African American Spirituals
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Author | : William Francis Allen |
Publisher | : Applewood Books |
Total Pages | : 170 |
Release | : 1996 |
Genre | : African Americans |
ISBN | : 1557094349 |
Originally published in 1867, this book is a collection of songs of African-American slaves. A few of the songs were written after the emancipation, but all were inspired by slavery. The wild, sad strains tell, as the sufferers themselves could, of crushed hopes, keen sorrow, and a dull, daily misery, which covered them as hopelessly as the fog from the rice swamps. On the other hand, the words breathe a trusting faith in the life after, to which their eyes seem constantly turned.
Author | : Felicia Raphael Marie Barber |
Publisher | : Rowman & Littlefield |
Total Pages | : 277 |
Release | : 2021-10-06 |
Genre | : Music |
ISBN | : 1793635358 |
A New Perspective for the Use of Dialect in African American Spirituals: History, Context, and Linguistics investigates the use of the African American English (AAE) dialect in the musical genre of the spiritual. Perfect for conductors and performers alike, this book traces the history of the dialect, its use in early performance practice, and the sociolinguistic impact of the AAE dialect in the United States. Felicia Barber explores AAE’s development during the African Diaspora and its correlations with Southern States White English (SSWE) and examines the dialect’s perception and how its weaponization has impacted the performance of the genre itself. She provides a synopsis of research on the use of dialect in spirituals from the past century through the analysis of written scores, recordings, and research. She identifies common elements of early performance practice and provides the phonological and grammatical features identified in early practice. This book contains practical guide for application of her findings on ten popular spiritual texts using the International Phonetic Alphabet (IPA). It concludes with insights by leading arrangers on their use of AAE dialect as a part of the genre and practice.
Author | : Sandra Jean Graham |
Publisher | : University of Illinois Press |
Total Pages | : 337 |
Release | : 2018-02-26 |
Genre | : Music |
ISBN | : 0252050304 |
Spirituals performed by jubilee troupes became a sensation in post-Civil War America. First brought to the stage by choral ensembles like the Fisk Jubilee Singers, spirituals anchored a wide range of late nineteenth-century entertainments, including minstrelsy, variety, and plays by both black and white companies. In the first book-length treatment of postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons. In so doing they lay the foundation for a black entertainment industry whose artistic, financial, and cultural practices extended into the twentieth century. A companion website contains jubilee troupe personnel, recordings, and profiles of 85 jubilee groups. Please go to: http://www.press.uillinois.edu/books/graham/spirituals/
Author | : George Pullen Jackson |
Publisher | : |
Total Pages | : 510 |
Release | : 2013-10 |
Genre | : |
ISBN | : 9781494115845 |
This is a new release of the original 1933 edition.
Author | : John Wesley Work |
Publisher | : Courier Corporation |
Total Pages | : 274 |
Release | : 1998-01-01 |
Genre | : Music |
ISBN | : 0486402711 |
Authoritative study traces the African influences and lyric significance of such songs as Swing Low, Sweet Chariot and John Henry, and gives words and music for 230 songs. Bibliography. Index of Song Titles.
Author | : Dena J. Epstein |
Publisher | : University of Illinois Press |
Total Pages | : 468 |
Release | : 2003 |
Genre | : Music |
ISBN | : 9780252071508 |
Awarded both the Chicago Folklore Prize and the Simkins Prize of the Southern Historical Association From the plaintive tunes of woe sung by exiled kings and queens of Africa to the spirited worksongs and "shouts" of freedmen, in Sinful Tunes and Spirituals Dena J. Epstein traces the course of early black folk music in all its guises. This classic work is being reissued with a new author's preface on the silver anniversary of its original publication.
Author | : Aminah Brenda Lynn Robinson |
Publisher | : Houghton Mifflin Harcourt P |
Total Pages | : 72 |
Release | : 1992 |
Genre | : Art |
ISBN | : |
"Spirituals have inspired and illuminated the lives of generations of Americans. Invented, edited, and transformed by those who sang them, spirituals are a source of pride and of cultural knowledge - strengthening, heartening, and informing." "Artist Aminah Brenda Lynn Robinson, having drawn courage and wisdom from these songs all her life, here presents the images they evoke in her. She incorporates texts into the art - some from a little book of spirituals that was given to her when she was nine years old, some from a lifetime of "just hearing songs." Aminah has "re-remembered" these songs, adding to them, rearranging them, interpreting them. In this collection of striking drawings she passes on to the children of the future "the teachings," the lessons of the past, the lessons of the spirituals, as she has understood them."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author | : Aaron Henderson |
Publisher | : |
Total Pages | : |
Release | : 2020-03-20 |
Genre | : |
ISBN | : 9781734452105 |
Fight On brings together three dynamic elements to tell the story of the African American Spirituals tradition: fifty-nine paintings from a series by Aaron F. Henderson, the lyrics of fifty-six spiritual songs, and narrative writings by scholars of art and culture, and Henderson himself. The elements come together to make this more than an art book, a lyric book, autobiography or cultural commentary. Fight On is a celebratory document of African American culture, giving evidence to how Black people in a nation that grew rich and powerful on the strength of their unpaid labor survived and liberated themselves.Two things have been a consistent in the life of Aaron F. Henderson: making art and listening to spirituals-at home, in church, and later in college. He has also always valued history, the scholarly work required to write it, and recognizes its power expressed in different ways, including music. Fight On reveals how music has served as medicine, spiritual sustenance and a means of communication for Black people in general, and himself in particular. He studies great African American thinkers, such as W. E. B. Du Bois who in The Souls of Black Folk called spirituals sorrow songs that "articulate messages of the slave to the world," messages of suffering, despair, freedom, faith, hope, and the power of the spirit. Henderson references Frederick Douglass who wrote about the double meanings in their words and how every tone was a testimony against slavery, and a prayer to God for deliverance from chains. The paintings in Fight On show us the spirit of Harriet Tubman who used the spirituals as a signal of her arrival to facilitate the escape of others by way of the Underground Railroad. The songs kept people working in the fields, on the railroads and marching during the civil rights movement. The songs are the foundation of Black music, i.e., blues, jazz, R&B, gospel, Rock & Roll, rap, and hip hop. Du Bois said it this way "by fateful chance the Negro folksong---the rhythmic cry of the slave---stands today not simply as the sole American music.
Author | : Ashley Bryan |
Publisher | : Atheneum Books for Young Readers |
Total Pages | : 72 |
Release | : 1974 |
Genre | : Juvenile Nonfiction |
ISBN | : |
A collection of familiar and lesser-known spirituals including "Walk Together Children, " "Little David Play on Your Harp, "" I Got Shoes, " and others.
Author | : Erskine Peters |
Publisher | : Greenwood |
Total Pages | : 504 |
Release | : 1993-04-20 |
Genre | : Music |
ISBN | : |
Under the rubric spirituals are subsumed sorrow songs, jubilee songs, shout songs, chants, homilies, mantras, affirmations, and collective, personal, and historical allegories. Their lyrics tell an impassioned story of an embattled people, while presenting a theology of salvation; in general, they encompass crucial aspects of the Afro-American world view. This research collection contains lyrics of 978 spirituals, including some variants, culled from numerous anthologies and collections. Codes are provided to guide the researcher to an original source with musical notations. The songs are organized in nine thematic categories as follows: lyrics of sorrow, alienation, and desolation; consolation and faith; resistance and defiance; deliverance; jubilation and triumph; judgment and reckoning; regeneration; spiritual progress; and transcendence. Each thematic section is prefaced by an interpretive statement, and the volume introduction discusses the historical background and analyzes the basic poetics of the spirituals with regard to structure, prosody, and figures of speech. Selective bibliographies of song collections and historical and theoretical works are included as well. The lyrics are indexed by title and by first line, and a general index provides access to topics, themes, persons, and places. The spirituals are pervasive in Afro-American life, and this collection will be a basic resource for researchers in all aspects of Afro-American culture, religion, and history, and useful, as well, for musicologists.