Aesthetic Reason
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Author | : María del Rosario Acosta López |
Publisher | : SUNY Press |
Total Pages | : 226 |
Release | : 2018-10-01 |
Genre | : Philosophy |
ISBN | : 1438472196 |
Shows the relevance of Schillers thought for contemporary philosophy, particularly aesthetics, ethics, and politics. This book seeks to draw attention to Friedrich Schiller (17591805) as a philosophical thinker in his own right. For too long, his philosophical contribution has been neglected in favor of his much-deserved reputation as a political playwright. The essays in this collection make two arguments. First, Schiller presents a robust philosophical program that can be favorably compared to those of his age, including Rousseau, Kant, Schelling, and Hegel, and he proves to be their equal in his thinking on morality, aesthetics, and politics. Second, Schiller can also guide us in our more contemporary philosophical concerns and approaches, such as phenomenology, hermeneutics, aesthetics, and politics. Here, Schiller instructs us in our engagement with figures such as Walter Benjamin, Michel Foucault, Jacques Rancière, Roberto Esposito, and others.
Author | : Alan Singer |
Publisher | : Penn State Press |
Total Pages | : 318 |
Release | : 2010-11-01 |
Genre | : Philosophy |
ISBN | : 9780271046686 |
Along these lines, he shows that the aesthetic has affinities with the logic of reversal/recognition in Greek tragedy and with theories of subject formation based on intersubjective recognition. The marking of these affinities sets up a discussion of how the aesthetic can serve protocols of rational choice-making. Within this perspective, aesthetic practice is revealed to be a meaningful social enterprise rather than an effete refuge from the conflicts of social existence.
Author | : Arnold Berleant |
Publisher | : Andrews UK Limited |
Total Pages | : 237 |
Release | : 2011-11-28 |
Genre | : Philosophy |
ISBN | : 1845402936 |
Aesthetic sensibility rests on perceptual experience and characterizes not only our experience of the arts but our experience of the world. Sensibility and Sense offers a philosophically comprehensive account of humans' social and cultural embeddedness encountered, recognized, and fulfilled as an aesthetic mode of experience. Extending the range of aesthetic experience from the stone of the earth's surface to the celestial sphere, the book focuses on the aesthetic as a dimension of social experience. The guiding idea of pervasive interconnectedness, both social and environmental, leads to an aesthetic critique of the urban environment, the environment of daily life, and of terrorism, and has profound implications for grounding social and political values. The aesthetic emerges as a powerful critical tool for appraising urban culture and political practice.
Author | : Dominic McIver Lopes |
Publisher | : Oxford University Press |
Total Pages | : 288 |
Release | : 2018-09-19 |
Genre | : Philosophy |
ISBN | : 0192562126 |
No values figure as pervasively and intimately in our lives as beauty and other aesthetic values. They animate the arts, as well as design, fashion, food, and entertainment. They orient us upon the natural world. And we even find them in the deepest insights of science and mathematics. For centuries, however, philosophers and other thinkers have identified beauty with what brings pleasure. Concerned that aesthetic hedonism has led us to question beauty's significance, Dominic McIver Lopes offers an entirely new theory of beauty in this volume. Beauty engages us in action, in concert with others, in the context of social networks. Lopes's 'network theory' explains the social dimension of aesthetic agency, the tie between beauty and pleasure, the importance of disagreement in matters of taste, and the reality of aesthetic values as denizens of the natural world. The two closing chapters shed light on why aesthetic engagement is so important to quality of life, and why it deserves (and gets) lavish public support. Being for Beauty offers a fresh contribution to aesthetics but also to thinking about metanormativity, the metaphysics of value, and virtue theory.
Author | : George Orwell |
Publisher | : Renard Press Ltd |
Total Pages | : 15 |
Release | : 2021-01-01 |
Genre | : Literary Collections |
ISBN | : 1913724263 |
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Author | : Aaron Ridley |
Publisher | : Oxford University Press |
Total Pages | : 284 |
Release | : 2024-08-29 |
Genre | : Philosophy |
ISBN | : 0192661019 |
These essays, half of them appearing here for the first time, address issues concerning the two key singularities that Kant identified in aesthetics: artistic creativity and aesthetic judgement. Ranging from Kant himself to contemporary debates, from song to conceptual art, from ethics to atheism, from function to failure, Aaron Ridley explores the ways in which the one-off character of creativity and judgement may defy our ordinary expectations of what an explanation should be like. Intended equally for specialists and students, this collection offers a distinctive approach to aesthetics that will be of interest to any reader concerned with philosophical reflection upon the arts.
Author | : David L. Colclasure |
Publisher | : Routledge |
Total Pages | : 131 |
Release | : 2010-06-10 |
Genre | : Literary Criticism |
ISBN | : 1136956107 |
The book is different from other work in the philosophy of literature to the extent that it aims to retool Jürgen Habermas' theory of communicative action to provide a description of the role that literature plays in the political public sphere. Literary scholarship has paid little serious attention to Habermas' philosophy, and, on the other hand, the reception of Habermas has given little attention to the role that literary practice can play in a broader theory of communicative action. Colclasure's argument sets out to demonstrate that a specific, literary form of rationality inheres in literary practice and the public reception of literary works which provides a unique contribution to the political public sphere.
Author | : Roger Rothman |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 195 |
Release | : 2015-09-18 |
Genre | : Art |
ISBN | : 144388328X |
Art of the Real is devoted to registering the materialist turn of contemporary theory in visual studies. For many years, visual studies was dominated by post-structuralist theory and its attendant nominalism. More recently, however, the materialism of Slavoj Žižek, the realism of Gilles Deleuze, especially as imputed by Manuel de Landa, and Alain Badiou has disrupted this status quo. Today, we are more likely to take for granted the relevance of biology and the natural sciences, while the return of Marx has been more serious than countenanced by Derrida or Foucault. This book considers visual studies and the questions that have led to the new materialism, its ontology and its relation to contemporary politics. While a good deal of work has promoted a materialist agenda at the same time that scholars in art history and visual studies have felt liberated by the call to attend to objects, materials and “materiality,” no publication has yet treated this move for its meta-theoretical commitments. This volume does this by addressing the conditions that have brought about the turn to materiality, the ontological commitments that follow on from new materialist metaphysics, and the political implications wrought by these commitments.
Author | : Yuval Lurie |
Publisher | : Rodopi |
Total Pages | : 294 |
Release | : 2012 |
Genre | : Philosophy |
ISBN | : 904203517X |
Provides a new understanding of Wittgenstein's discourse as an edifyng philosophy of culture, pursued through self-reflection. Investigates the conceptual underpinnings of culture, revealing them as shared expressive spiritual forms of life.
Author | : Daniel Star |
Publisher | : Oxford University Press |
Total Pages | : 1105 |
Release | : 2018-05-31 |
Genre | : Philosophy |
ISBN | : 0192549006 |
The Oxford Handbook of Reasons and Normativity maps a central terrain of philosophy, and provides an authoritative guide to it. Few concepts have received as much attention in recent philosophy as the concept of a reason to do or believe something. And one of the most contested ideas in philosophy is normativity, the 'ought' in claims that we ought to do or believe something. This is the first volume to provide broad coverage of the study of reasons and normativity across multiple philosophical subfields. In addition to focusing on reasons in ethics, epistemology, and the philosophy of mind, action, and language, the Handbook explores philosophical work on the nature of normativity in general. Topics covered include: the unity of normativity; the fundamentality of reasons; attempts to explain reasons in other terms; the relation of motivational reasons to normative reasons; the internalist constraint; the logic and language of reasons and 'ought'; connections between reasons, intentions, choices, and actions; connections between reasons, reasoning, and rationality; connections between reasons, knowledge, understanding and evidence; reasons encountered in perception and testimony; moral principles, prudence and reasons; agent-relative reasons; epistemic challenges to our access to reasons; normativity in relation to meaning, concepts, and intentionality; instrumental reasons; pragmatic reasons for belief; aesthetic reasons; and reasons for emotions.