African Fetishes And Ancestral Objects
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Author | : François Neyt |
Publisher | : 5Continents |
Total Pages | : 288 |
Release | : 2014-02-04 |
Genre | : Art |
ISBN | : 9788874396542 |
"The sculptures in this books, from four style groups in Central Africa - Kongo, Teke, Luba and Songye - were selected above all for their beauty, with a preference for pieces displaying carved signs linked to magic and witchcraft. The texts and photographs take an original slant on these figures, helping us see what is sublime or appealing in them and revealing something of the magic, mystery and fear they embody." -- Book jacket.
Author | : Nhemachena, Artwell |
Publisher | : Langaa RPCIG |
Total Pages | : 339 |
Release | : 2017-11-28 |
Genre | : Social Science |
ISBN | : 9956763942 |
Contemporary scholarly discourses about decolonising materialities are taking two noticeable trajectories, the first trajectory privileges establishing “connections”, “relationships” and “associations” between human beings and nature. The second trajectory privileges restoration, restitution, reparations for colonial dispossessions, lootings and disinheritance. While the first trajectory presupposes that colonialism was merely about “separation”, “alienation”, and “disconnections” between human beings and nature, the second trajectory stresses the colonialists’ dispossession, disinheritance and privations of Africans. Drawing on contemporary discourses about materialities in relation to semiotics, (non-)representationalism, rhetoric, ecocriticism, territorialisation, deterritorialisation and reterritorialisation, translation, animism, science and technology studies, this book teases out the intellectually rutted terrain of African materialities. It argues that in a world of increasing impoverishment, the significance of materialities cannot be overemphasised: more so for the continent of Africa where impoverishment “materialises” in the midst of resource opulence. The book is a pacesetter in no holds barred interrogation of African materialities.
Author | : Edna G. Bay |
Publisher | : University of Illinois Press |
Total Pages | : 206 |
Release | : 2008 |
Genre | : Altars, Fon |
ISBN | : 0252032551 |
A social and iconographic history of a West African sculptural form
Author | : J. Lorand Matory |
Publisher | : Duke University Press |
Total Pages | : 404 |
Release | : 2018-10-04 |
Genre | : Social Science |
ISBN | : 1478002433 |
Since the early-modern encounter between African and European merchants on the Guinea Coast, European social critics have invoked African gods as metaphors for misplaced value and agency, using the term “fetishism” chiefly to assert the irrationality of their fellow Europeans. Yet, as J. Lorand Matory demonstrates in The Fetish Revisited, Afro-Atlantic gods have a materially embodied social logic of their own, which is no less rational than the social theories of Marx and Freud. Drawing on thirty-six years of fieldwork in Africa, Europe, and the Americas, Matory casts an Afro-Atlantic eye on European theory to show how Marx’s and Freud’s conceptions of the fetish both illuminate and misrepresent Africa’s human-made gods. Through this analysis, the priests, practices, and spirited things of four major Afro-Atlantic religions simultaneously call attention to the culture-specific, materially conditioned, physically embodied, and indeed fetishistic nature of Marx’s and Freud’s theories themselves. Challenging long-held assumptions about the nature of gods and theories, Matory offers a novel perspective on the social roots of these tandem African and European understandings of collective action, while illuminating the relationship of European social theory to the racism suffered by Africans and assimilated Jews alike.
Author | : African Society |
Publisher | : |
Total Pages | : 520 |
Release | : 1927 |
Genre | : Africa |
ISBN | : |
Author | : Robert H. Milligan |
Publisher | : |
Total Pages | : 364 |
Release | : 1912 |
Genre | : Africa, Central |
ISBN | : |
Author | : Johanneke Kroesbergen-Kamps |
Publisher | : AOSIS |
Total Pages | : 268 |
Release | : 2023-03-01 |
Genre | : Religion |
ISBN | : 1779952325 |
In this book, it is argued that narratives about Satanism, which have become popular in the Christian context of Zambia from the 1990s onwards, make cultural sense because of their links to traditional African notions as well as contemporary Christian theologies. These narratives also resonate with unease regarding the cultural change, which is connected by Zambians to modernity. Narratives about Satanism further make personal sense to their narrators, the pastors who provide a platform for them, and their audiences. These arguments contribute to the academic study of religion in Africa, in particular of African Christianity and of witchcraft-related phenomena, as well as to the global study of discourses on Satanism and other conspiracy theories. All of these disciplines are related to the topic of Satanism in Zambia, but the phenomenon itself has not been discussed at length, which makes the existing academic literature incomplete and inadequate. The comprehensive focus on the case of narratives about Satanism in Zambia offers new insights and enhances current theoretical reflection. The research presented in this book is original, carried out during fieldwork spanning from 2012 to 2017 in Zambia and literature study in the years after that. Methodologically, the research is based on participant observation in churches in which testimonies of ex-Satanists were presented, as well as participation in the Fingers of Thomas, a Roman Catholic group which investigates rumours about Satanism. Furthermore, it is based on interviews with pastors and students of theology active in the deliverance ministry from Pentecostal as well as mainline churches and also on interviews with people who have had experiences of Satanism. Finally, the research is based on an analysis of collected testimonies of ex-Satanists as they were presented in these interviews, in churches, on radio programmes, in newspapers and in other sources.
Author | : William Graham Sumner |
Publisher | : |
Total Pages | : 784 |
Release | : 1927 |
Genre | : Sociology |
ISBN | : |
Vols. 1-3 paged continuously. Vol. 4 by W.G. Sumner, A.G. Keller, and M.R. Davie."Published under the auspices of the Sumner Club on the foundation established in memory of Philip Hamilton McMillan of the class of 1894, Yale College." "Bibliographical note": v. 4, p. [1193]-1268.
Author | : Jean Kenyon Mackenzie |
Publisher | : |
Total Pages | : 264 |
Release | : 1917 |
Genre | : Bulu (African people) |
ISBN | : |
Author | : Sonia Silva |
Publisher | : University of Pennsylvania Press |
Total Pages | : 186 |
Release | : 2011-06-01 |
Genre | : Social Science |
ISBN | : 0812203739 |
The divination baskets of south Central Africa are woven for a specific purpose. The baskets, known as lipele, contain sixty or so small articles, from seeds, claws, and minuscule horns to wooden carvings. Each article has its own name and symbolic meaning, and collectively they are known as jipelo. For the Luvale and related peoples, the lipele is more than a container of souvenirs; it is a tool, a source of crucial information from the ancestral past and advice for the future. In Along an African Border, anthropologist Sónia Silva examines how Angolan refugees living in Zambia use these divination baskets to cope with daily life in a new land. Silva documents the special processes involved in weaving the baskets and transforming them into oracles. She speaks with diviners who make their living interpreting lipele messages and speaks also with their knowledge-seeking clients. To the Luvale, these baskets are capable of thinking, hearing, judging, and responding. They communicate by means of jipelo articles drawn in configurations, interact with persons and other objects, punish wrongdoers, assist people in need, and, much like humans, go through a life course that is marked with an initiation ceremony and a special burial. The lipele functions in a state between object and person. Notably absent from lipele divination is any discussion or representation in the form of symbolic objects of the violence in Angola or the Luvale's relocation struggles—instead, the consultation focuses on age-old personal issues of illness, reproduction, and death. As Silva demonstrates in this sophisticated and richly illustrated ethnography, lipele help people maintain their links to kin and tradition in a world of transience and uncertainty.