Acting in Film

Acting in Film
Author: Michael Caine
Publisher: Hal Leonard Corporation
Total Pages: 153
Release: 2000-02-01
Genre: Performing Arts
ISBN: 1476842752

(Applause Books). A master actor who's appeared in an enormous number of films, starring with everyone from Nicholson to Kermit the Frog, Michael Caine is uniquely qualified to provide his view of making movies. This revised and expanded edition features great photos, with chapters on: Preparation, In Front of the Camera Before You Shoot, The Take, Characters, Directors, On Being a Star, and much more. "Remarkable material ... A treasure ... I'm not going to be looking at performances quite the same way ... FASCINATING!" Gene Siskel

Acting for Movies and TV -The Technique -

Acting for Movies and TV -The Technique -
Author: Hugo N. Arturi
Publisher: Hugo N Arturi
Total Pages: 570
Release:
Genre: Art
ISBN:

Mr. Arturi explaining to young people “The Content of the Book” Mr. Arturi: you will learn the technique that I and the great Hollywood actors mentioned on the cover and others use to create a character for a movie and how to enter to work in the world of movies without complications. This technique is used by these actors and approved by the audience. They briefly and partially describe their techniques in the program "Inside the Actors Studio" on Bravo Channel, where you can watch the videos at any time. I explain you the technique in a very easy way, with all the essential elements and many details that they don't mention. You learn to express the true feelings of your character in a movie, and not to fake them, screaming and/or with voluminous gestures as taught in many acting schools. You’ll learn the technique from A to Z; that is, A is when you start reading the book, and Z is at the end of your training when you'll be ready to act the protagonist in a professional movie. Guaranteed! THE WARRANTY While you are training, you can watch the interviews of the actors and verify if it's what they comment. You don’t need acting experience, just an inexpensive camcorder, the book and the desire to become a professional actor, that's it. My students say that the exercises are entertaining, fun and very easy to learn; you just read and shoot the practice scenes. The ideal is to make an acting / filming team; it takes 3 people, 2 in front of the camera and one shooting the scene and you go rotating positions. Also, I explain you an easy way to shoot scenes, as you see in the movies, that even a child can do it. Mr. Arturi adds: VERY IMPORTANT: my system allows you to learn the technique without a teacher, I give you the elements for self-control and correction; the "why" and "how" to do it is explained in the chapter "The John Travolta Test”. A student: What do I do after learning the technique? How do I become a professional actor? Mr. Arturi: In it I explain you the ESSENTIAL steps to enter the world of movies and be a successful actor; and MOST IMPORTANTLY, how to avoid the setbacks that inexperience could bring, and prevent you from spending years wandering and hoping for success. It takes years for new actors to gain the experience that you will gain in no time learning this technique. Mr. Arturi concludes: In my book you will not find stories, anecdotes, metaphors, unrelated issues or useless exercises to "entertain", which is what you find in most books on the same subject that authors use as "book fillers", and in acting schools as “hour fillers" for lack of a solid technique to teach. If you want or dream of being a professional actor, my book gives you all the elements to achieve it. Guaranteed! (But it’s up to you) Mr. Arturi’s challenge: find in the world an acting school or a book that offers 25% of the material contained in my book, you will not find it. Mr. Arturi: if you don't want to be a professional actor, but you would like to learn the technique, you can use it as the base of a game to play with friends, some of my students like to do, and they say it is a very funny game to play. Later your team will get in contact with other groups created in schools and universities to compete. This idea is developed in the chapter "My dream". Mr. Arturi’s conclusion: you learn the real Hollywood movie acting technique, save a lot of money, not waste years in acting schools or workshops, and you work as a professional actor in a short amount of time. Q: Why your book with such important content is so inexpensive? Mr. Arturi: I wrote it for various reasons: for my love to teaching, to young people and to movie acting, NOT TO MAKE MONEY; and also to help young people not to lose years in school and go into debt with creditors to pay courses, and for others to use the technique as a healthy fun game. Inside the book you have my email address to ask me questions

Auditioning for Film and Television

Auditioning for Film and Television
Author: Nancy Bishop
Publisher: Bloomsbury Publishing
Total Pages: 297
Release: 2015-05-21
Genre: Drama
ISBN: 1472526287

'If you're working with Nancy Bishop you know you're in good, accomplished hands, whether you're a director or an actor.' – Neil Burger, Director of The Illusionist Auditioning for Film and Television is a must-have book and video guide for actors, written from the perspective of a Casting Director and offering practical advice on audition technique, scene analysis, online casting and social media. Auditioning for Film and Television is a practical workbook written from a casting director's point of view that teaches actors the craft of film auditioning in front of the camera. It shows actors how to use today's internet technologies to advance their careers and features success strategies and actual exercises to achieve results in the casting studio. A new edition of the popular Secrets from the Casting Couch, and now including video, Auditioning for Film and Television includes commentary, analysis and questions in workbook form for scenes from many celebrated films; exercises for actors to practise in front of a camera; and advice on career advancement and marketing in the age of social media.

Acting for Film

Acting for Film
Author: Cathy Haase
Publisher: Simon and Schuster
Total Pages: 344
Release: 2012-01-30
Genre: Performing Arts
ISBN: 158115951X

Aspiring film and television actors will discover exercises for relaxing the face to achieve maximum expressiveness; maintaining proper eye focus in front of the camera and conveying the "beats" of a scene, even in the shortest takes. They'll also learn tested techniques for adapting to the styles of different directors; modulating voice and breath for maximum effect; preparing for the first day on the set; enduring multiple takes and on-the-set waiting; and much, much more. For any performer who intends to make a living in front of the camera, Acting for Film is the most authoritative resource!

Black Acting Methods

Black Acting Methods
Author: Sharrell Luckett
Publisher: Taylor & Francis
Total Pages: 255
Release: 2016-10-04
Genre: Art
ISBN: 1317441222

Black Acting Methods seeks to offer alternatives to the Euro-American performance styles that many actors find themselves working with. A wealth of contributions from directors, scholars and actor trainers address afrocentric processes and aesthetics, and interviews with key figures in Black American theatre illuminate their methods. This ground-breaking collection is an essential resource for teachers, students, actors and directors seeking to reclaim, reaffirm or even redefine the role and contributions of Black culture in theatre arts. Chapter 7 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Film and Television Acting

Film and Television Acting
Author: Ian Bernard
Publisher: CRC Press
Total Pages: 172
Release: 1997-12-11
Genre: Performing Arts
ISBN: 1136081747

Film and Television Acting offers solid techniques for creating a natural, believable performance for film and television. The reader will discover techniques for listening and reacting, blocking and business, character, focus, the closeup, and comedy as they pertain to acting in front of a camera. The book analyzes the differences between theatre, film, and television acting, providing the theatre trained actor with specific approaches for making the transition to on-camera work. This second edition is thoroughly revised and updated. The book contains numerous scenes and exercises, including sample scenes from Cheers and Seinfeld, which provide the reader with ways to practice the specific techniques outlined by the author. Included are interviews with well-know actors and directors: Don Murray, Norman Jewison, and Emmy award winner, Glenn Jordan, to name a few. These interviews illustrate how the professionals apply their training and technique to filmed performances. There is also a chapter-length interview with John Lithgow, in which the actor provides a first-hand account of the differences of acting for the theatre and for the camera.

Book on Acting

Book on Acting
Author: Stephen Book
Publisher:
Total Pages: 664
Release: 2002
Genre: Performing Arts
ISBN:

"The Improvisation Technique is then applied to exercises with scripted lines, developing sophisticated improvisation skills for enhancing character, emotions, conflict, and agreement as well as improving the actor's audition process. Also included is a unique process for breaking down scripted scenes into improvisation choices."--BOOK JACKET.

Stanislavski in Practice

Stanislavski in Practice
Author: Nick O'Brien
Publisher: Routledge
Total Pages: 277
Release: 2010-10-04
Genre: Performing Arts
ISBN: 1136945598

Stanislavski in Practice is an unparalleled step-by-step guide to Stanislavski’s System. Author Nick O’Brien makes this cornerstone of acting accessible to teachers and students alike. This is an exercise book for students and a lesson planner for teachers on syllabi from Edexcel, WJEC and AQA to the practice-based requirements of BTEC. Each element of the System is covered practically through studio exercises and jargon-free discussion. Over a decade’s experience of acting and teaching makes O’Brien perfectly placed to advise anyone wanting to understand or apply Stanislavski’s system. Features include: Practical extension work for students to take away from the lesson Notes for teachers on how to use material with different age groups Exam tips for students based on specific syllabi requirements A chapter dedicated to using Stanislavski when rehearsing a text A glossary of terms that students of the System will encounter

Film Technique and Film Acting

Film Technique and Film Acting
Author: Vsevolod Illarionovich Pudovkin
Publisher: Read Books Ltd
Total Pages: 346
Release: 2013-04-16
Genre: Drama
ISBN: 1446547353

This vintage book contains two pioneering volumes on the subject of film making by V.I. Pudovkin. Considered two of the most valuable manuals of the practice and theory of film making ever written, these texts will prove invaluable for the student or film enthusiast, and are not to be missed by discerning collectors of such literature. The chapters of this volume include: 'The Film Scenario and Its Theory', 'Film Director and Film Material', 'Types Instead of Actors', 'Close-Ups in Time', 'Asynchronism as a Principle of Sound Film', 'Rhythmic Problems in my First Sound Film', 'Notes and Appendices', 'Film Acting', et cetera. Vsevolod Illarionovich Pudovkin (1893 – 1953) was a Russian film director, screenwriter, and actor, famous for developing influential theories of montage. This volume is being republished now complete with a new prefatory biography of the author.

Auditioning and Acting for the Camera

Auditioning and Acting for the Camera
Author: John Warren Shepard
Publisher: Smith & Kraus
Total Pages: 0
Release: 2004
Genre: Drama
ISBN: 9781575252759

Should you find yourself up for a commercial, industrial, creating CD Roms, Soap Opera, film, or episodic TV, Shepard has a chapter on each one.