American Broadside Verse from Imprints of the 17th & 18th Centuries
Author | : Ola Elizabeth Winslow |
Publisher | : |
Total Pages | : 266 |
Release | : 1974 |
Genre | : Language Arts & Disciplines |
ISBN | : |
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Author | : Ola Elizabeth Winslow |
Publisher | : |
Total Pages | : 266 |
Release | : 1974 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Author | : Ola Elizabeth Winslow |
Publisher | : |
Total Pages | : 224 |
Release | : 1930 |
Genre | : American poetry |
ISBN | : |
Author | : George Thomas Tanselle |
Publisher | : Harvard University Press |
Total Pages | : 1146 |
Release | : 1971 |
Genre | : Bibliographical literature |
ISBN | : 9780674367616 |
Author | : Hugh Amory |
Publisher | : Cambridge University Press |
Total Pages | : 676 |
Release | : 2000 |
Genre | : Business & Economics |
ISBN | : 9780521482561 |
Volume 1 of A History of the Book in America, The Colonial Book in the Atlantic World, encompasses the seventeenth and eighteenth centuries. It is organized around three major themes: the persisting colonial relationship between European settlements and the Old World; the gradual emergence of a pluralistic book trade that differentiated printers from booksellers; and the transition from a 'culture of the Word', organized around an understanding of print as a vehicle of the sacred, to the culture of republicanism, epitomized by Benjamin Franklin, and culminating in the uses of print during the Revolutionary era. The volume will also describe nascent forms of literary and learned culture (including the circulation of manuscripts), literacy and censorship, orality, and the efforts by Europeans to introduce written literary to Native Americans and African Americans.
Author | : Laura M. Stevens |
Publisher | : University of Pennsylvania Press |
Total Pages | : 274 |
Release | : 2010-11-24 |
Genre | : History |
ISBN | : 0812203089 |
Between the English Civil War of 1642 and the American Revolution, countless British missionaries announced their intention to "spread the gospel" among the native North American population. Despite the scope of their endeavors, they converted only a handful of American Indians to Christianity. Their attempts to secure moral and financial support at home proved much more successful. In The Poor Indians, Laura Stevens delves deeply into the language and ideology British missionaries used to gain support, and she examines their wider cultural significance. Invoking pity and compassion for "the poor Indian"—a purely fictional construct—British missionaries used the Black Legend of cruelties perpetrated by Spanish conquistadors to contrast their own projects with those of Catholic missionaries, whose methods were often brutal and deceitful. They also tapped into a remarkably effective means of swaying British Christians by connecting the latter's feelings of religious superiority with moral obligation. Describing mission work through metaphors of commerce, missionaries asked their readers in England to invest, financially and emotionally, in the cultivation of Indian souls. As they saved Indians from afar, supporters renewed their own faith, strengthened the empire against the corrosive effects of paganism, and invested in British Christianity with philanthropic fervor. The Poor Indians thus uncovers the importance of religious feeling and commercial metaphor in strengthening imperial identity and colonial ties, and it shows how missionary writings helped fashion British subjects who were self-consciously transatlantic and imperial because they were religious, sentimental, and actively charitable.
Author | : Hugh Amory |
Publisher | : Univ of North Carolina Press |
Total Pages | : 665 |
Release | : 2007 |
Genre | : History |
ISBN | : 0807858269 |
Volume 1 of A History of the Book in America encompasses seventeenth and eighteenth century book history.
Author | : Norman Cohen |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 774 |
Release | : 2008-09-30 |
Genre | : Music |
ISBN | : 0313088101 |
This state-by-state collection of folksongs describes the history, society, culture, and events characteristic of all fifty states. Unlike all other state folksong collections, this one does not focus on songs collected in the particular states, but rather on songs concerning the life and times of the people of that state. The topics range from the major historical events, such as the Boston Tea Party, the attack on Fort Sumter, and the California Gold Rush, to regionally important events such as disasters and murders, labor problems, occupational songs, ethnic conflicts. Some of the songs will be widely recognized, such as Casey Jones, Marching Through Georgia, or Sweet Betsy from Pike. Others, less familiar, have not been reprinted since their original publication, but deserve to be studied because of what they tell about the people of these United States, their loves, labors, and losses, and their responses to events. The collection is organized by regions, starting with New England and ending with the states bordering the Pacific Ocean, and by states within each region. For each state there are from four to fifteen songs presented, with an average of 10 songs per state. For each song, a full text is reprented, followed by discussion of the song in its historical context. References to available recordings and other versions are given. Folksongs, such as those discussed here, are an important tool for historians and cultural historians because they sample experiences of the past at a different level from that of contemporary newspaper accounts and academic histories. These songs, in a sense, are history writ small. Includes: Away Down East, The Old Granite State, Connecticut, The Virginian Maid's Lament, Carry Me Back to Old Virginny, I'm Going Back to North Carolina, Shut up in Cold Creek Mine, Ain't God Good to Iowa?, Dakota Land, Dear Prairie Home, Cheyenne Boys, I'm off for California, and others.
Author | : James Donal Sullivan |
Publisher | : University of Illinois Press |
Total Pages | : 222 |
Release | : 1997 |
Genre | : History |
ISBN | : 9780252066245 |
James Sullivan presents a brief history of American poetry broadsides from the seventeenth through twentieth centuries. He then explores the extensive use of the broadside during one era, the 1960s, showing how it refigured the poetry of Gwendolyn Brooks, Robert Lowell, Allen Ginsberg, and others and situating it for specific cultural uses within the social and political struggles of the times. Sullivan's introduction lays out the project's theoretical groundwork in the cultural studies movement and surveys the history of the broadside in North America since the advent of printing.
Author | : |
Publisher | : Williamsburg, Va : Moebs Publishing Company |
Total Pages | : 864 |
Release | : 1989 |
Genre | : Bibliography |
ISBN | : |