An Actors Library
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| Author | : Nicholas D. Smith |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Book collecting |
| ISBN | : 9781584563624 |
Book collecting, bibliomania and the eighteenth-century -- Building a library -- Garrick, book culture and The Club -- Collecting Shakespeare and other English dramatists -- Book-buying in France and Italy -- Dispersal -- Appendix A. Locations of Garrick's books -- Appendix B. Books to which Garrick subscribed -- Appendix C. Books addressed/dedicated to Garrick -- Appendix D. Lots purchased by Thomas Thorpe at the 1823 sale -- Appendix E. Garrick books formerly belonging to George Frederick Beltz -- Appendix F. Carrington Garrick's books
| Author | : Susanne Granzer |
| Publisher | : Springer |
| Total Pages | : 131 |
| Release | : 2016-05-12 |
| Genre | : Performing Arts |
| ISBN | : 1137596341 |
Actors and the Art of Performance: Under Exposure combines the author's two main biographical paths: her professional commitment to the fields of both theatre and philosophy. The art of acting on stage is analysed here not only from the theoretical perspective of a spectator, but also from the perspective of the actor. The author draws on her experience as both a theatre actor and a university professor whose teachings in the art of acting rely heavily on her own experience and also on her philosophical knowledge. The book is unique not only in terms of its content but also in terms of its style. Written in a multiplicity of voices, the text oscillates between philosophical reasoning and narrative forms of writing, including micro-narratives, fables, parables, and inter alia by Carroll, Hoffmann and Kleist. Hence the book claims that a trans-disciplinary dialogue between the art of acting and the art of philosophical thinking calls for an aesthetical research that questions and begins to seek alternatives to traditionally established and ingrained formats of philosophy.
| Author | : Paul Meier |
| Publisher | : |
| Total Pages | : 350 |
| Release | : 2009-01-01 |
| Genre | : Acting |
| ISBN | : 9780578004525 |
| Author | : Michael Nash |
| Publisher | : O'Reilly Media |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Application software |
| ISBN | : 9781491934883 |
When it comes to big data processing, we can no longer ignore concurrency or try to add it in after the fact. Fortunately, the solution is not a new paradigm of development, but rather an old one. With this hands-on guide, Java and Scala developers will learn how to embrace concurrent and distributed applications with the open source Akka toolkit. You'll learn how to put the actor model and its associated patterns to immediate and practical use. Throughout the book, you'll deal with an analogous workforce problem: how to schedule a group of people across a variety of projects while optimizing their time and skillsets. This example will help you understand how Akka uses actors, streams, and other tools to stitch your application together. Model software that reflects the real world with domain-driven design Learn principles and practices for implementing individual actors Unlock the real potential of Akka with patterns for combining multiple actors Understand the consistency tradeoffs in a distributed system Use several Akka methods for isolating and dealing with failures Explore ways to build systems that support availability and scalability Tune your Akka application for performance with JVM tools and dispatchers
| Author | : Andrew Reilly |
| Publisher | : Sentient Publications |
| Total Pages | : 306 |
| Release | : 2004 |
| Genre | : Business & Economics |
| ISBN | : 1591810205 |
A thorough and well-written resource for anyone wanting to understand all facets of the acting business. It covers everything from unions to marketing yourself.
| Author | : Seth Barrish |
| Publisher | : Theatre Communications Group |
| Total Pages | : 218 |
| Release | : 2015-05-25 |
| Genre | : Performing Arts |
| ISBN | : 1559367970 |
"I was totally unprepared for the transformation that Seth's technique created in me. . . . I realized that what I thought I knew about acting up to that point was largely misguided . . . but I now had a great, talented, dedicated teacher who generously wanted to share his tools with everyone. There is muscularity, not to mention wisdom and truth to Seth's techniques. He is a wonderful teacher, and I know that having him as my first guide is one of the luckiest things to have happened to me in my career and life. And when I can't get back to class with him, I am so grateful I have this book to turn to."—Anne Hathaway "This book is truly unlike anything else I know—these pieces are haikus on specific elements of performance and character building."—Philip Himberg, executive director, Sundance Theatre Institute A collection of practical acting tips, tools, and exercises, An Actor's Companion is ideal for both the seasoned professionals and actors-in-training. The tips—all simple, direct, and useful—are easy to understand and even easier to apply, in both rehearsal and in performance. Seth Barrish is an actor, teacher, and the co-artistic director of The Barrow Group in New York City. In his thirty-year career, he has directed the award-winning shows My Girlfriend's Boyfriend (Lucille Lortel Award for Best Solo Show, Drama Desk and Outer Critics Circle nominations for Best Solo Show), Sleepwalk With Me (Nightlife Award for Outstanding Comedian in a Major Performance), The Tricky Part (Obie Award, Drama Desk nominations for Best Play and Best Solo Show), Pentecost (Drama Desk nomination for Best Play), Old Wicked Songs (Los Angeles Drama Critics Circle Award and Garland Award for Best Direction), and Good (Straw Hat Award for Best Direction), among dozens of others.
| Author | : Melissa Mueller |
| Publisher | : University of Chicago Press |
| Total Pages | : 283 |
| Release | : 2016-01-13 |
| Genre | : Performing Arts |
| ISBN | : 022631300X |
Objects as Actors charts a new approach to Greek tragedy based on an obvious, yet often overlooked, fact: Greek tragedy was meant to be performed. As plays, the works were incomplete without physical items—theatrical props. In this book, Melissa Mueller ingeniously demonstrates the importance of objects in the staging and reception of Athenian tragedy. As Mueller shows, props such as weapons, textiles, and even letters were often fully integrated into a play’s action. They could provoke surprising plot turns, elicit bold viewer reactions, and provide some of tragedy’s most thrilling moments. Whether the sword of Sophocles’s Ajax, the tapestry in Aeschylus’s Agamemnon, or the tablet of Euripides’s Hippolytus, props demanded attention as a means of uniting—or disrupting—time, space, and genre. Insightful and original, Objects as Actors offers a fresh perspective on the central tragic texts—and encourages us to rethink ancient theater as a whole.
| Author | : Thomas W. Babson |
| Publisher | : Heinemann Drama |
| Total Pages | : 168 |
| Release | : 1996 |
| Genre | : Education |
| ISBN | : |
Actor's Choice teaches how to create a subtle, believable performance without rehearsal and preparation time.
| Author | : Sonya Cooke |
| Publisher | : Vireo Book, A |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Performing Arts |
| ISBN | : 9781945572937 |
Cutting-edge, comprehensive, and effective, Seven Pillars Acting empowers the actor to transform into character with ease and authenticity. Inspired by the great acting teachers of the last century, Seven Pillars Acting is a modern method that provides a structured set of tools and a dependable process to access and cultivate talent. With many students of the technique now working in the entertainment industry, Seven Pillars Acting is changing the way actors approach the craft. Each pillar focuses in on a different aspect of acting; added together, they give the actor the complete skills necessary to book a callback, land the part, and deliver a performance that is both effortless and true. Young actors and seasoned performers alike not only gain a clear concept of acting, they also begin or reenergize their professional acting careers in film, television, and theater. It is the goal of Seven Pillars Acting to instill in actors a technique that they can practice for a lifetime, without needing a teacher or guru to handhold the artist. The first comprehensive technique in the past thirty years, Seven Pillars Acting is for the serious actor who seeks a personal, dependable, and thrilling approach to crafting character.
| Author | : Nicole Hodges Persley |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 192 |
| Release | : 2021-07-15 |
| Genre | : Performing Arts |
| ISBN | : 1538137089 |
"Everyone involved in the performing arts, from professors to casting directors to actors to students, especially those just starting out, should read this eye-opening work." Library Journal, Starred Review A practical guide that shows BIPOC actors how to break down the audition process rather than being broken down by the entertainment industry and its practices of exclusion and bias. Working in an environment that often stereotypes or attempts to “universalize” experiences, it’s more important than ever that actors consider how culture, race, ethnicity, gender, sexuality, and ability are inseparable and important parts of their identity that should not be minimized and can instead enhance their work. In Breaking It Down: Audition Techniques for Actors of the Global Majority, Nicole Hodges Persley and Monica White Ndounoushare real-world audition strategies that centers the experiences of actors of color. They combine practical advice, cultural studies, Black feminist perspectives, and lived experiences to offer intersectional approaches to auditioning. The ten steps outlined in this book aid actors across racial lines seeking to develop the necessary skills to break down a character and script while affirming their full selves into the audition to book the role. Building on the momentum of the #BlackLivesMatter, #MeToo, and Time’s Up movements, Breaking It Down emboldens actors of the global majority to embrace every aspect of their identities rather than leaving themselves behind in an effort to gain entry and access to the entertainment industry
