Amalia Amaki
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Author | : Andrea D. Barnwell |
Publisher | : University of Washington Press |
Total Pages | : 135 |
Release | : 2005 |
Genre | : Art |
ISBN | : 9780295985411 |
Retrospective mixed-media exhibition featuring photographs, quilts, souvenir fans, and digitally manipulated photographs, incorporating fabric, beads, pearls, buttons, paint, found objects, and glitter.
Author | : Amalia K. Amaki |
Publisher | : University of Washington Press |
Total Pages | : 230 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
African American artists Hale Woodruff and Nancy Elizabeth Prophet both worked in Paris before they become colleagues in Atlanta. When Woodruff began teaching drawing and painting at Atlanta University in 1931 he opened a new era of art instruction. After Prophet arrived to teach sculpture in 1934, the art offerings expanded exponentially. By the mid-1930s, the Coordinated Art Program at Atlanta University Center was the place in the southeast for African Americans to study art. This generously illustrated book considers the artists' lives and their impact as teachers and mentors. Hale Woodruff (1900-1980) was born in Cairo, Illinois. After briefly attending the Herron Art School and the Art Institute of Chicago, he took a job at the Senate Avenue YMCA in Indianapolis, where he met some of the leading figures of the time, including W. E. B. DuBois, Charles S. Johnson, Walter White, and Countee Cullen. After winning several prizes for his drawings, he left for Paris in 1927. When he joined the newly formed Atlanta University Center, he viewed teaching as his chance to impart a sense of cultural and social responsibility to his students and encouraged them to portray black experience in America honestly. The annual exhibition he initiated became the most important national exhibition for African American artists. Nancy Elizabeth Prophet (1890-1960) was born and raised in Warwick, Rhode Island, and in 1918 became the first African American to graduate from the Rhode Island School of Design. In 1922 she went to Paris, where she studied under the acclaimed sculptor Victor Joseph Jean Ambrose Segoffin and received the prestigious Otto Kahn and Greenough prizes. She was associated with the New Negro Movement, which called on African American artists to learn from African practitioners and to develop their own cultural style. Her arrival in Atlanta added the three-dimensional component necessary for the Atlanta University Center to initiate a degree-granting program in art. Amalia K. Amakiis the curator of the Paul R. Jones Collection and assistant professor of art and Black American studies at the University of Delaware.Andrea D. Barnwellis the director of the Spelman College Museum of Fine Art, Atlanta.
Author | : Amalia K. Amaki and Priscilla N. Davis |
Publisher | : Arcadia Publishing |
Total Pages | : 96 |
Release | : 2015 |
Genre | : Architecture |
ISBN | : 1467114367 |
In the 1960s, Tuscaloosa drew national attention when the University of Alabama was fully integrated. The decade also marked the arrival of Paul "Bear" Bryant as head coach of Alabama's football team and the majority of Frank Anthony Rose's tenure as president--a period characterized by race mediation and increases in enrollment, assets, and academic standards. For the next 50 years, sports, education, cultural and recreational opportunities, and business developments contributed to the city and the lifestyles of its residents. Tuscaloosa has associations with people such as F. David Mathews (who concurrently served as president of Alabama and as a secretary under Pres. Gerald Ford), writer Richard Yates (Revolutionary Road), actress Sela Ward, and quarterback Joe Namath.
Author | : |
Publisher | : |
Total Pages | : 72 |
Release | : 2002-07 |
Genre | : |
ISBN | : |
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
Author | : Margaret L. Andersen |
Publisher | : University of Delaware Press |
Total Pages | : 145 |
Release | : 2009 |
Genre | : Antiques & Collectibles |
ISBN | : 0874130735 |
This is a life history of one of the leading collectors of African American art. The book chronicles the life of a man who grew up during the height of the Jim Crow segregation in Alabama and became one of the nation's leading collectors of African American art. His vision is to make African American art an integral part of American art. This book chronicles his life and his gift of a substantial part of the Paul R. Jones Collection of African American art to the University of Delaware.
Author | : Amelia Groom |
Publisher | : MIT Press |
Total Pages | : 97 |
Release | : 2021-02-02 |
Genre | : Art |
ISBN | : 1846382181 |
An illustrated examination of Beverly Buchanan's 1981 environmental sculpture, which exists in an ongoing state of ruination. Beverly Buchanan's Marsh Ruins (1981) are large, solid mounds of cement and shell-based tabby concrete, yet their presence has always been elusive. Hiding in the tall grasses and brackish waters of the Marshes of Glynn, on the southeast coast of Georgia, the Marsh Ruins merge with their surroundings as they enact a curious and delicate tension between destruction and endurance. This volume offers an illustrated examination of Buchanan's environmental sculpture, which exists in an ongoing state of ruination.
Author | : Samella S. Lewis |
Publisher | : Univ of California Press |
Total Pages | : 364 |
Release | : 2003 |
Genre | : Art |
ISBN | : 9780520239357 |
Examines the lives and works of African American artists from the eighteenth century to the present, with biographical and critical text and illustrated examples of their work.
Author | : Shawnya L. Harris |
Publisher | : |
Total Pages | : 168 |
Release | : 2017 |
Genre | : African American art |
ISBN | : 9780915977994 |
Author | : Christian Kravagna |
Publisher | : Manchester University Press |
Total Pages | : 289 |
Release | : 2022-10-11 |
Genre | : Art |
ISBN | : 1526160358 |
How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.
Author | : Crystal Z. Campbell |
Publisher | : |
Total Pages | : 61 |
Release | : 2018 |
Genre | : |
ISBN | : 9780898221510 |