After Bakhtin
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| Author | : Malcolm V. Jones |
| Publisher | : Cambridge University Press |
| Total Pages | : 244 |
| Release | : 2005-10-20 |
| Genre | : Literary Criticism |
| ISBN | : 9780521021364 |
Malcolm Jones, the author of an earlier, widely read book on Dostoyevsky, here approaches his subject afresh in the light of recent developments in Dostoyevsky studies and in critical theory. He takes as his starting point the vexed question of Dostoyevsky's 'fantastic realism', which he attempts to redefine. Accepting Bakhtin's reading of Dostoyevsky in its essentials, he seeks out its weaknesses and develops it in new directions. Taking well-known texts by Dostoyevsky in turn, Professor Jones illustrates aspects of their multivoicedness. In Part 1, he concentrates on the internal, emotional and intellectual, reversals of 'the underground'. In Part 2, he focuses on the disruptive and subversive aspects of the relationships between characters and between text and reader. In Part 3 he examines textual multivoicedness in its diachronic aspect, showing some of the ways in which Dostoyevsky's texts echo and exploit the voices of precursors.
| Author | : David Lodge |
| Publisher | : Routledge |
| Total Pages | : 198 |
| Release | : 1990-01-01 |
| Genre | : Criticism |
| ISBN | : 9780415050371 |
"If the 1960s was the decade of structuralism, and the 1970s the decade of deconstruction, then the 1980s have been dominated by the discovery and dissemination of Mikhail Bakhtin's work. Now widely regarded as one of the most important thinkers of the twentieth century, the Russian writer Mikhail Bakhtin was silenced by political censorship and persecution for most of his life. In 'After Bakhtin' David Lodge sketches Bakhtin's extraordinary career, and explores the relevance of his ideas on the dialogic nature of language, on the typology of fictional discourses and on the carnivalesque - to the writings of authors as diverse as George Eliot, James Joyce, D.H. Lawrence, Elizabeth Gaskell, Jane Austen, Henry James, Rudyard Kipling and Lian Kundera - illustrative of the development of the novel in its classic, modernist and post-modernist phases. Two final essays reflect on the current state of academic criticism." --Publisher's summary.
| Author | : R. Knowles |
| Publisher | : Springer |
| Total Pages | : 243 |
| Release | : 1998-05-11 |
| Genre | : Literary Criticism |
| ISBN | : 0230000819 |
This collection of essays is the first to reassess a range of Shakespeare's plays in relation to carnivalesque theory. Contributors re-historicize the carnivalesque in different ways, offering both a developed application, or critique of, Bakhtin's thought.
| Author | : Sue Vice |
| Publisher | : Manchester University Press |
| Total Pages | : 254 |
| Release | : 1997 |
| Genre | : Literary Criticism |
| ISBN | : 9780719043284 |
The Russian critic and theorist Mikhail Bakhtin is once again in favor, his influence spreading across many discourses including literature, film, cultural and gender studies. This book provides the most comprehensive introduction to Bakhtin’s central concepts and terms. Sue Vice illustrates what is meant by such ideas as carnival, the grotesque body, dialogism and heteroglossia. These concepts are then placed in a contemporary context by drawing out the implications of Bakhtin’s writings, for current issues such as feminism and sexuality. Vice’s examples are always practically based on specific texts such as the film Thelma and Louise, Helen Zahavi’s Dirty Weekend and James Kelman's How late it was, how late.
| Author | : Caryl Emerson |
| Publisher | : Princeton University Press |
| Total Pages | : 310 |
| Release | : 2018-06-05 |
| Genre | : Literary Criticism |
| ISBN | : 0691187037 |
Among Western critics, Mikhail Bakhtin (1895-1975) needs no introduction. His name has been invoked in literary and cultural studies across the ideological spectrum, from old-fashioned humanist to structuralist to postmodernist. In this candid assessment of his place in Russian and Western thought, Caryl Emerson brings to light what might be unfamiliar to the non-Russian reader: Bakhtin's foundational ideas, forged in the early revolutionary years, yet hardly altered in his lifetime. With the collapse of the Soviet system, a truer sense of Bakhtin's contribution may now be judged in the context of its origins and its contemporary Russian "reclamation." A foremost Bakhtin authority, Caryl Emerson mines extensive Russian sources to explore Bakhtin's reception in Russia, from his earliest publication in 1929 until his death, and his posthumous rediscovery. After a reception-history of Bakhtin's published work, she examines the role of his ideas in the post-Stalinist revival of the Russian literary profession, concentrating on the most provocative rethinkings of three major concepts in his world: dialogue and polyphony; carnival; and "outsideness," a position Bakhtin considered essential to both ethics and aesthetics. Finally, she speculates on the future of Bakhtin's method, which was much more than a tool of criticism: it will "tell you how to teach, write, live, talk, think."
| Author | : Michael Bell |
| Publisher | : SAGE |
| Total Pages | : 252 |
| Release | : 1998-08-28 |
| Genre | : Social Science |
| ISBN | : 9780761955306 |
Bakhtin and the Human Sciences demonstrates the abundance of ideas Bakhtin's thought offers to the human sciences, and reconsiders him as a social thinker, not just a literary theorist. The contributors hail from many disciplines and their essays' implications extend into other fields in the human sciences. The volume emphasizes Bakhtin's work on dialogue, carnival, ethics and everyday life, as well as the relationship between Bakhtin's ideas and those of other important social theorists. In a lively introduction Gardiner and Bell discuss Bakhtin's significance as a major intellectual figure and situate his ideas within current trends and developments in social theory.
| Author | : Alastair Renfrew |
| Publisher | : Routledge |
| Total Pages | : 200 |
| Release | : 2014-11-13 |
| Genre | : Literary Criticism |
| ISBN | : 1317573358 |
Mikhail Bakhtin was one of the twentieth century’s most influential literary theorists. This accessible introduction to his thought begins with the questions ‘Why Bakhtin?’ and ‘Who was Bakhtin?’, before dealing in detail with his ideas on authorship and subjecthood, language, dialogism, heteroglossia and the novel, the chronotope, and the carnivalesque. True to their dialogic spirit, these ideas are presented not as a fixed body of knowledge, but rather as living and evolving entities, as ways of approaching not only the most persistent questions of language and literature, but also issues that are relevant across the full range of Humanities disciplines. Bakhtin emerges in the process as a key thinker for the Humanities in the twenty-first century.
| Author | : Mikhail Mikhaĭlovich Bakhtin |
| Publisher | : Indiana University Press |
| Total Pages | : 520 |
| Release | : 1984 |
| Genre | : Literary Criticism |
| ISBN | : 9780253203410 |
This classic work by the Russian philosopher and literary theorist Mikhail Bakhtin (1895-1975) examines popular humor and folk culture in the Middle Ages and the Renaissance. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.
| Author | : Michael Holquist |
| Publisher | : Routledge |
| Total Pages | : 238 |
| Release | : 2003-12-16 |
| Genre | : Literary Criticism |
| ISBN | : 1134465408 |
Michael Holquist's masterly study draws on all of Bakhtin's known writings, providing a comprehensive account of his achievement. This edition includes a new introduction, concluding chapter and a fully updated bibliography.
| Author | : M. M. Bakhtin |
| Publisher | : University of Texas Press |
| Total Pages | : 660 |
| Release | : 2010-03-01 |
| Genre | : Philosophy |
| ISBN | : 0292782861 |
These essays reveal Mikhail Bakhtin (1895-1975)—known in the West largely through his studies of Rabelais and Dostoevsky—as a philosopher of language, a cultural historian, and a major theoretician of the novel. The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology. Bakhtin uses the category "novel" in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, "novelness," which he discusses in "From the Prehistory of Novelistic Discourse." Two essays, "Epic and Novel" and "Forms of Time and of the Chronotope in the Novel," deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented "languages" in battle with one another.
