Aeschines Against Ctesiphon

Aeschines Against Ctesiphon
Author: Aeschines Rufus Byam Richardson
Publisher: Legare Street Press
Total Pages: 0
Release: 2022-10-27
Genre:
ISBN: 9781016552523

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Attic Oratory and Performance

Attic Oratory and Performance
Author: Andreas Serafim
Publisher: Routledge
Total Pages: 259
Release: 2017-01-12
Genre: History
ISBN: 1317573765

In a society where public speech was integral to the decision-making process, and where all affairs pertaining to the community were the subject of democratic debate, the communication between the speaker and his audience in the public forum, whether the law-court or the Assembly, cannot be separated from the notion of performance. Attic Oratory and Performance seeks to make modern Performance Studies productive for, and so make a significant contribution to, the understanding of Greek oratory. Although quite a lot of ink has been spilt over the performance dimension of oratory, the focus of nearly all of the scholarship in this area has been relatively narrow, understanding performance as only encompassing 'delivery' – the use of gestures and vocal ploys – and the convergences and divergences between oratory and theatre. Serafim seeks to move beyond this relatively narrow focus to offer a holistic perspective on performance and oratory. Using examples from selected forensic speeches, in particular four interconnected speeches by Aeschines (2, 3) and Demosthenes (18, 19), he argues that oratorical performance encompassed subtle communication between the speaker and the audience beyond mere delivery, and that the surviving texts offer numerous glimpses of the performative dimension of these speeches, and their links to contemporary theatre.

Demosthenes' "On the Crown"

Demosthenes'
Author: James J. Murphy
Publisher: SIU Press
Total Pages: 243
Release: 2016-10-04
Genre: Language Arts & Disciplines
ISBN: 0809335115

Demosthenes’ speech On the Crown (330 B.C.E.), in which the master orator spectacularly defended his public career, has long been recognized as a masterpiece. The speech has been in continuous circulation from Demosthenes’ lifetime to the present day, and multiple generations have acclaimed it as the greatest speech ever written. In addition to a clear and accessible translation, Demosthenes’“On the Crown”:Rhetorical Perspectives includes eight essays that provide a thorough analysis—based on Aristotelian principles—of Demosthenes’ superb rhetoric. The volume includes biographical and historical background on Demosthenes and his political situation; a structural analysis of On the Crown; and an abstract of Aeschines’ speech Against Ctesiphon to which Demosthenes was responding. Four essays by contributors analyze Demosthenes’ speech using key elements of rhetoric defined by Aristotle: ēthos, the speaker’s character or authority; pathos, or emotional appeals; logos, or logical appeals; and lexis, a speaker’s style. An introduction and an epilogue by Murphy frame the speech and the rhetorical analysis of it. By bringing together contextual material about Demosthenes and his speech with a translation and astute rhetorical analyses, Demosthenes’“On the Crown”:Rhetorical Perspectives highlights the oratorical artistry of Demosthenes and provides scholars and students with fresh insights into a landmark speech.

Athenian Political Oratory

Athenian Political Oratory
Author: David Phillips
Publisher: Routledge
Total Pages: 284
Release: 2004-09-25
Genre: History
ISBN: 1135888590

The celebrated orators and speeches of ancient Athens have been read and enjoyed for thousands of years. Focusing on the works of three of the greatest orators in history-Demosthenes, Lysias, and Hypereides-this collection of speeches is an indispensable source for anyone interested in classical civilization and literature, political science and rhetoric. Each of the three sections-The Thirty Tyrants, Philip and Athens, and Athens Under Alexander-includes an introduction providing an historical overview of the period and each speech is preceded by its own brief introduction. Rendered in lively, readable prose, the translations capture the energy, vigor and power of the originals.

The Greek Orators

The Greek Orators
Author: John Frederic Dobson
Publisher:
Total Pages: 374
Release: 1919
Genre: Literary Criticism
ISBN:

From Scholars to Scholia

From Scholars to Scholia
Author: Franco Montanari
Publisher: Walter de Gruyter
Total Pages: 221
Release: 2011
Genre: History
ISBN: 3110251620

This book deals with various aspects of ancient Greek scholarship and grammar. It contains five articles which discuss questions such as the form of the Alexandrian ekdosis on the basis of the relationship between the library artefact on one hand and the text as an object of editing on the other; the study of language within the Hellenistic scholarship; the ideological position adopted by Rome in the age of Augustus in its relations with the Greek world; some specific problems in Apollonius Dyscolus Peri epirrematon; and the origin of Greek scholiastic corpora.

The Rhetoric of the Past in Demosthenes and Aeschines

The Rhetoric of the Past in Demosthenes and Aeschines
Author: Guy Westwood
Publisher: Oxford University Press
Total Pages: 400
Release: 2020-04-09
Genre: Philosophy
ISBN: 0192599127

In democratic Athens, mass citizen audiences - whether in the lawcourts, or in the political Assembly and Council, or when gathered for formal civic occasions - frequently heard politicians and litigants discussing the city's past, and manipulating it for persuasive ends. The Rhetoric of the Past in Demosthenes and Aeschines explores how these dynamics worked in practice, taking two prominent mid-fourth-century politicians (and bitter adversaries) as focal points. While most recent scholarly treatments of how the Athenians recalled their past concentrate on collective processes, this work looks instead at the rhetorical strategies devised by individual orators, examining what it meant for Demosthenes or Aeschines to present particular 'historical' examples, arguments, and illustrations in particular contexts. It argues that discussing the Athenian past - and therefore discussing a core aspect of Athenian identity itself - offered Demosthenes and Aeschines, among others, an effective and versatile means both of building and highlighting their own credibility, authority, and commitment to the democracy and its values, and of competing with their rivals, whose own versions and handling of the past they could challenge and undermine as a symbolic attack on those rivals' wider competence. Recourse to versions of the past also offered orators a way of reflecting on a troubled contemporary geopolitical landscape in which Athens first confronted the enterprising Philip II of Macedon and then coped with Macedonian hegemony. The work covers the full range of Demosthenes' and Aeschines' surviving public speeches, and the extended opening chapter includes synoptic surveys of key individual topics which feed into the main discussion.

Performance and Identity in the Classical World

Performance and Identity in the Classical World
Author: Anne Duncan
Publisher: Cambridge University Press
Total Pages: 432
Release: 2006-01-30
Genre: History
ISBN: 1107320852

Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self. Actors were often viewed as frauds and impostors, capable of deliberately fabricating their identities. Conversely, they were sometimes viewed as possessed by the characters that they played, or as merely playing themselves onstage. Numerous sources reveal an uneasy fascination with actors and acting, from the writings of elite intellectuals (philosophers, orators, biographers, historians) to the abundant theatrical anecdotes that can be read as a body of 'popular performance theory'. This text examines these sources, along with dramatic texts and addresses the issue of impersonation, from the late fifth century BCE to the early Roman Empire.