Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion

Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Author: James Malcolm Rymer
Publisher: Good Press
Total Pages: 725
Release: 2019-12-03
Genre: Fiction
ISBN:

'Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion' by James Malcolm Rymer is a novel set in England in the year 1795. The story opens with a devastating storm that ravages a village, causing chaos and destruction. Amidst the chaos, a woman named Mad Maud predicts a terrible fate for the Old Smithy and its owner, Andrew Britton. Soon after, a fire breaks out in the building, and a horrifying discovery is made—a murder has taken place. As the villagers investigate the crime, they uncover a web of deceit and betrayal that threatens to tear them apart.

Ada, the Betrayed

Ada, the Betrayed
Author: John Malcom Rymer
Publisher: BoD – Books on Demand
Total Pages: 738
Release: 2018-05-15
Genre: Fiction
ISBN: 3732673804

Reproduction of the original: Ada, the Betrayed by John Malcom Rymer

The penny politics of Victorian popular fiction

The penny politics of Victorian popular fiction
Author: Rob Breton
Publisher: Manchester University Press
Total Pages: 266
Release: 2021-06-01
Genre: Literary Criticism
ISBN: 1526156377

Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan’s longest and most significant people’s movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.

Edward Lloyd and His World

Edward Lloyd and His World
Author: Sarah Louise Lill
Publisher: Routledge
Total Pages: 281
Release: 2019-05-01
Genre: Literary Criticism
ISBN: 0429557612

The publisher Edward Lloyd (1815-1890) helped shape Victorian popular culture in ways that have left a legacy that lasts right up to today. He was a major pioneer of both popular fiction and journalism but has never received extended scholarly investigation until now. Lloyd shaped the modern popular press: Lloyd's Weekly Newspaper became the first paper to sell over a million copies. Along with publishing songs and broadsides, Lloyd dominated the fiction market in the early Victorian period issuing Gothic stories such as Varney the Vampire (1845-7) and other 'penny dreadfuls', which became bestsellers. Lloyd's publications introduced the enduring figure of Sweeney Todd whilst his authors penned plagiarisms of Dickens's novels, such as Oliver Twiss (1838-9). Many readers in the early Victorian period may have been as likely to have encountered the author of Pickwick in a Lloyd-published plagiarism as in the pages of the original author. This book makes us rethink the early reception of Dickens. In this interdisciplinary collection, leading scholars explore the world of Edward Lloyd and his stable of writers, such as Thomas Peckett Prest and James Malcolm Rymer. The Lloyd brand shaped popular taste in the age of Dickens and the Chartists. Edward Lloyd and his World fills a major gap in the histories of popular fiction and journalism, whilst developing links with Victorian politics, theatre and music.

James Malcolm Rymer, Penny Fiction, and the Family

James Malcolm Rymer, Penny Fiction, and the Family
Author: Rebecca Nesvet
Publisher: Taylor & Francis
Total Pages: 207
Release: 2024-07-30
Genre: Literary Criticism
ISBN: 104009371X

James Malcolm Rymer, Penny Fiction, and the Family is the first monograph focusing on Sweeney Todd and Varney the Vampyre’s creator James Malcolm Rymer (1814–1884). It argues that Rymer wrote his so-called ‘penny bloods’ and ‘dreadfuls’ for and about British urban working families. In the 1840s, the notion of the family acquired unprecedented prominence and radical potential. Raised in an artisanal artistic-literary family, Rymer wrote for and edited family magazines early in that genre’s history, deployed Chartist domesticity to liberal ends, and collaborated with cheap publisher Edward Lloyd to define and popularise the domestic romance genre. In 1850s–1860s penny serials published by George W.M. Reynolds, John Dicks, and Lloyd, Rymer showed how families might sustain Empire and advocated for patriarchal family dynamics in response to literary and political change. During the fin-de-siècle, Rymer’s penny fiction was demonised as hyper-masculine ‘bloods’ and ‘dreadfuls’, a reputation it retains today. Reading Victorian penny fiction’s most indicative author’s works as a corpus and with attention to their original textual, cultural, and political contexts reveals it as the family-oriented phenomenon it in fact was.

Boys Will Be Boys

Boys Will Be Boys
Author: E. S. Turner
Publisher: Faber & Faber
Total Pages: 215
Release: 2012-02-14
Genre: History
ISBN: 0571287883

E.S. Turner's first book, published in 1948, is a wholly original, richly researched and uncommonly insightful study of a somewhat disreputable genre: the 'Boys' Weekly' papers commonly known as 'penny dreadfuls.' 'A classic of its kind... [Turner] ploughed through back numbers of the old blood-and-thunder adventure magazines specialising in cliffhanger serials; the young hero would be left hanging over a cliff in a totally impossible situation, which would be easily resolved in the next issue: 'With one bound Jack was free.' Social history had never been as much fun or, with three extra printings in its first week - such was the demand - as profitable.' Jonathan Sale, Guardian 'Some people felt that E.S. Turner may have invented a new kind of book - the popular social history, very British, very funny, but written with a glistening elegance.' Andrew O'Hagan, London Review of Books