Agrippa D'Aubigné's Les Tragiques

Agrippa D'Aubigné's Les Tragiques
Author:
Publisher: Acmrs Press
Total Pages: 490
Release: 2020-01-28
Genre:
ISBN: 9780866986199

Agrippa D'Aubigné's remarkable epic poem, Les Tragiques, was composed in France in the 1570s, and first published in 1616 in Geneva. It sets the recent sufferings of the Protestants in the French Wars of Religion within the overarching context of God's eternal plan for his chosen faithful. Recording the bitter story of the defeated party, the poet movingly combines depictions of a devastated country, vivid tableaux of the worst atrocities of the Wars, and satirical attacks on leading political and religious figures. As he narrates a story which he believes must not be forgotten, d`Aubigné develops an innovative style that deliberately challenges conventions. This is a work of pure baroque, a pearl of irregular shape, making a unique appeal to both the senses and the intellect. The complete work has never previously been translated into English. Valerie Worth-Stylianou's translation of the entire text is accompanied by her illuminating introduction and detailed critical notes. This English version will interest scholars and students of early modern political, social and religious history and of comparative literatures, as well as all readers looking to understand how literature seeks to mediate the pain of partisan struggles. Translated, annotated, and with an introduction by Valerie Worth-Stylianou French Renaissance Texts in Translation volume 2

Les Tragiques...

Les Tragiques...
Author: Agrippa d' Aubigné
Publisher:
Total Pages: 458
Release: 2013-12
Genre: History
ISBN: 9781314964714

Histoire Universelle

Histoire Universelle
Author: Theodore Agrippa D'Aubigne
Publisher: Wentworth Press
Total Pages: 382
Release: 2019-02-21
Genre: History
ISBN: 9780469133532

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Self and Symbolism in the Poetry of Michelangelo, John Donne and Agrippa D’Aubigne

Self and Symbolism in the Poetry of Michelangelo, John Donne and Agrippa D’Aubigne
Author: A.B. Altizer
Publisher: Springer Science & Business Media
Total Pages: 140
Release: 1973-07-31
Genre: Art
ISBN: 9789024715510

Alienation, ecstasy, death, rebirth: in the poetry of Michelangelo, Donne, and d' Aubigne these archetypal themes make possible the ultimate formulation of new poetic symbolizations of self and world. As their poetry evolves from a primarily rhetorical towards a fully symbolic mode, images of loss of self (in ecstasy or in alienation), of death and rebirth, recur with increasing frequency and intensity. Whether the context is love poetry or religious poetry, the basic problem remains the same; love is the link between the two kinds of poetry. And love is indeed a problem for these three poets, since it involves the self in relation to the "other," the other being either God or another human being. Increasingly, the work of each poet centers on a need to analyze or abolish the gulf separating subject and object, self and other. The dominant mode of most of the three poets' work is neither rhetorical nor symbolic, but expressive. This transitional mode reveals the individual poet's most urgent concerns and conflicts, his sense of self in Its most isolated or burdensome, affirmative or struggling state. Under lying most of their poems is a profound self-consciousness - a heightened awareness of self as a powerful, separate entity, with a corresponding objectification of all reality outside of self. The Renaissance in general is a time of increasing individualism and 1 self-consciousness.

Polemic and Literature Surrounding the French Wars of Religion

Polemic and Literature Surrounding the French Wars of Religion
Author: Jeff Kendrick
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 218
Release: 2019-09-23
Genre: History
ISBN: 1501513516

Polemic and Literature Surrounding the French Wars of Religion demonstrates that literature and polemic interacted constantly in sixteenth-century France, constructing ideological frameworks that defined the various groups to which individuals belonged and through which they defined their identities. Contributions explore both literary texts (prose, poetry, and theater) and more intentionally polemical texts that fall outside of the traditional literary genres. Engaging the continuous casting and recasting of opposing worldviews, this collection of essays examines literature's use of polemic and polemic's use of literature as seminal intellectual developments stemming from the religious and social turmoil that characterized this period in France.

The Secret Wife of Louis XIV

The Secret Wife of Louis XIV
Author: Veronica Buckley
Publisher: Macmillan
Total Pages: 557
Release: 2009-09
Genre: Biography & Autobiography
ISBN: 0374158304

Françoise d’Aubigné, marquise de Maintenon and secret wife of the Sun King, Louis XIV, was born in a bleak French prison in 1635, her father a condemned traitor and murderer, her mother the warden’s seduced daughter. A timely pardon and a hopeful Caribbean colonial venture failed to mend the family’s fortunes, and Françoise was reduced to begging in the streets. Yet, armed with beauty, intellect, and shrewd judgment, she was to make her way to the center of power at Versailles, the most opulent and ambitious court in all Europe. At fifteen, she was married off to the forty-two-year-old satirical poet Paul Scarron, a former roué now grievously deformed by rheumatism—“a sort of human Z,” as he described himself. Despite his ailments, Scarron presided over the liveliest and most scandalous literary salon in Paris, and Françoise quickly became its most prized ornament. After Scarron’s death, she enjoyed a merry widowhood in the fashionable Marais district, in the company of the courtesan Ninon de Lenclos and the King’s splendid mistress, Athénaïs de Montespan, who made the young widow governess to her brood of illegitimate children. The appointment transformed Françoise’s life, but was fatal to the temperamental Athénaïs herself, with the King soon turning his attentions to the graceful governess. Françoise was raised to the nobility as Madame de Maintenon—and, unofficially, “Madame de Maintenant,” the lady of the moment. The acclaimed biographer Veronica Buckley traces the extraordinary story of Françoise’s progress from pauper child to salonnière to the compromised position of Louis’s secret wife and uncrowned Queen. An absolute ruler, Louis turned away his many other mistresses to live with Françoise only, trusting her as his closest confidante and remaining in love with her for forty years. Sparkling with the irresistible wit of contemporary chroniclers such as Madame de Sévigné, this exactingly researched biography is a pinnacle of the form. In vibrant colors, The Secret Wife of Louis XIV paints a portrait of Europe in an age of violent change, and the Sun King’s France in the process of becoming its modern self.

Epic Arts in Renaissance France

Epic Arts in Renaissance France
Author: Phillip John Usher
Publisher:
Total Pages: 266
Release: 2014
Genre: Art
ISBN: 0199687846

'Epic Arts in Renaissance France' examines the relationship between art and literature in 16th-century France, and considers how the epic genre became 'public' via realisations in various other art forms.

The Huguenots and Henry of Navarre, Volume 1

The Huguenots and Henry of Navarre, Volume 1
Author: Henry M. Baird
Publisher: Wipf and Stock Publishers
Total Pages: 233
Release: 2004-04-02
Genre: Religion
ISBN:

This 2004 Wipf & Stock edition of The Huguenots and Henry of Navarre by Henry Baird is a digital facsimile of the original 1896 edition published by Kegan Paul, Trench & Company