African-American Art
Author | : Sharon F. Patton |
Publisher | : Oxford University Press, USA |
Total Pages | : 328 |
Release | : 1998 |
Genre | : Art |
ISBN | : 9780192842138 |
Discusses African American folk art, decorative art, photography, and fine arts.
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Author | : Sharon F. Patton |
Publisher | : Oxford University Press, USA |
Total Pages | : 328 |
Release | : 1998 |
Genre | : Art |
ISBN | : 9780192842138 |
Discusses African American folk art, decorative art, photography, and fine arts.
Author | : Smithsonian American Art Museum |
Publisher | : |
Total Pages | : 264 |
Release | : 2012 |
Genre | : Art |
ISBN | : |
"Drawn entirely from the Smithsonian American Art Museum's rich collection of African American art, the works include paintings by Benny Andrews, Jacob Lawrence, Thornton Dial Sr., Romare Bearden, Alma Thomas, and Lois Mailou Jones, and photographs by Roy DeCarava, Gordon Parks, Roland Freeman, Marilyn Nance, and James Van Der Zee. More than half of the artworks in the exhibition are being shown for the first time"--Publisher's website.
Author | : Samella S. Lewis |
Publisher | : |
Total Pages | : 164 |
Release | : 1976 |
Genre | : African American art |
ISBN | : |
Author | : Samella S. Lewis |
Publisher | : |
Total Pages | : 328 |
Release | : 1990 |
Genre | : Art |
ISBN | : |
Drawing from historical and private collections around the country, Samella Lewis has gathered an impressive representation of the work of African American artists, from the 18th century to the present. For this edition she has provided a new chapter on art of the last decade. Handsomely and generously illustrated, this book reveals a rich legacy of work by African American painters, sculptors, and graphic artists. "Art historical scholarship is greatly advanced by Samella Lewis's African American Art and Artists in that it foregrounds the work of artists who have been influencing the texture of art in the United States during the last two decades of the 20th century. Throughout African American Art and Artists, Lewis interrogates the issue of identity by presenting the biographical sketch, which locates the individual artistic personality within a specific cultural background with its own peculiar dynamics, giving a face to two cities of Black American art. Without polemics Lewis presents women artists--Edmonia Lewis to Allison Saar--as principal players in constructing an African American visual arts legacy. Here Lewis sufficiently defines the visual arts in order that they may assume their rightful place alongside African American music, literature and folklore as cultural expressions that have helped to give American culture its distinct character."--from the foreword by Floyd Coleman, Harvard University.
Author | : Sharrell D. Luckett |
Publisher | : |
Total Pages | : 323 |
Release | : 2019 |
Genre | : ART |
ISBN | : 9781684481569 |
"Signaling recent activist and aesthetic concepts in the work of Kara Walker, Childish Gambino, BLM, Janelle MonĂ¡e, and Kendrick Lamar, and marking the exit of the Obama Administration and the opening of the National Museum of African American History and Culture, this anthology explores the role of African American arts in shaping the future, and further informing new directions we might take in honoring and protecting the success of African Americans in the U.S. The essays in African American Arts: Activism, Aesthetics, and Futurity engage readers in critical conversations by activists, scholars, and artists reflecting on national and transnational legacies of African American activism as an element of artistic practice, particularly as they concern artistic expression and race relations, and the intersections of creative processes with economic, sociological, and psychological inequalities. Scholars from the fields of communication, theater, queer studies, media studies, performance studies, dance, visual arts, and fashion design, to name a few, collectively ask: What are the connections between African American arts, the work of social justice, and creative processes? If we conceive the arts as critical to the legacy of Black activism in the United States, how can we use that construct to inform our understanding of the complicated intersections of African American activism and aesthetics? How might we as scholars and creative thinkers further employ the arts to envision and shape a verdant society?"--
Author | : Michael A. Griggs |
Publisher | : |
Total Pages | : 278 |
Release | : 2010-01-01 |
Genre | : African Americans |
ISBN | : 9781450713122 |
Author | : David C. Driskell |
Publisher | : |
Total Pages | : 234 |
Release | : 1976 |
Genre | : Art |
ISBN | : |
"This book represents a major event in the art world. It is the first book to encompass the entire span and range of black art in America, from unknown artisans and journeymen painters of the 18th century to such internationally admired 19th-century artists as Edward M. Bannister, Edmonia Lewis, and Henry Ossawa Tanner, through the artists of the dynamic "Harlem Renaissance" of the 1920s, and up to Horace Pippin, Jacob Lawrence, and Romare Bearden ... and reproduces works, chronologically arranged, by all the 63 artists in the show, their paintings, sculptures, graphics, as well as crafts ranging from dolls to walking sticks" --
Author | : Celeste-Marie Bernier |
Publisher | : |
Total Pages | : 300 |
Release | : 2008 |
Genre | : African American art |
ISBN | : |
African American Visual Arts: From Slavery to the Present
Author | : Gwendolyn DuBois Shaw |
Publisher | : Yale University Press |
Total Pages | : 0 |
Release | : 2014 |
Genre | : African American art |
ISBN | : 9780300208009 |
"Published on the occasion of the exhibition 'Represent: 200 years of African American art,' Philadelphia Museum of Art, January 10-April 5, 2015"--Title-page vers
Author | : Lisa E. Farrington |
Publisher | : Oxford University Press, USA |
Total Pages | : 0 |
Release | : 2017 |
Genre | : African American art |
ISBN | : 9780199995394 |
African-American Art: A Visual and Cultural History offers a current and comprehensive history that contextualizes black artists within the framework of American art as a whole. The first chronological survey covering all art forms from colonial times to the present to publish in over a decade, it explores issues of racial identity and representation in artistic expression, while also emphasizing aesthetics and visual analysis to help students develop an understanding and appreciation of African-American art that is informed but not entirely defined by racial identity. Through a carefully selected collection of creative works and accompanying analyses, the text also addresses crucial gaps in the scholarly literature, incorporating women artists from the beginning and including coverage of photography, crafts, and architecture in the nineteenth and twentieth centuries as well as twenty-first century developments. All in all, African American Art: A Visual and Cultural History offers a fresh and compelling look at the great variety of artistic expression found in the African-American community. Visit www.oup.com/us/farrington for additional support material, including chapter outlines, study questions, links to artists' sites, and other resources to help students succeed.