An Eighteenth Century Artist And Engraver
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Author | : Perrin Stein |
Publisher | : Yale University Press |
Total Pages | : 247 |
Release | : 2013-10-29 |
Genre | : Art |
ISBN | : 0300197004 |
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.
Author | : Museum of Fine Arts, Houston |
Publisher | : Philadelphia Museum (PA) |
Total Pages | : 632 |
Release | : 2000 |
Genre | : Art |
ISBN | : |
"Caught between the Theatricality of the Baroque and the acute sensibility of Romanticism, art in Rome in the eighteenth century has long been a neglected area of study." "The grand scale and spectacular diversity of the period are comprehensively captured for the first time in this definitive history of the period, produced to accompany a major U.S. exhibition organized by the Philadelphia Museum of Art and The Museum of Fine Arts, Houston, and documenting the work of over 150 artists. With over 450 illustrations, and texts by an outstanding array of experts from around the world, Art in Rome in the Eighteenth Century provides a massively authoritative survey of a fascinating era."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author | : William Hogarth |
Publisher | : |
Total Pages | : 144 |
Release | : 2019-10 |
Genre | : |
ISBN | : 9781999693213 |
A highly illustrated journey through Hogarth's series paintings and engravings, from the blockbuster 'Rake's Progress and Marriage a la Mode' to the enigmatic and lesser known Happy Marriage this book offers a close analysis of place and setting in Hogarth's works' in order to revisit the artist's complex stance on morality, society, and the city, and the enduring appeal of his satires in the present.0William Hogarth (1697-1764) remains one of Britain's best loved painters. His most renowned works, the series relating to moral subjects, are rarely displayed together, and will be united at the Soane Museum for the first time in its history.0The book also focusses tightly on Hogarth's series; The Soane Museum's own Rake's Progress and An Election, as well as Marriage a la Mode, the Four Times of Day, as well as the three surviving paintings of The Happy Marriage engraved series such as Stages of Cruelty, Industry and Idleness and Gin Lane and Beer Street. It is edited by David Bindman, a world authority on Hogarth and comprises four essays by leading academics, along with Bindman's own introduction to each of the series according to the themes of "place" and "progress".00Exhibition: Sir John Soane's Museum, London, UK (09.10.2019-05.01.2020).
Author | : Eleanor Hughes |
Publisher | : Yale University Press |
Total Pages | : 0 |
Release | : 2016 |
Genre | : ART |
ISBN | : 9780300221572 |
Spreading Canvas takes a close look at the tradition of marine painting that flourished in 18th-century Britain. Drawing primarily on the extensive collections of the Yale Center for British Art and the National Maritime Museum in Greenwich, London, this publication shows how the genre corresponded with Britain's growing imperial power and celebrated its increasing military presence on the seas, representing the subject matter in a way that was both documentary and sublime. Works by leading purveyors of the style, including Peter Monamy, Samuel Scott, Dominic Serres, and Nicholas Pocock, are featured alongside sketches, letters, and other ephemera that help frame the political and geographic significance of these inspiring views, while also establishing the painters' relationships to concurrent metropolitan art cultures. This survey, featuring a wealth of beautifully reproduced images, demonstrates marine painting's overarching relevance to British culture of the era. Published in association with the Yale Center for British Art Exhibition Schedule: Yale Center for British Art, New Haven (09/15/16-12/04/16)
Author | : Mei-Ying Sung |
Publisher | : Routledge |
Total Pages | : 239 |
Release | : 2015-10-06 |
Genre | : Art |
ISBN | : 1317314255 |
Sung closely examines William Blake’s extant engraved copper plates and arrives at a new interpretation of his working process. Sung suggests that Blake revised and corrected his work more than was previously thought. This belies the Romantic ideal that the acts of conception and execution are simultaneous in the creative process.
Author | : Caroline Archer-Parré |
Publisher | : Eighteenth Century Worlds Lup |
Total Pages | : 256 |
Release | : 2020 |
Genre | : History |
ISBN | : 1789622301 |
During the eighteenth century there was a growing interest in recording, listing and documenting the world, whether for personal interest and private consumption, or general record and the greater good. Such documentation was done through both the written and printed word. Each genre had its own material conventions and spawned industries which supported these practices. This volume considers writing and printing in parallel: it highlights the intersections between the two methods of communication; discusses the medium and materiality of the message; considers how writing and printing were deployed in the construction of personal and cultural identities; and explores the different dimensions surrounding the production, distribution and consumption of private and public letters, words and texts during the eighteenth-century. In combination the chapters in this volume consider how the processes of both writing and printing contributed to the creation of cultural identity and taste, assisted in the spread of knowledge and furthered personal, political, economic, social and cultural change in Britain and the wider-world. This volume provides an original narrative on the nature of communication and brings a fresh perspective on printing history, print culture and the literate society of the Enlightenment.
Author | : National Art Library (Great Britain) |
Publisher | : |
Total Pages | : 374 |
Release | : 1906 |
Genre | : Etching |
ISBN | : |
Author | : David Alexander |
Publisher | : A PRECISER |
Total Pages | : 1120 |
Release | : 2021 |
Genre | : Engravers |
ISBN | : 9781913107215 |
The first reference work to cover all engravers working on copper in Britain and Ireland 1714-1820 This biographical dictionary of engravers working on copper encompasses both those who produced fine art prints, and also those who engraved book illustrations for medical, technical and literary works, all of which played a more important part than is usually realised in spreading information in the age of Enlightenment. Some 3,000 biographical entries draw on much unpublished information, researched over four decades, notably records of apprenticeship, genealogy, insurance and bankruptcy as well as newspaper advertisements and contemporary accounts. This is the first reference work to cover all engravers working on copper in Britain and Ireland 1714-1820. Many biographical entries describe celebrated engravers producing "fine art" prints of paintings, which spread knowledge about living and dead artists. However, this book also builds up a more complex picture of the occupation of printmaking and includes engravers, many previously unresearched, who engraved ephemeral material, such as trade cards, bank notes, and satirical prints as well as the images that spread knowledge across literary, geographical, historical, topographical, medical and technical fields.
Author | : Vic Gatrell |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 720 |
Release | : 2007-01-01 |
Genre | : History |
ISBN | : 0802716024 |
Drawing upon the satirical prints of the eighteenth century, the author explores what made Londoners laugh and offers insight into the origins of modern attitudes toward sex, celebrity, and ridicule.
Author | : |
Publisher | : |
Total Pages | : 1806 |
Release | : 1902 |
Genre | : American literature |
ISBN | : |