Agrippa Daubignes Les Tragiques
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Author | : |
Publisher | : Acmrs Press |
Total Pages | : 490 |
Release | : 2020-01-28 |
Genre | : |
ISBN | : 9780866986199 |
Agrippa D'Aubigné's remarkable epic poem, Les Tragiques, was composed in France in the 1570s, and first published in 1616 in Geneva. It sets the recent sufferings of the Protestants in the French Wars of Religion within the overarching context of God's eternal plan for his chosen faithful. Recording the bitter story of the defeated party, the poet movingly combines depictions of a devastated country, vivid tableaux of the worst atrocities of the Wars, and satirical attacks on leading political and religious figures. As he narrates a story which he believes must not be forgotten, d`Aubigné develops an innovative style that deliberately challenges conventions. This is a work of pure baroque, a pearl of irregular shape, making a unique appeal to both the senses and the intellect. The complete work has never previously been translated into English. Valerie Worth-Stylianou's translation of the entire text is accompanied by her illuminating introduction and detailed critical notes. This English version will interest scholars and students of early modern political, social and religious history and of comparative literatures, as well as all readers looking to understand how literature seeks to mediate the pain of partisan struggles. Translated, annotated, and with an introduction by Valerie Worth-Stylianou French Renaissance Texts in Translation volume 2
Author | : Agrippa d' Aubigné |
Publisher | : |
Total Pages | : 458 |
Release | : 2013-12 |
Genre | : History |
ISBN | : 9781314964714 |
Author | : Jeff Kendrick |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 218 |
Release | : 2019-09-23 |
Genre | : History |
ISBN | : 1501513516 |
Polemic and Literature Surrounding the French Wars of Religion demonstrates that literature and polemic interacted constantly in sixteenth-century France, constructing ideological frameworks that defined the various groups to which individuals belonged and through which they defined their identities. Contributions explore both literary texts (prose, poetry, and theater) and more intentionally polemical texts that fall outside of the traditional literary genres. Engaging the continuous casting and recasting of opposing worldviews, this collection of essays examines literature's use of polemic and polemic's use of literature as seminal intellectual developments stemming from the religious and social turmoil that characterized this period in France.
Author | : Theodore Agrippa D'Aubigne |
Publisher | : Wentworth Press |
Total Pages | : 382 |
Release | : 2019-02-21 |
Genre | : History |
ISBN | : 9780469133532 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Vincent Robert-Nicoud |
Publisher | : BRILL |
Total Pages | : 298 |
Release | : 2018-09-11 |
Genre | : Literary Criticism |
ISBN | : 9004381821 |
In The World Upside Down in 16th Century French Literature and Visual Culture Vincent Robert-Nicoud offers an interdisciplinary account of the topos of the world upside down in early modern France. To call something ‘topsy-turvy’ in the sixteenth century is to label it as abnormal. The topos of the world upside down evokes a world in which everything is inside-out and out of bounds: fish live in trees, children rule over their parents, and rivers flow back to their source. The world upside down proves to be key in understanding how the social, political, and religious turmoil of sixteenth-century France was represented and conceptualised, and allows us to explore the dark side of the Renaissance by unpacking one of its most prevalent metaphors.
Author | : Phillip John Usher |
Publisher | : |
Total Pages | : 266 |
Release | : 2014 |
Genre | : Art |
ISBN | : 0199687846 |
'Epic Arts in Renaissance France' examines the relationship between art and literature in 16th-century France, and considers how the epic genre became 'public' via realisations in various other art forms.
Author | : Imbrie Buffum |
Publisher | : |
Total Pages | : 168 |
Release | : 1978 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Cynthia N. Nazarian |
Publisher | : Cornell University Press |
Total Pages | : 403 |
Release | : 2017-01-10 |
Genre | : Literary Criticism |
ISBN | : 1501708252 |
Love's Wounds takes an in-depth look at the widespread language of violence and abjection in early modern European love poetry. Beginning in fourteenth-century Italy, this book shows how Petrarch established a pattern of inequality between suffering poet and exalted Beloved rooted in political parrhēsia. Sixteenth- and early seventeenth-century French and English poets reshaped his model into an idiom of extravagant brutality coded to their own historical circumstances. Cynthia N. Nazarian argues that these poets exaggerated the posture of the downtrodden lover, adapting the rhetoric of powerless desire to forge a new "countersovereignty" from within the heart of vulnerability—a potentially revolutionary position through which to challenge cultural, religious, and political authority. Creating a secular equivalent to the martyr, early modern sonneteers crafted a voice that was both critical and unstoppable because it suffered.Love’s Wounds tracks the development of the countersovereign voice from Francesco Petrarca to Maurice Scève, Joachim du Bellay, Théodore-Agrippa d’Aubigné, Edmund Spenser, and William Shakespeare. Through interdisciplinary and transnational analyses, Nazarian reads early modern sonnets as sites of contestation and collaboration and rewrites the relationship between early modern literary forms.
Author | : George Hoffmann |
Publisher | : Oxford University Press |
Total Pages | : 281 |
Release | : 2017 |
Genre | : History |
ISBN | : 0198808763 |
In this volume, George Hoffmann presents a study of Protestant satirical texts in sixteenth-century France and their role in French literature and history, examining how France became a culturally Protestant country while remaining confessionally Catholic.
Author | : |
Publisher | : |
Total Pages | : 270 |
Release | : 1953 |
Genre | : Romance philology |
ISBN | : |