American Popular Music And Its Business The Beginning To 1790
Download American Popular Music And Its Business The Beginning To 1790 full books in PDF, epub, and Kindle. Read online free American Popular Music And Its Business The Beginning To 1790 ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : the late Russell Sanjek |
| Publisher | : Oxford University Press |
| Total Pages | : 741 |
| Release | : 1988-07-28 |
| Genre | : Music |
| ISBN | : 0198021275 |
This volume focuses on developments in the music business in the twentieth century, including vaudeville, music boxes, the relationship of Hollywood to the music business, the "fall and rise" of the record business in the 1930s, new technology (TV, FM, and the LP record) after World War II, the dominance of rock-and-roll and the huge increase in the music business during the 1950s and 1960s, and finally the changing music business scene from 1967 to the present, especially regarding government regulations, music licensing, and the record business.
| Author | : Russell Sanjek |
| Publisher | : New York : Oxford University Press |
| Total Pages | : 504 |
| Release | : 1988 |
| Genre | : Music |
| ISBN | : |
This three-volume work tells the complete story of American popular songs, their authors, and the business they set in motion. Volume one explores the inception of the music publishing business in Elizabethan England and traces music activity in England until 1790, examining popular balladry, copyright problems, the start of music printing, religious music, professional music makers, musical theater, eighteenth-century music, and such leading musical figures as Purcell, Handel, and Haydn. Also discussed are the beginnings of music in the United States, including musical theater, black music, and the Great Awakening and its relationship to music publishing.
| Author | : Music Licensing Consultant Rick Sanjek |
| Publisher | : Oxford University Press |
| Total Pages | : 697 |
| Release | : 2024-07-18 |
| Genre | : Music |
| ISBN | : 0197782892 |
As the long awaited sequel to American Popular Music and Its Business: the First 400 Years, this book offers a detailed and objective history of the evolution and effect of digital technology from 1985 through 2020 on all segments of the popular music business from CDs and stadium tours to TikTok and the effects of the COVID-19 pandemic, with particular emphasis on the relationship between the creators, the consumers, and the business professionals who form the three major axes of the industry. Author Rick Sanjek, a 50-year industry veteran, combines the knowledge acquired during his decades of experience with scholarly research to create a compelling narrative of the events, economics, and innerworkings of the modern music business.
| Author | : Russell Sanjek |
| Publisher | : New York : Oxford University Press |
| Total Pages | : 741 |
| Release | : 1988 |
| Genre | : Music |
| ISBN | : 0195043111 |
Volume three of this work focuses on developments in the music business in the twentieth century, from its earliest days to the present era.
| Author | : B. Lee Cooper |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 386 |
| Release | : 2004-04-30 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0313072728 |
The function of print resources as instructional guides and descriptors of popular music pedagogy are addressed in this concise volume. Increasingly, public school teachers and college-level faculty members are introducing and utilizing music-related educational approaches in their classrooms. This book lists reports dealing with popular music resources as classroom teaching materials, and will stimulate further thought among students and teachers. It focuses on the growing spectrum of published scholarship available to instructors in specific teaching fields (art, geography, social studies, urban studies, and so on) as well as on the multitude of general resources (including biographical directories and encyclopedias of artist profiles). Building on two recent publications: Teaching with Popular Music Resources: A Bibliography of Interdisciplinary Instructional Approaches, Popular Music and Society, XXII, no. 2 (Summer 1998), and American Culture Interpreted through Popular Music: Interdisciplinary Teaching Approaches (Bowling Green State University Popular Press, 2000), this volume focuses on the growing spectrum of published scholarship that is available to instructors in specific teaching fields (art, geography, social studies, urban studies, and so on) as well as on the multitude of general resources (including biographical directories and encyclopedias of artist profiles).
| Author | : Richard Weissman |
| Publisher | : Routledge |
| Total Pages | : 361 |
| Release | : 2015-09-30 |
| Genre | : Music |
| ISBN | : 1317342712 |
Understanding the Music Business offers students a current overview of the music business. Going beyond what most music business texts offer, Weismann delivers a contemporary approach that addresses the unanswered questions for today's music students, such as, "Is it really possible to make a living as musician?" Understanding the Music Business covers the basics in the first part of the text. This first section deals with the fundamentals of the industry, including recording, music publishing, agents, managers, radio and television, unions, the internet and new technology, and regional and international music markets. However, it is the second half of the text that breaks new ground by covering the career paths of new artists in the industry, the development and need for entrepreneurial skills, and the ways that individuals forge careers in the industry.
| Author | : Dick Weissman |
| Publisher | : Taylor & Francis |
| Total Pages | : 429 |
| Release | : 2017-05-12 |
| Genre | : Music |
| ISBN | : 1317192648 |
In today’s fast-moving music industry, what does it take to build a life-long career? Now more than ever, all those working in music need to be aware of many aspects of the business, and take control of their own careers. Understanding the Music Business offers students a concise yet comprehensive overview of the rapidly evolving music industry, rooted in real-world experiences. Anchored by a wealth of career profiles and case studies, this second edition has been updated throughout to include the most important contemporary developments, including the advent of streaming and the shift to a DIY paradigm. A new "Both Sides Now" feature helps readers understand differing opinions on key issues. Highly readable, Understanding the Music Business is the perfect introduction for anyone seeking to understand how musical talents connect to making a living.
| Author | : David Sanjek |
| Publisher | : Routledge |
| Total Pages | : 492 |
| Release | : 2018-10-03 |
| Genre | : Music |
| ISBN | : 1351333380 |
How has the history of rock ‘n’ roll been told? Has it become formulaic? Or remained, like the music itself, open to outside influences? Who have been the genre’s primary historians? What common frameworks or sets of assumptions have music history narratives shared? And, most importantly, what is the cost of failing to question such assumptions? "Stories We Could Tell:Putting Words to American Popular Music" identifies eight typical strategies used when critics and historians write about American popular music, and subjects each to forensic analysis. This posthumous book is a unique work of cultural historiography that analyses, catalogues, and contextualizes music writing in order to afford the reader new perspectives on the field of cultural production, and offer new ways of thinking about, and writing about, popular music.
| Author | : Eric Weisbard |
| Publisher | : Duke University Press |
| Total Pages | : 447 |
| Release | : 2021-04-23 |
| Genre | : Music |
| ISBN | : 147802139X |
In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre—cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.
| Author | : Ron Sobel |
| Publisher | : Routledge |
| Total Pages | : 201 |
| Release | : 2008-08-18 |
| Genre | : Art |
| ISBN | : 1135921997 |
Music Publishing covers the basics of how a composition is copyrighted, published, and promoted. Publishing in the music business goes far beyond the physical sheet--it includes live performance and mechanical (recording) rights, and income streams from licensing deals of various kinds. A single song can generate over thirty different royalty streams, and a writer must know how these royalties are calculated and who controls the flow of the money. Taking a practical approach, the authors -- one a successful music publisher and attorney, the other a songwriter and music business professor -- explain in simple terms the basic concept of copyright law as it pertains to compositions. Throughout, they give practical examples from "real world" situations that illuminate both potential pitfalls and possible upsides for the working composers.
