Amphion Anglicus
Author | : John Blow |
Publisher | : |
Total Pages | : 246 |
Release | : 1700 |
Genre | : Madrigals, English |
ISBN | : |
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Author | : John Blow |
Publisher | : |
Total Pages | : 246 |
Release | : 1700 |
Genre | : Madrigals, English |
ISBN | : |
Author | : Godfrey Edward Pellew Arkwright |
Publisher | : |
Total Pages | : 72 |
Release | : 1968 |
Genre | : Music |
ISBN | : |
Author | : John T. Shawcross |
Publisher | : University Press of Kentucky |
Total Pages | : 430 |
Release | : 2021-10-21 |
Genre | : Biography & Autobiography |
ISBN | : 0813185114 |
John T. Shawcross's groundbreaking new study of John Milton is an essential work of scholarship for those who seek a greater understanding of Milton, his family, and his social and political world. Shawcross uses extensive new archival research to scrutinize several misunderstood elements of Milton's life, including his first marriage and his relationship with his brother, brother-in-law and nephews. Shawcross examines Milton's numerous royalist connections, complicating the conventional view of Milton as eminent Puritan and raising questions about the role his connections played in his relatively mild punishment after the Restoration. Unique in its methodology, The Arms of the Family is required reading not only for students of Milton but also for students of biography in general. Entire chapters dedicated to Milton's brother Christopher, his brother-in-law Thomas Agar, and his nephews Edward and John Phillips, illuminate the domestic forces that helped shape Milton's point of view. The final chapters reconsider Milton's political and sociological ideology in the light of these domestic forces and in the religious context of his three major poetic works: Paradise Lost, Paradise Regain'd, and Samson Agonistes. The Arms of the Family is a seminal work by a preeminent Miltonist, marking a major advance in Milton studies and serving as a model for those engaged in family history, social history, and the early modern period.
Author | : George Lewis Smyth |
Publisher | : |
Total Pages | : 556 |
Release | : 1826 |
Genre | : London (England) |
ISBN | : |
Author | : Mara Parker |
Publisher | : A-R Editions, Inc. |
Total Pages | : 395 |
Release | : 2019-01-01 |
Genre | : Music |
ISBN | : 0895798743 |
An Index to Music in Selected Historical Anthologies of Western Art Music is the essential reference for music history and music theory instructors for finding specific listings and details for all the pieces included in more than 140 anthologies published between 1931 and 2016. Containing over 5,000 individual listings, this concise book is an indispensable tool for teaching music history and theory. Since many anthologies exist in multiple editions, this Index provides instructors, students, and researches with the means to locate specific compositions in both print and online anthologies. This book includes listings by composer and title, as well as indexes of authors, titles, and first lines of text for music from antiquity through the early twenty-first century.
Author | : Rebecca Herissone |
Publisher | : Cambridge University Press |
Total Pages | : 568 |
Release | : 2013 |
Genre | : Composition (Music) |
ISBN | : 1107289556 |
Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation.