African American Spirituality Thought Culture
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Author | : Josef Sorett |
Publisher | : Oxford University Press |
Total Pages | : 313 |
Release | : 2016 |
Genre | : History |
ISBN | : 0199844933 |
While many of the most significant black intellectual movements of the second half of the twentieth century have been perceived as secular, Josef Sorett demonstrates in this book that religion was actually a fertile, fluid and formidable force within these movements. Spirit in the Dark examines how African American literary visions were animated and organized by religion and spirituality, from the New Negro Renaissance of the 1920s to the Black Arts movement of the 1960s.
Author | : Peter J. Paris |
Publisher | : Fortress Press |
Total Pages | : 212 |
Release | : |
Genre | : Philosophy |
ISBN | : 9781451415865 |
Eminent black social ethicist Peter Paris focuses on African "spirituality"--the religious and moral values pervading traditional African religious worldviews. Paris's careful scholarship and his eye for value in varying cultural milieus combine to model comparative cultural analysis and to clarify cultural foundations of black ethical life.
Author | : Phyllis Baker |
Publisher | : iUniverse |
Total Pages | : 96 |
Release | : 2007-06 |
Genre | : Body, Mind & Spirit |
ISBN | : 0595442315 |
Traces the author's and African Americans in general, historical roots and personal and professional understanding of her culture.
Author | : Cornel West |
Publisher | : Westminster John Knox Press |
Total Pages | : 1084 |
Release | : 2003-01-01 |
Genre | : Religion |
ISBN | : 9780664224592 |
Believing that African American religious studies has reached a crossroads, Cornel West and Eddie Glaude seek, in this landmark anthology, to steer the discipline into the future. Arguing that the complexity of beliefs, choices, and actions of African Americans need not be reduced to expressions of black religion, West and Glaude call for more careful reflection on the complex relationships of African American religious studies to conceptions of class, gender, sexual orientation, race, empire, and other values that continue to challenge our democratic ideals.
Author | : Anthony B. Pinn |
Publisher | : Duke University Press |
Total Pages | : 446 |
Release | : 2009-12-02 |
Genre | : Religion |
ISBN | : 082239121X |
Creating Ourselves is a unique effort to lay the cultural and theological groundwork for cross-cultural collaboration between the African and Latino/a American communities. In the introduction, the editors contend that given overlapping histories and interests of the two communities, they should work together to challenge social injustices. Acknowledging that dialogue is a necessary precursor to collaboration, they maintain that African and Latino/a Americans need to cultivate the habit of engaging “the other” in substantive conversation. Toward that end, they have brought together theologians and scholars of religion from both communities. The contributors offer broadly comparative exchanges about the religious and theological significance of various forms of African American and Latino/a popular culture, including representations of the body, literature, music, television, visual arts, and cooking. Corresponding to a particular form of popular culture, each section features two essays, one by an African American scholar and one by a Latino/a scholar, as well as a short response by each scholar to the other’s essay. The essays and responses are lively, varied, and often personal. One contributor puts forth a “brown” theology of hip hop that celebrates hybridity, contradiction, and cultural miscegenation. Another analyzes the content of the message transmitted by African American evangelical preachers who have become popular sensations through television broadcasts, video distribution, and Internet promotions. The other essays include a theological reading of the Latina body, a consideration of the “authenticity” of representations of Jesus as white, a theological account of the popularity of telenovelas, and a reading of African American ideas of paradise in one of Toni Morrison’s novels. Creating Ourselves helps to make popular culture available as a resource for theology and religious studies and for facilitating meaningful discussions across racial and ethnic boundaries. Contributors. Teresa Delgado, James H. Evans Jr., Joseph De León, Cheryl Kirk-Duggan, Angel F. Méndez Montoya, Alexander Nava, Anthony B. Pinn, Mayra Rivera, Suzanne E. Hoeferkamp Segovia, Benjamín Valentín, Jonathan L. Walton, Traci C. West, Nancy Lynne Westfield, Sheila F. Winborne
Author | : Theophus H. Smith |
Publisher | : Oxford University Press |
Total Pages | : 304 |
Release | : 1995-11-09 |
Genre | : Religion |
ISBN | : 0198023197 |
This book provides a sophisticated new interdisciplinary interpretation of the formulation and evolution of African American religion and culture. Theophus Smith argues for the central importance of "conjure"--a magical means of transforming reality--in black spirituality and culture. Smith shows that the Bible, the sacred text of Western civilization, has in fact functioned as a magical formulary for African Americans. Going back to slave religion, and continuing in black folk practice and literature to the present day, the Bible has provided African Americans with ritual prescriptions for prophetically re-envisioning, and thereby transforming, their history and culture. In effect the Bible is a "conjure book" for prescribing cures and curses, and for invoking extraordinary and Divine powers to effect changes in the conditions of human existence--and to bring about justice and freedom. Biblical themes, symbols, and figures like Moses, the Exodus, the Promised Land, and the Suffering Servant, as deployed by African Americans, have crucially formed and reformed not only black culture, but American society as a whole. Smith examines not only the religious and political uses of conjure, but its influence on black aesthetics, in music, drama, folklore, and literature. The concept of conjure, he shows, is at the heart of an indigenous and still vital spirituality, with exciting implications for reformulating the next generation of black studies and black theology. Even more broadly, Smith proposes, "conjuring culture" can function as a new paradigm for understanding Western religious and cultural phenomena generally.
Author | : Diana L. Hayes |
Publisher | : Orbis Books |
Total Pages | : 241 |
Release | : 2012 |
Genre | : Religion |
ISBN | : 1608331105 |
African American spirituality was forged in the fiery furnace of slavery, segregation, and ongoing racial discrimination in both church and society. But African Americans are a people who are strengthened rather than weakened by their experience. This volume traces how African Americans have articulated their faith and love of God in language, song, and daily living. Beginning with its spiritual roots in Africa, Hayes shows how African American spirituality encompassed and incorporated the experience of slavery and the encounter with Christianity. Remarkably, African American slaves were able to find in the religion of their oppressors a message of hope, affirmation, and resistance. Through stories, song, distinctive forms of prayer, celebration, and prophetic witness, Hayes shows how the spirituality of African Americans has nurtured their survival as well as promoting action on behalf of the community and the greater society.
Author | : Jacob K. Olupona |
Publisher | : Oxford University Press |
Total Pages | : 177 |
Release | : 2014 |
Genre | : History |
ISBN | : 0199790582 |
This book connects traditional religions to the thriving religious activity in Africa today.
Author | : Nicholas C. Cooper-Lewter |
Publisher | : |
Total Pages | : 176 |
Release | : 1991 |
Genre | : Religion |
ISBN | : 9780687391257 |
Soul Theology distills the core beliefs that have provided and sustained a healing and balancing force in the black community throughout its history in North American.
Author | : A. Pinn |
Publisher | : Springer |
Total Pages | : 219 |
Release | : 2009-07-06 |
Genre | : Social Science |
ISBN | : 0230622941 |
A great deal of attention has been given to the sociopolitical and theological importance of Black Religion. However, of less academic concern up to this point is the aesthetic qualities that define much of what is said and done within the context of Black Religion. Recognizing the centrality of the black body for black religious thought and life, this book proposes a conversation concerning various dimensions of the aesthetic considerations and qualities of Black Religion as found in various parts of the world, including the the Americas, the Caribbean, Africa, and Europe. In this respect, Black Religion is simply meant to connote the religious orientations and arrangements of people of African descent across the globe.