American Cultural Rebels
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| Author | : Uta G. Poiger |
| Publisher | : Univ of California Press |
| Total Pages | : 354 |
| Release | : 2000-03-03 |
| Genre | : Art |
| ISBN | : 9780520211391 |
"This significant contribution to German history pioneers a conceptually sophisticated approach to German-German relations. Poiger has much to say about the construction of both gender norms and masculine and feminine identities, and she has valuable insights into the role that notions of race played in defining and reformulating those identities and prescriptive behaviors in the German context. The book will become a 'must read' for German historians."—Heide Fehrenbach, author of Cinema in Democratizing Germany "Poiger breaks new ground in this history of the postwar Germanies. The book will serve as a model for all future studies of comparative German-German history."—Robert G. Moeller, author of Protecting Motherhood "Jazz, Rock, and Rebels exemplifies the exciting work currently emerging out of transnational analyses. [A] well-written and well-argued study."—Priscilla Wald, author of Constituting Americans
| Author | : Roy Kotynek |
| Publisher | : McFarland |
| Total Pages | : 263 |
| Release | : 2008-03-17 |
| Genre | : History |
| ISBN | : 078643709X |
Artistic vanguards plot new aesthetic movements, print controversial magazines, hold provocative art shows, and stage experimental theatrical and musical performances. These revolutionaries have often helped create America's countercultural movements, from the early romantics and bohemians to the beatniks and hippies. This work looks at how experimental art and the avant-garde artists' lifestyles have influenced, and at times transformed, American culture since the mid-nineteenth century. The work will introduce readers to these artists and rebels, making a careful distinction between the worlds of the high modern artist (salons and galleries) and the bohemian.
| Author | : Robin D. G. Kelley |
| Publisher | : Simon and Schuster |
| Total Pages | : 522 |
| Release | : 1996-06-01 |
| Genre | : Fiction |
| ISBN | : 1439105049 |
Many black strategies of daily resistance have been obscured--until now. Race rebels, argues Kelley, have created strategies of resistance, movements, and entire subcultures. Here, for the first time, everyday race rebels are given the historiographical attention they deserve, from the Jim Crow era to the present.
| Author | : Priscilla Layne |
| Publisher | : University of Michigan Press |
| Total Pages | : 273 |
| Release | : 2018-03-13 |
| Genre | : History |
| ISBN | : 0472130803 |
Investigates the appropriation of black popular culture as a symbol of rebellion in postwar Germany
| Author | : Noeleen McIlvenna |
| Publisher | : UNC Press Books |
| Total Pages | : 183 |
| Release | : 2020-03-19 |
| Genre | : History |
| ISBN | : 1469656078 |
During the half century after 1650 that saw the gradual imposition of a slave society in England's North American colonies, poor white settlers in the Chesapeake sought a republic of equals. Demanding a say in their own destinies, rebels moved around the region looking for a place to build a democratic political system. This book crosses colonial boundaries to show how Ingle's Rebellion, Fendall's Rebellion, Bacon's Rebellion, Culpeper's Rebellion, Parson Waugh's Tumult, and the colonial Glorious Revolution were episodes in a single struggle because they were organized by one connected group of people. Adding land records and genealogical research to traditional sources, Noeleen McIlvenna challenges standard narratives that disdain poor whites or leave them out of the history of the colonial South. She makes the case that the women of these families played significant roles in every attempt to establish a more representative political system before 1700. McIlvenna integrates landless immigrants and small farmers into the history of the Chesapeake region and argues that these rebellious anti-authoritarians should be included in the pantheon of the nation's Founders.
| Author | : Leerom Medovoi |
| Publisher | : Duke University Press |
| Total Pages | : 399 |
| Release | : 2005-11-23 |
| Genre | : Literary Criticism |
| ISBN | : 0822387298 |
Holden Caulfield, the beat writers, Elvis Presley, Chuck Berry, and James Dean—these and other avatars of youthful rebellion were much more than entertainment. As Leerom Medovoi shows, they were often embraced and hotly debated at the dawn of the Cold War era because they stood for dissent and defiance at a time when the ideological production of the United States as leader of the “free world” required emancipatory figures who could represent America’s geopolitical claims. Medovoi argues that the “bad boy” became a guarantor of the country’s anti-authoritarian, democratic self-image: a kindred spirit to the freedom-seeking nations of the rapidly decolonizing third world and a counterpoint to the repressive conformity attributed to both the Soviet Union abroad and America’s burgeoning suburbs at home. Alongside the young rebel, the contemporary concept of identity emerged in the 1950s. It was in that decade that “identity” was first used to define collective selves in the politicized manner that is recognizable today: in terms such as “national identity” and “racial identity.” Medovoi traces the rapid absorption of identity themes across many facets of postwar American culture, including beat literature, the young adult novel, the Hollywood teen film, early rock ‘n’ roll, black drama, and “bad girl” narratives. He demonstrates that youth culture especially began to exhibit telltale motifs of teen, racial, sexual, gender, and generational revolt that would burst into political prominence during the ensuing decades, bequeathing to the progressive wing of contemporary American political culture a potent but ambiguous legacy of identity politics.
| Author | : Joseph Heath |
| Publisher | : Harper Collins |
| Total Pages | : 370 |
| Release | : 2004-12-14 |
| Genre | : Social Science |
| ISBN | : 006074586X |
In this wide-ranging and perceptive work of cultural criticism, Joseph Heath and Andrew Potter shatter the most important myth that dominates much of radical political, economic, and cultural thinking. The idea of a counterculture -- a world outside of the consumer-dominated world that encompasses us -- pervades everything from the antiglobalization movement to feminism and environmentalism. And the idea that mocking or simply hoping the "system" will collapse, the authors argue, is not only counterproductive but has helped to create the very consumer society radicals oppose. In a lively blend of pop culture, history, and philosophical analysis, Heath and Potter offer a startlingly clear picture of what a concern for social justice might look like without the confusion of the counterculture obsession with being different.
| Author | : Jack Newfield |
| Publisher | : Nation Books |
| Total Pages | : 352 |
| Release | : 2004-01-05 |
| Genre | : History |
| ISBN | : 9781560255437 |
American Rebels is an anthology of specially commissioned essays by leading American writers that attempt to reconcile authentic patriotism with original artistic creation, unpopular opinion, and real moral principles that don't change with the winds. It includes rebels in politics, education, journalism, religion, literature, film, sports, music, law, popular culture, and social struggle. These are real rebels against conformity, commercialism, racism, oligarchy, the bogus conventional wisdom, stacked decks, and sacred cows. The Americans celebrated don't fit under any one ideology or party. They are too free-spirited to be categorized, belonging to a continuum of conviction and creation in our tangled national history. Some, like Walt Whitman, Bob Dylan, Marlon Brando, and Frank Sinatra, are famous. Others are less well known but have earned a broad appreciation; among them are Sam Fuller, Paul O'Dwyer, and Mike Harrington. Still others like Edward Abbey, Benjamin Mays, and Bill Hicks are almost cult figures—revered by a small, intense following. Others have faded from memory, like Margaret Sanger and Clarence Darrow, and deserve a new shaft of sunlight. This groundbreaking collection includes original essays by Pete Hamill, Stanley Crouch, Budd Schulberg, Danny Goldberg, J. Hoberman, Patricia Bosworth, Tom Hayden, Steve Earle, and others.
| Author | : Paul Lopes |
| Publisher | : Princeton University Press |
| Total Pages | : 244 |
| Release | : 2019-06-11 |
| Genre | : Social Science |
| ISBN | : 0691189811 |
How creative freedom, race, class, and gender shaped the rebellion of two visionary artists Postwar America experienced an unprecedented flourishing of avant-garde and independent art. Across the arts, artists rebelled against traditional conventions, embracing a commitment to creative autonomy and personal vision never before witnessed in the United States. Paul Lopes calls this the Heroic Age of American Art, and identifies two artists—Miles Davis and Martin Scorsese—as two of its leading icons. In this compelling book, Lopes tells the story of how a pair of talented and outspoken art rebels defied prevailing conventions to elevate American jazz and film to unimagined critical heights. During the Heroic Age of American Art—where creative independence and the unrelenting pressures of success were constantly at odds—Davis and Scorsese became influential figures with such modern classics as Kind of Blue and Raging Bull. Their careers also reflected the conflicting ideals of, and contentious debates concerning, avant-garde and independent art during this period. In examining their art and public stories, Lopes also shows how their rebellions as artists were intimately linked to their racial and ethnic identities and how both artists adopted hypermasculine ideologies that exposed the problematic intersection of gender with their racial and ethnic identities as iconic art rebels. Art Rebels is the essential account of a new breed of artists who left an indelible mark on American culture in the second half of the twentieth century. It is an unforgettable portrait of two iconic artists who exemplified the complex interplay of the quest for artistic autonomy and the expression of social identity during the Heroic Age of American Art.
| Author | : Craig A. Warren |
| Publisher | : University of Alabama Press |
| Total Pages | : 237 |
| Release | : 2014-09-07 |
| Genre | : History |
| ISBN | : 0817318488 |
The first comprehensive history of the fabled Confederate battle cry from its origins and myths through its use in American popular culture No aspect of Civil War military lore has received less scholarly attention than the battle cry of the Southern soldier. In The Rebel Yell, Craig A. Warren brings together soldiers' memoirs, little-known articles, and recordings to create a fascinating and exhaustive exploration of the facts and myths about the “Southern screech.” Through close readings of numerous accounts, Warren demonstrates that the Rebel yell was not a single, unchanging call, but rather it varied from place to place, evolved over time, and expressed nuanced shades of emotion. A multifunctional act, the flexible Rebel yell was immediately recognizable to friends and foes but acquired new forms and purposes as the epic struggle wore on. A Confederate regiment might deliver the yell in harrowing unison to taunt Union troops across the empty spaces of a battlefield. At other times, individual soldiers would call out solo or in call-and-response fashion to communicate with or secure the perimeters of their camps. The Rebel yell could embody unity and valor, but could also become the voice of racism and hatred. Perhaps most surprising, The Rebel Yell reveals that from Reconstruction through the first half of the twentieth century, the Rebel yell—even more than the Confederate battle flag—served as the most prominent and potent symbol of white Southern defiance of Federal authority. With regard to the late-twentieth and early twenty-first centuries, Warren shows that the yell has served the needs of people the world over: soldiers and civilians, politicians and musicians, re-enactors and humorists, artists and businessmen. Warren dismantles popular assumptions about the Rebel yell as well as the notion that the yell was ever “lost to history.” Both scholarly and accessible, The Rebel Yell contributes to our knowledge of Civil War history and public memory. It shows the centrality of voice and sound to any reckoning of Southern culture.
