An Anthology By Modern Legal Authors
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Author | : Martin P. Golding |
Publisher | : Broadview Press |
Total Pages | : 180 |
Release | : 2001-03-02 |
Genre | : Law |
ISBN | : 9781551114224 |
In a book that is a blend of text and readings, Martin P. Golding explores legal reasoning from a variety of angles—including that of judicial psychology. The primary focus, however, is on the ‘logic’ of judicial decision making. How do judges justify their decisions? What sort of arguments do they use? In what ways do they rely on legal precedent? Golding includes a wide variety of cases, as well as a brief bibliographic essay (updated for this Broadview Encore Edition).
Author | : David Kennedy |
Publisher | : Princeton University Press |
Total Pages | : 936 |
Release | : 2018-06-05 |
Genre | : Law |
ISBN | : 0691186421 |
This anthology presents, for the first time, full texts of the twenty most important works of American legal thought since 1890. Drawing on a course the editors teach at Harvard Law School, the book traces the rise and evolution of a distinctly American form of legal reasoning. These are the articles that have made these authors--from Oliver Wendell Holmes, Jr., to Ronald Coase, from Ronald Dworkin to Catherine MacKinnon--among the most recognized names in American legal history. These authors proposed answers to the classic question: "What does it mean to think like a lawyer--an American lawyer?" Their answers differed, but taken together they form a powerful brief for the existence of a distinct and powerful style of reasoning--and of rulership. The legal mind is as often critical as constructive, however, and these texts form a canon of critical thinking, a toolbox for resisting and unravelling the arguments of the best legal minds. Each article is preceded by a short introduction highlighting the article's main ideas and situating it in the context of its author's broader intellectual projects, the scholarly debates of his or her time, and the reception the article received. Law students and their teachers will benefit from seeing these classic writings, in full, in the context of their original development. For lawyers, the collection will take them back to their best days in law school. All readers will be struck by the richness, the subtlety, and the sophistication with which so many of what have become the clichés of everyday legal argument were originally formulated.
Author | : |
Publisher | : BRILL |
Total Pages | : 355 |
Release | : 2021-11-22 |
Genre | : Literary Criticism |
ISBN | : 9004486321 |
From Tottel's Miscellany (1557) to the last twentieth-century Oxford Book of English Verse (1999), anthologies have been a prime institution for the preservation and mediation of poetry. The importance of anthologies for creating and re-creating the canon of English poetry, for introducing ‘new' programmes of poetry, as a record of changing poetic fashions, audience tastes and reading practices, or as a profitable literary commodity has often been asserted. Despite its impact, however, the poetry anthology in itself has attracted surprisingly little critical interest in Britain or elsewhere in the English-speaking world. This volume is the first publication to explore the largely unmapped field of poetry anthologies in Britain. Essays written from a wide range of perspectives in literary and cultural studies, and the point of view of poets, editors, publishers and cultural institutions, aim to do justice to the typological, functional and historical variety with which this form of publication has manifested itself - from early modern print culture to the postmodern age of the world wide web.
Author | : Rose Arny |
Publisher | : |
Total Pages | : 1816 |
Release | : 2003 |
Genre | : American literature |
ISBN | : |
Author | : Sally E. Hadden |
Publisher | : University of Georgia Press |
Total Pages | : 489 |
Release | : 2013-04-01 |
Genre | : Law |
ISBN | : 0820340340 |
In Signposts, Sally E. Hadden and Patricia Hagler Minter have assembled seventeen essays, by both established and rising scholars, that showcase new directions in southern legal history across a wide range of topics, time periods, and locales. The essays will inspire today's scholars to dig even more deeply into the southern legal heritage, in much the same way that David Bodenhamer and James Ely's seminal 1984 work, Ambivalent Legacy, inspired an earlier generation to take up the study of southern legal history. Contributors to Signposts explore a wide range of subjects related to southern constitutional and legal thought, including real and personal property, civil rights, higher education, gender, secession, reapportionment, prohibition, lynching, legal institutions such as the grand jury, and conflicts between bench and bar. A number of the essayists are concerned with transatlantic connections to southern law and with marginalized groups such as women and native peoples. Taken together, the essays in Signposts show us that understanding how law changes over time is essential to understanding the history of the South. Contributors: Alfred L. Brophy, Lisa Lindquist Dorr, Laura F. Edwards, James W. Ely Jr., Tim Alan Garrison, Sally E. Hadden, Roman J. Hoyos, Thomas N. Ingersoll, Jessica K. Lowe, Patricia Hagler Minter, Cynthia Nicoletti, Susan Richbourg Parker, Christopher W. Schmidt, Jennifer M. Spear, Christopher R. Waldrep, Peter Wallenstein, Charles L. Zelden.
Author | : Daniel McClean |
Publisher | : |
Total Pages | : 398 |
Release | : 2018 |
Genre | : Art |
ISBN | : 9781909932456 |
"Artistic authorship is fundamental to how we both interpret and value artworks. The figure of the solitary, creative genius underpins the symbolic and monetary values we ascribe to artworks; yet artistic authorship, like ownership, is often contested and unstable. This interdisciplinary collection of essays, written from legal, art historical, and art market perspectives, critically examines the construction and iteration of the artist-author both during the lifetime of the artist and beyond--whenn artistic authorship is stewarded by others, including artists' estates, foundations and museums. Drawing on current cases and legal disputes, this important anthology addresses enduring issues that have become central to the contemporary art world, such as the collision between artists' rights and the rights of owners of artworks, the problems of authentication and who has the final authority to determine authenticity, and the role of artists' estates as legacy guardians"--Page 4 of cover.
Author | : Barbara M. Benedict |
Publisher | : Princeton University Press |
Total Pages | : 263 |
Release | : 2018-12-04 |
Genre | : Literary Criticism |
ISBN | : 0691656436 |
Inquiring into the formation of a literary canon during the Restoration and the eighteenth century, Barbara Benedict poses the question, "Do anthologies reflect or shape contemporary literary taste?" She finds that there was a cultural dialectic at work: miscellanies and anthologies transmitted particular tastes while in turn being influenced by the larger culture they helped to create. Benedict reveals how anthologies of the time often created a consensus of literary and aesthetic values by providing a bridge between the tastes of authors, editors, printers, booksellers, and readers. Making the Modern Reader, the first full treatment of the early modern anthology, is in part a history of the London printing trade as well as of the professionalization of criticism. Benedict thoroughly documents the historical redefinition of the reader: once a member of a communal literary culture, the reader became private and introspective, morally and culturally shaped by choices in reading. She argues that eighteenth-century collections promised the reader that culture could be acquired through the absorption of literary values. This process of cultural education appealed to a middle class seeking to become discriminating consumers of art. By addressing this neglected genre, Benedict contributes a new perspective on the tension between popular and high culture, between the common reader and the elite. This book will interest scholars working in cultural studies and those studying noncanonical texts as well as eighteenth-century literature in general. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : |
Publisher | : |
Total Pages | : 832 |
Release | : 1922 |
Genre | : American literature |
ISBN | : |
Author | : Heather Bowen-Struyk |
Publisher | : University of Chicago Press |
Total Pages | : 441 |
Release | : 2016-01-14 |
Genre | : History |
ISBN | : 022603478X |
“A significant contribution to the body of English language scholarship and translation of Japanese proletarian literature. Highly recommended.” —Choice Fiction created by and for the working class emerged worldwide in the early twentieth century as a response to rapid modernization, dramatic inequality, and imperial expansion. In Japan, literary youth, men and women, sought to turn their imaginations and craft to tackling the ensuing injustices, with results that captured both middle-class and worker-farmer readers. This anthology is a landmark introduction to Japanese proletarian literature from that period. Contextualized by introductory essays, forty expertly translated stories touch on topics like perilous factories, predatory bosses, ethnic discrimination, and the myriad indignities of poverty. Together, they show how even intensely personal issues form a pattern of oppression. Fostering labor consciousness as part of an international leftist arts movement, these writers were also challenging the institution of modern literature itself. This anthology demonstrates the vitality of the “red decade” long buried in modern Japanese literary history. “The thread of thought underlying the stories . . . is, as Edmund Wilson eloquently established in To the Finland Station, one of the fundamental components of our contemporary consciousness.” —Kyoto Journal “An essential guidebook for navigating twentieth-century Japan’s literary and political terrain.” —Edward Fowler, University of California, Irvine, author of San’ya Blues: Laboring Life in Contemporary Tokyo “Excellent translations of excellent writers.” —John Whitter Treat, Yale University, author of The Rise and Fall of Modern Japanese Literature “Lucidly structured. . . . The editors have also made the welcome decision to retain self-censored and suppressed passages.” —Japan Times “Engaging and in-depth.” —Japan Studies
Author | : Robert E. Mongue |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Legal assistants |
ISBN | : 9781594608216 |
Professionalism is more than dressing well and a profession is more than a group of people engaged in the same career. This book takes a comprehensive approach to paralegal professionalism and the paralegal professional, discussing topics such as establishing a professional identity, regulation, certification and licensing, paralegal associations, paralegals from the perspective of the courts, paralegal utilization, paralegal professionalism, paralegal practice outside the United States, and paralegal education. "This important book addresses issues that either are or should be at the forefront of every discussion of the paralegal professional today. Paralegals are beginning to acknowledge the heights they have attained, but they have lacked a major scholarly treatise that has examined the profession in a systematic and insightful way. This book provides that scholarly examination. Beginning with a thoughtful overview of professional identity and all its elements, the book then goes on to examine each element of that identity -- education, regulation, professional ethics and the attorney/paralegal relationship, and utilization -- in academic detail. This framework echoes the issues that define the profession as a whole today. Thus, it is likely that this book will provide the intellectual framework for the discussions that will take place throughout the professional sphere." -- Toni Marsh, Esquire, Director, George Washington University Paralegal Studies Programs "This anthology delivers on the title's promise: it is a thought-provoking compilation of issues facing paralegals today and a challenge to individual paralegals to embody professionalism as the profession itself grows and develops." -- Kristine M. Hill, ACP, FRP, Advanced Certified Paralegal, Pensacola, Florida "The Empowered Paralegal Professional Anthology approaches the inherent questions posed to the modern day paralegal in terms of where we have been, who we are, and where we go from here. There is such a diverse background, with regard to education and preparation, in the field that it is refreshing to see a guide that incorporates a historical context, as well as future goals of the profession. It is so very important to understand the value of personal identity in terms of professionalism and ethics, which is crucial, or should I say integral, to how the legal community and the general public view the paralegal or legal assistant. I would highly recommend this book to all presently in the paralegal profession, as well as those interested in pursuing a paralegal career." -- Toylaine Hayman Spencer, Environmental Paralegal, Houston, Texas