A Frequency Dictionary of Portuguese

A Frequency Dictionary of Portuguese
Author: Mark Davies
Publisher: Routledge
Total Pages: 950
Release: 2007-11-29
Genre: Foreign Language Study
ISBN: 113411091X

An invaluable tool for learners of Portuguese, this Frequency Dictionary provides a list of the 5000 most commonly used words in the language. Based on a twenty-million-word collection of Portuguese (taken from both Portuguese and Brazilian sources), which includes both written and spoken material, this dictionary provides detailed information for each of the 5000 entries, including the English equivalent, a sample sentence, and an indication of register and dialect variation. Users can access the top 5000 words either through the main frequency listing or through an alphabetical index. Throughout the frequency listing there are also thrity thematically-organized ‘boxed’ lists of the top words from a variety of key topics such as sports, weather, clothing and relations. An engaging and highly useful resource, A Frequency Dictionary of Portuguese will enable students of all levels to get the most out of their study of Portuguese vocabulary. Former CD content is now available to access at www.routledge.com/9780415419970 as support material. Designed for use by corpus and computational linguists it provides the full text in a format that researchers can process and turn into suitable lists for their own research work.

The Great Controversy Between Christ and Satan

The Great Controversy Between Christ and Satan
Author: Ellen Gould Harmon White
Publisher: Library of Alexandria
Total Pages: 1033
Release: 2020-09-28
Genre: Religion
ISBN: 1465503331

Before the entrance of sin, Adam enjoyed open communion with his Maker; but since man separated himself from God by transgression, the human race has been cut off from this high privilege. By the plan of redemption, however, a way has been opened whereby the inhabitants of the earth may still have connection with heaven. God has communicated with men by His Spirit, and divine light has been imparted to the world by revelations to His chosen servants. “Holy men of God spake as they were moved by the Holy Ghost.” 2 Peter 1:21. During the first twenty-five hundred years of human history, there was no written revelation. Those who had been taught of God, communicated their knowledge to others, and it was handed down from father to son, through successive generations. The preparation of the written word began in the time of Moses. Inspired revelations were then embodied in an inspired book. This work continued during the long period of sixteen hundred years,—from Moses, the historian of creation and the law, to John, the recorder of the most sublime truths of the gospel. The Bible points to God as its author; yet it was written by human hands; and in the varied style of its different books it presents the characteristics of the several writers. The truths revealed are all “given by inspiration of God” (2 Tim. 3:16); yet they are expressed in the words of men. The Infinite One by His Holy Spirit has shed light into the minds and hearts of His servants. He has given dreams and visions, symbols and figures; and those to whom the truth was thus revealed, have themselves embodied the thought in human language. The ten commandments were spoken by God Himself, and were written by His own hand. They are of divine, and not of human composition. But the Bible, with its God-given truths expressed in the language of men, presents a union of the divine and the human. Such a union existed in the nature of Christ, who was the Son of God and the Son of man. Thus it is true of the Bible, as it was of Christ, that “the Word was made flesh, and dwelt among us.” John 1:14. Written in different ages, by men who differed widely in rank and occupation, and in mental and spiritual endowments, the books of the Bible present a wide contrast in style, as well as a diversity in the nature of the subjects unfolded. Different forms of expression are employed by different writers; often the same truth is more strikingly presented by one than by another. And as several writers present a subject under varied aspects and relations, there may appear, to the superficial, careless, or prejudiced reader, to be discrepancy or contradiction, where the thoughtful, reverent student, with clearer insight, discerns the underlying harmony. As presented through different individuals, the truth is brought out in its varied aspects. One writer is more strongly impressed with one phase of the subject; he grasps those points that harmonize with his experience or with his power of perception and appreciation; another seizes upon a different phase; and each, under the guidance of the Holy Spirit, presents what is most forcibly impressed upon his own mind—a different aspect of the truth in each, but a perfect harmony through all. And the truths thus revealed unite to form a perfect whole, adapted to meet the wants of men in all the circumstances and experiences of life. God has been pleased to communicate His truth to the world by human agencies, and He Himself, by His Holy Spirit, qualified men and enabled them to do this work. He guided the mind in the selection of what to speak and what to write. The treasure was intrusted to earthen vessels, yet it is, none the less, from Heaven. The testimony is conveyed through the imperfect expression of human language, yet it is the testimony of God; and the obedient, believing child of God beholds in it the glory of a divine power, full of grace and truth.

Cinematograph of Words

Cinematograph of Words
Author: Flora Süssekind
Publisher: Stanford University Press
Total Pages: 162
Release: 1997
Genre: Literary Criticism
ISBN: 9780804730631

This is an extraordinarily imaginative attempt to analyze the relations between literature and technique in Brazil from the 1880’s to the 1920’s. The author suggests that in these relations we can see more clearly the shape of a period that is otherwise usually defined from a literary perspective as “pre-” or “post-” something or other, rather than in terms of its own characteristics. One such characteristic is the intense interaction with the new technologies then arising in Brazil, the beginning of the professionalization of writers, and a revision of the concept of literature, redefined as technique. The author’s chief concern is to determine what is distinctive about the literary production of the period. Rather than focusing on literature’s relations with visual art, with a rising social class, or with the sociopolitical divisions within the educated classes of Brazilian society, the author examines the crônica (a kind of journalistic essay), poetry, and fiction of these decades in terms of their encounter with a burgeoning technological and industrial landscape. This encounter is examined from two perspectives. The first is explicit representation: the portrayal in Brazilian literature of modern artifacts, new means of transformation and communication, and the newborn industries of advertising and commercial publication. The second perspective examines how these close contacts with the technological world came to shape cultural production—that is, not how literature represents technique, but how literary technique changed as it incorporated procedures characteristic of photography, film, and poster art. This transformation was consistent and concurrent with significant changes taking place in the perceptions and sensibilities of the population of major Brazilian cities, a population increasingly attuned to images, the instant, and technology as all-powerful mediators of the urban landscape, time, and a subjectivity constantly under the threat of extinction.

Anunnaki Ulema: Origin, Classes and Stories of Their Extraordinary Powers

Anunnaki Ulema: Origin, Classes and Stories of Their Extraordinary Powers
Author: Maximillien De Lafayette
Publisher: Lulu.com
Total Pages: 140
Release: 2010-10-18
Genre:
ISBN: 9780557742110

The book includes:1.Atabukha “Darja†. Categories, classes and levels of the Anunnai Ulema.a-The Noubahari “Noubarim†, “Noubari†, “Noubaha’; b-The Mou-Na.rin “Mounawariin†, “M’Noura-Iin†; c-The Gayir-Mirayin “Gayrmirayim†; d-The Ari-Siin “Arishim†.e-History of the Anunnaki Ulema (Knights of St John of Malta, The Templars, The Wise Men of Arwad, and Hiram-Grand Orient Masonic Rites’ members)f- The Emim were a group of the Anunnaki “Fallen Angels†, and members of a tribe which challenged the authority of Anu on Earth. They were gigantic, and extraordinarily strong. The Emim were feared by the Phoenicians and the Hebrews. According to the Anunnaki-Ulema, the Emim were the first extraterrestrials to shape-shift.2-Fantastic stories about the Anunnaki-Ulema extraordinary deeds, faculties, and supernatural powers as witnessed by the author.

A Sand County Almanac

A Sand County Almanac
Author: Aldo Leopold
Publisher: Oxford University Press, USA
Total Pages: 241
Release: 2020-05
Genre: Nature
ISBN: 0197500269

First published in 1949 and praised in The New York Times Book Review as "full of beauty and vigor and bite," A Sand County Almanac combines some of the finest nature writing since Thoreau with a call for changing our understanding of land management.

Rivers of Life

Rivers of Life
Author: J.G. R. Forlong
Publisher: Рипол Классик
Total Pages: 685
Release: 1883
Genre: History
ISBN: 5872678789

Sources and streams of the faiths of man in all lands; showing the evolution of faiths from the rudest symbolism to the latest spiritual developments

Errant Modernism

Errant Modernism
Author: Esther Gabara
Publisher: Duke University Press Books
Total Pages: 388
Release: 2008-12-15
Genre: Art
ISBN:

DIVExamines photographs, mixed media essays, and experimental literature from two of the most influential modernist avant-garde movements in Latin America, proposing a theory of modernism that addresses the intersection of ethics and aesthetics./div

Historic Macao

Historic Macao
Author: Carlos Augusto Montalto Jesus
Publisher:
Total Pages: 496
Release: 1902
Genre: Macao
ISBN: