An Analysis Of Hamid Dabashis Iran
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| Author | : Hamid Dabashi |
| Publisher | : |
| Total Pages | : 344 |
| Release | : 2007 |
| Genre | : History |
| ISBN | : |
A deeply informed political and cultural narrative of a country thrust into the international spotlight Praised by leading academics in the field as "extraordinary," "a brilliant analysis," "fresh, provocative and iconoclastic," Iran: A People Interrupted has distinguished itself as a major work that has single-handedly effected a revolution in the field of Iranian studies. In this provocative and unprecedented book, Hamid Dabashi--the internationally renowned cultural critic and scholar of Iranian history and Islamic culture--traces the story of Iran over the past two centuries with unparalleled analysis of the key events, cultural trends, and political developments leading up to the collapse of the reform movement and the emergence of the combative presidency of Mahmoud Ahmadinejad. Written in the author's characteristically lively and combative prose, Iran combines "delightful vignettes" (Publishers Weekly) from Dabashi's Iranian childhood and sharp, insightful readings of its contemporary history. In an era of escalating tensions in the Middle East, his defiant moral voice and eloquent account of a national struggle for freedom and democracy against the overwhelming backdrop of U.S. military hegemony fills a crucial gap in our understanding of this country.
| Author | : Hamid Dabashi |
| Publisher | : Transaction Publishers |
| Total Pages | : 710 |
| Release | : |
| Genre | : Religion |
| ISBN | : 9781412839723 |
Scores of books and articles have been published, addressing one or another aspect of the Islamic Revolution in Iran. Missing from this body of scholarship, however, has been a comprehensive analysis of the intellectual and ideological cornerstones of one of the most dramatic revolutions in our time. In this remarkable volume, Hamid Dabashi brings together, in a sustained and engagingly written narrative, the leading revolutionaries who have shaped the ideological disposition of this cataclysmic event. Dabashi has spent over ten years studying the writings, in their original Persian and Arabic, of the most influential Iranian clerics and thinkers. Examining the revolutionary sentiments and ideas of such figures as Jalal Al-e Ahmad, Ali Sharicati, Morteza Motahhari, Sayyad Abolhasan Bani-Sadr, and finally the Ayatollah Khomeini, the work also analyzes the larger historical and theoretical implications of any construction of "the Islamic Ideology." Carefully located in the social and intellectual context of the four decades preceding the 1979 revolution, Theology of Discontent is the definitive treatment of the ideological foundations of the Islamic Revolution, with particular attention to the larger, more enduring ramifications of this revolution for radical Islamic revivalism in the entire Muslim world. This volume will be of interest to Islamicists, Middle East historians and specialists, as well as scholars and students of "liberation theologies," comparative religious revolutions, and mass collective behavior. Bruce Lawrence of Duke University calls this volume "a superb and unprecedented study.... In brilliant figural strokes, he arrays EuroAmerican sociological theory as the crucial backdrop of a deeper understanding of contemporary Iranian history." Hamid Dabashi is professor of Persian studies at Columbia University. He is the author of, among other works, the acclaimed Authority in Islam: From the Rise of Muhammad to the Establishment of the Umayyads, issued by Transaction, which won the Association of American Publishers Award for most outstanding professional and scholarly publication in religion and philosophy.
| Author | : Bryan Gibson |
| Publisher | : CRC Press |
| Total Pages | : 109 |
| Release | : 2017-07-05 |
| Genre | : Literary Criticism |
| ISBN | : 1351352377 |
Hamid Dabashi’s 2007 Iran: A People Interrupted is simultaneously subtle, passionate, polarizing and polemical. A concise account of Iranian history from the early 19th-century onward, Dabashi’s book uses his incisive analytical skills as a basis for creating a persuasive argument against the views of Iran that predominate in the West. In Dabashi’s view, Western approaches to Iran have been colored time and time again by the assumption that it is somehow trapped between regressive ‘tradition,’ and progressive ‘modernity.’ The reality, he argues, is quite the opposite: Iran has its own distinctive ideology of modernity, which is nevertheless opposed to many Western ideals. In order to prove his point, Dabashi draws on a lifetime’s experience of literary criticism to analyse the relationship between Iran’s intellectual and political elites over two centuries. His analysis provides the key evidence for his reasoning by teasing out the implicit assumptions that underly the texts and people he examines. Looking beneath the surface of the evidence, Dabashi finds – time and time again – the traces of a uniquely Iranian notion of modernity that is quite at odds with its Western counterpart.
| Author | : Hamid Dabashi |
| Publisher | : Verso |
| Total Pages | : 328 |
| Release | : 2001 |
| Genre | : Performing Arts |
| ISBN | : 9781859846261 |
Abbas Kiarostami planted Iran firmly on the map of world cinema when he won the Palme d'Or at the Cannes film festival for his film A Taste of Cherry in 1997. In this book Hamid Dabashi examines the growing reputation of Iranian cinema from its origins in the films of Kimiyai and Mehrjui, through the work of established directors such as Kiarostami, Beyzai and Bani-Etemad, to young filmmakers like Samira Makhmalbaf and Bahman Qobadi, who triumphed at the Cannes 2000 festival. Dabashi combines exclusive interviews with directors, detailed and insightful commentary, critical cultural context, an extensive filmography, and generous illustration to provide an indispensable guide to a globally celebrated but little-studied cinematic genre. Book jacket.
| Author | : Hamid Dabashi |
| Publisher | : Mage Publishers |
| Total Pages | : 462 |
| Release | : 2023-05-23 |
| Genre | : Performing Arts |
| ISBN | : 1949445550 |
An academically acclaimed and globally celebrated cultural critic, Hamid Dabashi is the Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University. He is the author of a number of highly acclaimed books and articles on Iran, Islam, comparative literature, world cinema, and the philosophy of art, among them Close Up: Iranian Cinema, Past, Present, Future; Dreams of a Nation: On Palestinian Cinema (editor), Iran: A People Interrupted, and Iran without Borders: Towards a Critique of the Postcolonial Nation. He lives with his family in New York City.
| Author | : Hamid Dabashi |
| Publisher | : Harvard University Press |
| Total Pages | : 449 |
| Release | : 2012-05-07 |
| Genre | : Religion |
| ISBN | : 0674064283 |
For a Western world anxious to understand Islam and, in particular, ShiÕism, this book arrives with urgently needed information and critical analysis. Hamid Dabashi exposes the soul of ShiÕism as a religion of protestÑsuccessful only when in a warring position, and losing its legitimacy when in power. Dabashi makes his case through a detailed discussion of the ShiÕi doctrinal foundations, a panoramic view of its historical unfolding, a varied investigation into its visual and performing arts, and finally a focus on the three major sites of its contemporary contestations: Iran, Iraq, and Lebanon. In these states, ShiÕism seems to have ceased to be a sect within the larger context of Islam and has instead emerged to claim global political attention. Here we see ShiÕism in its combative modeÑreminiscent of its traumatic birth in early Islamic history. Hezbollah in Lebanon claims ShiÕism, as do the militant insurgents in Iraq, the ruling Ayatollahs in Iran, and the masses of youthful demonstrators rebelling against their reign. All declare their active loyalties to a religion of protest that has defined them and their ancestry for almost fourteen hundred years. ShiÕsm: A Religion of Protest attends to the explosive conflicts in the Middle East with an abiding attention to historical facts, cultural forces, religious convictions, literary and artistic nuances, and metaphysical details. This timely book offers readers a bravely intelligent history of a world religion.
| Author | : Hamid Dabashi |
| Publisher | : Harvard University Press |
| Total Pages | : 385 |
| Release | : 2012-11-20 |
| Genre | : Literary Criticism |
| ISBN | : 0674067592 |
Humanism has mostly considered the question “What does it mean to be human?” from a Western perspective. Dabashi asks it anew from a non-European perspective, in a groundbreaking study of 1,400 years of Persian literary humanism. He presents the unfolding of this vast tradition as the creative and subversive subconscious of Islamic civilization.
| Author | : Hamid Dabashi |
| Publisher | : Zed Books Ltd. |
| Total Pages | : 362 |
| Release | : 2012-05-10 |
| Genre | : Political Science |
| ISBN | : 1780322267 |
This pioneering explanation of the Arab Spring will define a new era of thinking about the Middle East. In this landmark book, Hamid Dabashi argues that the revolutionary uprisings that have engulfed multiple countries and political climes from Morocco to Iran and from Syria to Yemen, were driven by a 'Delayed Defiance' - a point of rebellion against domestic tyranny and globalized disempowerment alike - that signifies no less than the end of Postcolonialism. Sketching a new geography of liberation, Dabashi shows how the Arab Spring has altered the geopolitics of the region so radically that we must begin re-imagining the 'the Middle East'. Ultimately, the 'permanent revolutionary mood' Dabashi brilliantly explains has the potential to liberate not only those societies already ignited, but many others through a universal geopolitics of hope.
| Author | : Hamid Dabashi |
| Publisher | : Columbia University Press |
| Total Pages | : 269 |
| Release | : 2019-01-08 |
| Genre | : Literary Criticism |
| ISBN | : 0231544944 |
The Shahnameh, an epic poem recounting the foundation of Iran across mythical, heroic, and historical ages, is the beating heart of Persian literature and culture. Composed by Abu al-Qasem Ferdowsi over a thirty-year period and completed in the year 1010, the epic has entertained generations of readers and profoundly shaped Persian culture, society, and politics. For a millennium, Iranian and Persian-speaking people around the globe have read, memorized, discussed, performed, adapted, and loved the poem. In this book, Hamid Dabashi brings the Shahnameh to renewed global attention, encapsulating a lifetime of learning and teaching the Persian epic for a new generation of readers. Dabashi insightfully traces the epic’s history, authorship, poetic significance, complicated legacy of political uses and abuses, and enduring significance in colonial and postcolonial contexts. In addition to explaining and celebrating what makes the Shahnameh such a distinctive literary work, he also considers the poem in the context of other epics, such as the Aeneid and the Odyssey, and critical debates about the concept of world literature. Arguing that Ferdowsi’s epic and its reception broached this idea long before nineteenth-century Western literary criticism, Dabashi makes a powerful case that we need to rethink the very notion of “world literature” in light of his reading of the Persian epic.
| Author | : Hamid Dabashi |
| Publisher | : Transaction Publishers |
| Total Pages | : 334 |
| Release | : 2011-12-31 |
| Genre | : Philosophy |
| ISBN | : 1412843170 |
As recent events indicate, Iranian, Middle Eastern, and Islamic politics more broadly have been deeply influential in world affairs. Hamid Dabashi has been a highly visible and prominent commentator on these affairs, explaining, interpreting, and providing a critical perspective. This volume gathers together his most influential and insightful writings. As one of the foremost contemporary public intellectuals and scholars of our time, Dabashi's interests and writings span subjects ranging from Islamic philosophy and political ideology to Iranian art and Persian literature, from Sufism and Orientalism to Iranian and world cinema and contemporary Arab and Muslim visual arts; and from postcolonial theory and globalization to imperialism and public affairs. There is a direct connection between his theoretical innovations and the angle of his public interventions on the urgent global issues of the day. This book brings together some of his most important writings, especially those that offer new ways of understanding Islam, Iran, Islamist ideology, global art, and the condition of global modernity. The book shows the underlying conceptual themes that unify Dabashi's wide-ranging and brilliantly insightful corpus. Dabashi combines deep knowledge of the subject matter about which he writes, and highly refined sociological, hermeneutical, and cultural interpretive skills, moving far beyond the limiting, distorted, and intellectually stifling character of reigning absolutist conventions. He places existing authoritative frameworks under close scrutiny in order to produce novel and penetrating insights. These essays reflect historical and geographical worlds that are best viewed when Hamid Dabashi's work is read as a whole, which this one- volume work makes possible for the first time.
