American Vaudeville As Ritual
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Author | : Albert F. McLeanJr. |
Publisher | : University Press of Kentucky |
Total Pages | : 266 |
Release | : 2021-10-21 |
Genre | : Drama |
ISBN | : 0813184797 |
This study affords an entirely new view of the nature of modern popular entertainment. American vaudeville is here regarded as the carefully elaborated ritual serving the different and paradoxical myth of the new urban folk. It demonstrates that the compulsive myth-making faculty in man is not limited to primitive ethnic groups or to serious art, that vaudeville cannot be dismissed as meaningless and irrelevant simply because it fits neither the criteria of formal criticsm or the familiar patterns of anthropological study. Using the methods for criticism developed by Susanne K. Langer and others, the author evaluates American vaudeville as a symbolic manifestation of basic values shared by the American people during the period 1885-1930. By examining vaudeville as folk ritual, the book reveals the unconscious symbolism basic to vaudeville-in its humor, magic, animal acts, music, and playlets, and also in the performers and the managers—which gave form to the dominant American myth of success. This striking view of the new mass man as a folk and of his mythology rooted in the very empirical science devoted to dispelling myth has implications for the serious study of all forms of mass entertainment in America. The book is illustrated with a number of striking photographs.
Author | : Albert F. McLean |
Publisher | : |
Total Pages | : 250 |
Release | : 1963 |
Genre | : Vaudeville |
ISBN | : |
Author | : LeRoy Ashby |
Publisher | : University Press of Kentucky |
Total Pages | : 686 |
Release | : 2006-05-12 |
Genre | : Social Science |
ISBN | : 0813171326 |
With Amusement for All is a sweeping interpretative history of American popular culture. Providing deep insights into various individuals, events, and movements, LeRoy Ashby explores the development and influence of popular culture -- from minstrel shows to hip-hop, from the penny press to pulp magazines, from the NBA to NASCAR, and much in between. By placing the evolution of popular amusement in historical context, Ashby illuminates the complex ways in which popular culture both reflects and transforms American society. He demonstrates a recurring pattern in democratic culture by showing how groups and individuals on the cultural and social periphery have profoundly altered the nature of mainstream entertainment. The mainstream has repeatedly co-opted and sanitized marginal trends in a process that continues to shift the limits of acceptability. Ashby describes how social control and notions of public morality often vie with the bold, erotic, and sensational as entrepreneurs finesse the vagaries of the market and shape public appetites. Ashby argues that popular culture is indeed a democratic art, as it entertains the masses, provides opportunities for powerless and disadvantaged individuals to succeed, and responds to changing public hopes, fears, and desires. However, it has also served to reinforce prejudices, leading to discrimination and violence. Accordingly, the study of popular culture reveals the often dubious contours of the American dream. With Amusement for All never loses sight of pop culture's primary goal: the buying and selling of fun. Ironically, although popular culture has drawn an enormous variety of amusements from grassroots origins, the biggest winners are most often sprawling corporations with little connection to a movement's original innovators.
Author | : Thomas Cripps |
Publisher | : Oxford University Press |
Total Pages | : 462 |
Release | : 1977-02-03 |
Genre | : Social Science |
ISBN | : 0199878455 |
Set against the backdrop of the black struggle in society, Slow Fade to Black is the definitive history of African-American accomplishment in film--both before and behind the camera--from the earliest movies through World War II. As he records the changing attitudes toward African-Americans both in Hollywood and the nation at large, Cripps explores the growth of discrimination as filmmakers became more and more intrigued with myths of the Old South: the "lost cause" aspect of the Civil War, the stately mansions and gracious ladies of the antebellum South, the "happy" slaves singing in the fields. Cripps shows how these characterizations culminated in the blatantly racist attitudes of Griffith's The Birth of a Nation, and how this film inspired the N.A.A.C.P. to campaign vigorously--and successfully--for change. While the period of the 1920s to 1940s was one replete with Hollywood stereotypes (blacks most often appeared as domestics or "natives," or were portrayed in shiftless, cowardly "Stepin Fetchit" roles), there was also an attempt at independent black production--on the whole unsuccessful. But with the coming of World War II, increasing pressures for a wider use of blacks in films, and calls for more equitable treatment, African-Americans did begin to receive more sympathetic roles, such as that of Sam, the piano player in the 1942 classic Casablanca. A lively, thorough history of African-Americans in the movies, Slow Fade to Black is also a perceptive social commentary on evolving racial attitudes in this country during the first four decades of the twentieth century.
Author | : Roman Iwaschkin |
Publisher | : Routledge |
Total Pages | : 726 |
Release | : 2016-04-14 |
Genre | : Music |
ISBN | : 1317223446 |
This is a comprehensive guide to popular music literature, first published in 1986. Its main focus is on American and British works, but it includes significant works from other countries, making it truly international in scope.
Author | : the late Russell Sanjek |
Publisher | : Oxford University Press |
Total Pages | : 586 |
Release | : 1988-07-28 |
Genre | : Music |
ISBN | : 0190243295 |
Volume two concentrates exclusively on music activity in the United States in the nineteenth century. Among the topics discussed are how changing technology affected the printing of music, the development of sheet music publishing, the growth of the American musical theater, popular religious music, black music (including spirituals and ragtime), music during the Civil War, and finally "music in the era of monopoly," including such subjects as copyright, changing technology and distribution, invention of the phonograph, copyright revision, and the establishment of Tin Pan Alley.
Author | : Jessica Zeller |
Publisher | : Oxford University Press |
Total Pages | : 217 |
Release | : 2016 |
Genre | : Education |
ISBN | : 0190296690 |
Shapes of American Ballet introduces several lesser-known European and Russian ballet teachers who worked in New York City before Balanchine. Taking into account the effects of America's economic system and the early twentieth century popular stage, this book looks anew at American ballet as derived from multiple influences and lineages.
Author | : Garry Boulard |
Publisher | : University of Illinois Press |
Total Pages | : 228 |
Release | : 2002 |
Genre | : Biography & Autobiography |
ISBN | : 9780252070907 |
"This is the first paperback edition of the only biography of Louis Prima, one of the most underrated jazz musicians and entertainers of the twentieth century. In a career that spanned four decades, Prima infused the grit and grace of Dixieland jazz with swing and big band sounds, the first whiffs of rock 'n' roll, and a vaudevillian-like stage presence. A native of New Orleans, the Guy Lombardo protg known as ""The Italian Satchmo"" was the country's smashing new jazz sensation at New York's Famous Door in the 1930s. He went on to be a successful big band leader and a Vegas nightclub staple, and he virtually created the concept of the lounge act. Despite his longstanding success, Prima's over-the-top on-stage antics induced critics to not take him seriously and he was relegated to the status of mere ""entertainer.""Married five times and involved with numerous women in between, Prima has more often been remembered for his colorful relationships and quirky personality than for his abilities as a trumpeter and singer. After his death in 1978, his music gradually disappeared and jazz scholars rarely mentioned his name.Nudging Prima's legacy into the limelight the musician deserved, Garry Boulard nimbly explores Prima's ability to maintain a lifelong career, his knack for self-promotion, and how the cities in which he lived and performed--New York, Los Angeles, and Las Vegas--uniquely and indelibly informed his style. In a new preface, the author considers how the resurgence of big band and swing music in the late 1990s catapulted Prima and his music back into the public eye."
Author | : Carlo Cenciarelli |
Publisher | : Oxford University Press |
Total Pages | : 789 |
Release | : 2021 |
Genre | : Music |
ISBN | : 0190853611 |
The Oxford Handbook of Cinematic Listening explores the intersection between the history of listening and the history of the moving image. Featuring established and emergent scholars from musicology, film studies, and literary studies, ethnomusicology and sound studies, popular music,sociology, media and communications, and psychology, this Handbook offers a wide range of case studies and methodological perspectives on the archaeologies, aesthetics, and extensions of cinematic listening.Chapters are structured around six themes: Part I ("Genealogies and Beginnings") considers film sound in light of pre-existing genres such as opera and shadow theatre, and explores changes in listening taking place at critical junctures in the early history of cinema. Part II ("Locations andRelocations") focuses on specific venues and presentational practices (from roadshow movies to and contemporary live-score screenings). Part III ("Representations and Re-presentations") zooms into the formal properties of specific films, analysing representations of listening on screen as well as onthe role of sound as a representational surplus. Part IV ("The Listening Body") focuses on cinematic sound as a powerful and sensual stimulus that has the power to engage the full body sensorium. Part V ("Listening again") discusses a range of ways in which film sound is encountered andreinterpreted outside the cinema, through ancillary materials like songs and soundtrack albums, in experimental conditions, and in pedagogical contexts. Part VI ("Between Media") compares the listening protocols of cinema with those of TV series and music video, promenade theatre and personalstereos, video games and Virtual Reality.
Author | : Alan Havig |
Publisher | : Temple University Press |
Total Pages | : 314 |
Release | : 2010-06-09 |
Genre | : Performing Arts |
ISBN | : 1439905606 |
Tracing a career that lasted from 1912 into the 1950s, Havig describes the "verbal slapstick" style that was Fred Allen's hallmark and legacy to American comedy.