Over the past two decades, the Chinese conceptual artist, activist and exile Ai Weiwei has created art that addresses complex and sensitive themes of political, ethical, and social urgency. His artworks, which call upon both Western and Chinese cultural traditions, are deeply engaged with the history of art, drawing particularly on conceptualism and minimalism. From the start of his multifaceted career in the late 1970s, Ai has envisioned artistic practice as a deeply human, moral, and political endeavour. This volume presents the artist's work in dialogue with theoretical texts by the Italian philosopher Giorgio Agamben and the German-Jewish philosopher Hannah Arendt alongside interpretive essays that illuminate the artist's work on human rights, his engagement with historical Chinese artifacts, and his critical consideration of the effects of globalisation.