Africas Image In The Ghanaian Press
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| Author | : Michael Serwornoo |
| Publisher | : Open Book Publishers |
| Total Pages | : 161 |
| Release | : 2021-01-05 |
| Genre | : Social Science |
| ISBN | : 1800640447 |
The Image of Africa in Ghana’s Press is of high conceptual, theoretical and methodological quality. It gives a good overview of the literature and the state of the art in the fields tackled by the author. The originality of the book lies especially in its methodological approach. Prof Guido Keel, Director of the Institute of Applied Media Studies, Zurich University of Applied Sciences The Image of Africa in Ghana’s Press is a comprehensive and highly analytical study of the impact of foreign news organisations on the creation of an image of Africa in its own press. Identifying a problematic focus on the Western media in previous studies of the African media image, Serwornoo uses the Ghanaian press as a case study to explore the effects of centuries of Afro-pessimistic discourse in the foreign press on the continent’s self-description. This study brings together a number of theoretical approaches, including newsworthiness, intermedia agenda setting, postcolonial theory and the hierarchy of influences, to question the processes underpinning the creation of media content. It is particularly innovative in its application of the methodological frameworks of ethnographic content analysis and ethnographic interview techniques to unveil the perspectives of journalists and editors. The Image of Africa in Ghana’s Press presents a vital contribution of the highest academic standard to the growing literature surrounding Afro-pessimism and postcolonial studies. It will be of great value to scientists in the field of journalism studies, as well as researchers interested in the merging of journalism research, postcolonial studies, and ethnography.
| Author | : Mel Bunce |
| Publisher | : Routledge |
| Total Pages | : 259 |
| Release | : 2016-07-01 |
| Genre | : Social Science |
| ISBN | : 1317334280 |
Africa’s Media Image in the 21st Century is the first book in over twenty years to examine the international media’s coverage of sub-Saharan Africa. It brings together leading researchers and prominent journalists to explore representation of the continent, and the production of that image, especially by international news media. The book highlights factors that have transformed the global media system, changing whose perspectives are told and the forms of media that empower new voices. Case studies consider questions such as: how has new media changed whose views are represented? Does Chinese or diaspora media offer alternative perspectives for viewing the continent? How do foreign correspondents interact with their audiences in a social media age? What is the contemporary role of charity groups and PR firms in shaping news content? They also examine how recent high profile events and issues been covered by the international media, from the Ebola crisis, and Boko Haram to debates surrounding the "Africa Rising" narrative and neo-imperialism. The book makes a substantial contribution by moving the academic discussion beyond the traditional critiques of journalistic stereotyping, Afro-pessimism, and ‘darkest Africa’ news coverage. It explores the news outlets, international power dynamics, and technologies that shape and reshape the contemporary image of Africa and Africans in journalism and global culture.
| Author | : Sean Jacobs |
| Publisher | : Indiana University Press |
| Total Pages | : 206 |
| Release | : 2019-03-11 |
| Genre | : Performing Arts |
| ISBN | : 0253040574 |
In Media in Postapartheid South Africa, author Sean Jacobs turns to media politics and the consumption of media as a way to understand recent political developments in South Africa and their relations with the African continent and the world. Jacobs looks at how mass media define the physical and human geography of the society and what it means for comprehending changing notions of citizenship in postapartheid South Africa. Jacobs claims that the media have unprecedented control over the distribution of public goods, rights claims, and South Africa's integration into the global political economy in ways that were impossible under the state-controlled media that dominated the apartheid years. Jacobs takes a probing look at television commercials and the representation of South Africans, reality television shows and South African continental expansion, soap operas and postapartheid identity politics, and the internet as a space for reassertions and reconfigurations of identity. As South Africa becomes more integrated into the global economy, Jacobs argues that local media have more weight in shaping how consumers view these products in unexpected and consequential ways.
| Author | : WILBERFORCE SEFAKOR. DZIHAH |
| Publisher | : |
| Total Pages | : |
| Release | : 2020 |
| Genre | : Communication in politics |
| ISBN | : 9781789382389 |
Ghana is widely acknowledged by the international community as a model of democracy: the first black African sub-Saharan country to gain political independence from Britain. Focussing on the matrix offered by the media-democracy paradox in Ghana, Africa and the Global South, it will generate debate in democracy, media, journalism and communication.
| Author | : Anthony Ephirim-Donkor |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 341 |
| Release | : 2019-01-04 |
| Genre | : History |
| ISBN | : 0761870717 |
In this edition of The Making of an African King: Patrilineal and Matrilineal Struggle Among the Ᾱwutu (Effutu) of Ghana, Revised & Updated, every chapter is updated, taking into account the 2015 Ghana Supreme Court ruling on the internecine kingship struggle among the Ᾱwutu (Effutu) of Simpa (Winneba). The patrilineal Otuano Royal Family sued the Acquah faction and proponents of matrilineal succession in 1976, seeking confirmation of their inalienable right as the sole kingmakers of Simpa, and also for the court to place perpetual injunction on the Acquahs never to interfere in the royal affairs of Simpa. During the intervening decades from 1976-2015, Simpa witnessed a spate of intermittent political violence, especially the months leading to their annual Nyantɔr (aboakyir) Festival, all aimed at preventing the king from propitiating the ancestors and deities of Simpa led by Pɛnkyae Otu. With the Supreme Court ruling, people now have the opportunity to read the judgment in its entirety and make up their own minds. What is actually fascinating about the whole internecine royal struggle is, that we have a situation whereby a matrilineal political system practiced by the Akan is displacing a long-established patrilineal system of descent traditionally practiced by the Guan speaking people of Simpa. Such an idea would be unheard of in the West, but this is what is happening among the Ᾱwutu (Effutu) of Simpa (Winneba) socio-culturally and politically. Indeed, it shows how unique and transformative the Akan ābusua (a mother and her children) system is all about.
| Author | : Omotayo O. Banjo |
| Publisher | : Taylor & Francis |
| Total Pages | : 327 |
| Release | : 2018-07-04 |
| Genre | : Social Science |
| ISBN | : 1351660195 |
This volume gathers scholarship from varying disciplinary perspectives to explore media owned or created by members of the African diaspora, examine its relationship with diasporic audiences, and consider its impact on mainstream culture in general. Contributors highlight creations and contributions of people of the African diaspora, the interconnections of Black American and African-centered media, and the experiences of audiences and users across the African diaspora, positioning members of the Black and African Diaspora as subjects of their own narratives, active participants and creators. In so doing, this volume addresses issues of identity, culture, audiences, and global influence. Chapter 11 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
| Author | : Michael Serwornoo |
| Publisher | : |
| Total Pages | : 258 |
| Release | : 2021-01-04 |
| Genre | : Social Science |
| ISBN | : 9781800640412 |
The Image of Africa in Ghana's Press is a comprehensive and highly analytical study of the impact of foreign news organisations on the creation of an image of Africa in its own press. Identifying a problematic focus on the Western media in previous studies of the African media image, Serwornoo uses the Ghanaian press as a case study to explore the effects of centuries of Afro-pessimistic discourse in the foreign press on the continent's self-description. This study brings together a number of theoretical approaches, including newsworthiness, intermedia agenda setting, postcolonial theory and the hierarchy of influences, to question the processes underpinning the creation of media content. It is particularly innovative in its application of the methodological frameworks of ethnographic content analysis and ethnographic interview techniques to unveil the perspectives of journalists and editors. The Image of Africa in Ghana's Press presents a vital contribution of the highest academic standard to the growing literature surrounding Afro-pessimism and postcolonial studies. It will be of great value to scientists in the field of journalism studies, as well as researchers interested in the merging of journalism research, postcolonial studies, and ethnography.
| Author | : Michael Yao Wodui Serwornoo |
| Publisher | : |
| Total Pages | : 242 |
| Release | : 2020 |
| Genre | : Africa |
| ISBN | : 9781800640467 |
| Author | : Olorunnisola, Anthony A. |
| Publisher | : IGI Global |
| Total Pages | : 518 |
| Release | : 2013-06-30 |
| Genre | : Computers |
| ISBN | : 1466641983 |
While transitioning from autocracy to democracy, media in Africa has always played an important role in democratic and non-democratic states; focusing on politicians, diplomats, activists, and others who work towards political transformations. New Media Influence on Social and Political Change in Africa addresses the development of new mass media and communication tools and its influence on social and political change. While analyzing democratic transitions and cultures with a theoretical perspective, this book also presents case studies and national experiences for media, new media, and democracy scholars and practitioners.
| Author | : David Bindman |
| Publisher | : Belknap Press |
| Total Pages | : 456 |
| Release | : 2017-02-23 |
| Genre | : Art |
| ISBN | : 9780674504394 |
The Image of the Black in African and Asian Art asks how the black figure was depicted by artists from the non-Western world. Beginning with ancient Egyptâe"positioned properly as part of African historyâe"this volume focuses on the figure of the black as rendered by artists from Africa, East Asia, and the Indian subcontinent. The aesthetic traditions illustrated here are as diverse as the political and social histories of these regions. From Igbo Mbari sculptures to modern photography from Mali, from Indian miniatures to Japanese prints, African and Asian artists portrayed the black body in ways distinct from the European tradition, even as they engaged with Western art through the colonial encounter and the forces of globalization. This volume complements the vision of art patrons Dominique and Jean de Menil who, during the 1960s, founded an image archive to collect the ways that people of African descent have been represented in Western art from the ancient world to modern times. A halfâe century later, Harvard University Press and the Hutchins Center for African and African American Research completed the historic publication of The Image of the Black in Western Artâe"ten books in totalâe"beginning with Egyptian antiquities and concluding with images that span the twentieth century. The Image of the Black in African and Asian Art reinvigorates the de Menil familyâe(tm)s original mission and reorients the study of the black body with a new focus on Africa and Asia.
