | : M. A. R. Habib |
Publisher | : John Wiley & Sons |
Total Pages | : 324 |
Release | : 2011-06-24 |
Genre | : Literary Criticism |
ISBN | : 1444351567 |
Literary Criticism from Plato to the Present provides a concise and authoritative overview of the development of Western literary criticism and theory from the Classical period to the present day An indispensable and intellectually stimulating introduction to the history of literary criticism and theory Introduces the major movements, figures, and texts of literary criticism Provides historical context and shows the interconnections between various theories An ideal text for all students of literature and criticism
Author | : Victorino Tejera |
Publisher | : John Benjamins Publishing |
Total Pages | : 184 |
Release | : 1995 |
Genre | : Literary Criticism |
ISBN | : 9781556193415 |
Following Peirce in his non-reductive understanding of the theory of signs as a branch of aesthetics, this book reconceptualizes the processes of literary creation, appreciation and reading in semiotic terms. Here is a carefully developed theory of what sort of criteria serve to distinguish apposite from inapposite readings of literary works-of-art. Given Peirce's triadic account of signification, it enlarges Aristotle's view of mimesis as expressive making into an understanding of literary works as deliberatively designed sign-systems belonging to Peirce's eighth class of signs. In parallel with Bakhtin's account of the dialogical nature of literary work (and its success in exposing misreadings of Dostoyevsky), this work categorizes in precise theoretical terms what is wrong with the non-dialogical readings which treat Plato's dialogues as doctrinal tractates. As a study in literary theory finally, and on the basis of apt distinctions between exhibitive, active, and assertive judgments, this book re-demarcates and distinguishes the discipline of literary criticism from that of literary theory, and both of these from the work of literary creation itself.