American Western Song
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Author | : Austin E. Fife |
Publisher | : |
Total Pages | : 0 |
Release | : 1993 |
Genre | : Ballads |
ISBN | : 9781569220030 |
(Creative Concepts Publishing). This info-packed, 372-page collection features 200 American cowboy songs with complete lyrics, lead lines and guitar chords, plus an extensive introduction, notes on the songs, illustrations by J.K. Ralston throughout, a lexicon of cowboy terms, a general index and an index of titles and first lines, and more. Songs include: Billy the Kid * Blood on the Saddle * Buffalo Gals * Clementine * Dakota Land * The Girl I Left Behind Me * Going West * Jesse James * Johnny Cake * Old Paint * Punchin' Dough * Red River Valley * Red Wing * Shenandoah * Steamboat Bill * The Streets of Laredo * The Texas Cowboy * and many more.
Author | : Diane Pecknold |
Publisher | : Duke University Press |
Total Pages | : 391 |
Release | : 2013-07-10 |
Genre | : Music |
ISBN | : 0822351633 |
Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners. The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man’s blues." Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever
Author | : |
Publisher | : |
Total Pages | : 120 |
Release | : 2008-08 |
Genre | : |
ISBN | : |
Published for devotees of the cowboy and the West, American Cowboy covers all aspects of the Western lifestyle, delivering the best in entertainment, personalities, travel, rodeo action, human interest, art, poetry, fashion, food, horsemanship, history, and every other facet of Western culture. With stunning photography and you-are-there reportage, American Cowboy immerses readers in the cowboy life and the magic that is the great American West.
Author | : Allen Forte |
Publisher | : Yale University Press |
Total Pages | : 235 |
Release | : 2008-10-01 |
Genre | : Music |
ISBN | : 0300133359 |
In the twenties, thirties, and forties, now-legendary American songwriters and lyricists created a repertoire of popular songs, songs that have captured the hearts of generations of music lovers. George Gershwin, Richard Rodgers, Cole Porter, Jerome Kern, Harold Arlen, Hoagy Carmichael and many others, along with such lyricists as Ira Gershwin, Lorenz Hart, and Dorothy Fields, produced extraordinary songs of signal importance to the American musical heritage. In this book Allen Forte shares his love of American popular song. He discusses in detail twenty-three songs, ranging from Gershwin’s “Fascinating Rhythm” (1924) to Irving Berlin’s “Steppin’ Out with My Baby” (1947), guiding readers and listeners toward a deeper appreciation of this vital and engaging music. Forte writes for the general reader, assuming no background other than a familiarity with basic music notation. Each song is discussed individually and includes complete lyrics and simple leadsheet notation. Forte discusses the songs’ distinctive musical features and their sophisticated, often touching and witty lyrics. Readers can follow the music while they listen to the accompanying compact disc, which was specially recorded for this volume by baritone Richard Lalli and pianist-arranger Gary Chapman, with Allen Forte, pianist-arranger for “Embraceable You” and “Come Rain or Come Shine”. Learn about these favorite songs and more: “How Long Has This Been Going On?” “What Is This Thing Called Love?” “Embraceable You” “Autumn in New York” “I’ve Got You Under My Skin” “The Nearness of You” “That Old Black Magic” “Come Rain or Come Shine”
Author | : Angela Shelf Medearis |
Publisher | : Turtleback Books |
Total Pages | : 44 |
Release | : 1997-03 |
Genre | : Juvenile Nonfiction |
ISBN | : 9780606121354 |
In this Western folk song, an educated fellow mistaken for a greenhorn proves his cowboy ability by riding a wild horse. Includes a discussion of Afro-American and Hispanic cowboys in the nineteenth century. Copyright © Libri GmbH. All rights reserved.
Author | : |
Publisher | : |
Total Pages | : 100 |
Release | : 1999-03 |
Genre | : |
ISBN | : |
Published for devotees of the cowboy and the West, American Cowboy covers all aspects of the Western lifestyle, delivering the best in entertainment, personalities, travel, rodeo action, human interest, art, poetry, fashion, food, horsemanship, history, and every other facet of Western culture. With stunning photography and you-are-there reportage, American Cowboy immerses readers in the cowboy life and the magic that is the great American West.
Author | : New York Public Library |
Publisher | : |
Total Pages | : 82 |
Release | : 1925 |
Genre | : African Americans |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 94 |
Release | : 1995-05 |
Genre | : |
ISBN | : |
Published for devotees of the cowboy and the West, American Cowboy covers all aspects of the Western lifestyle, delivering the best in entertainment, personalities, travel, rodeo action, human interest, art, poetry, fashion, food, horsemanship, history, and every other facet of Western culture. With stunning photography and you-are-there reportage, American Cowboy immerses readers in the cowboy life and the magic that is the great American West.
Author | : |
Publisher | : |
Total Pages | : 916 |
Release | : 1899 |
Genre | : Music |
ISBN | : |
Author | : Timothy E. Wise |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 261 |
Release | : 2016-10-28 |
Genre | : Music |
ISBN | : 1496805836 |
Timothy E. Wise presents the first book to focus specifically on the musical content of yodeling in our culture. He shows that yodeling serves an aesthetic function in musical texts. A series of chronological chapters analyzes this musical tradition from its earliest appearances in Europe to its incorporation into a range of American genres and beyond. Wise posits the reasons for yodeling's changing status in our music. How and why was yodeling introduced into professional music making in the first place? What purposes has it served in musical texts? Why was it expunged from classical music? Why did it attach to some popular music genres and not others? Why does yodeling now appear principally at the margins of mainstream tastes? To answer such questions, Wise applies the perspectives of critical musicology, semiotics, and cultural studies to the changing semantic associations of yodeling in an unexplored repertoire stretching from Beethoven to Zappa. This volume marks the first musicological and ideological analysis of this prominent but largely ignored feature of American musical life. Maintaining high scholarly standards but keeping the general reader in mind, the author examines yodeling in relation to ongoing cultural debates about singing, music as art, social class, and gender. Chapters devote attention to yodeling in nineteenth-century classical music, the nineteenth-century Alpine-themed song in America, the Americanization of the yodel, Jimmie Rodgers, and cowboy yodeling, among other topics.