Accidence And Morphology Of The Second Part Of Tirso De Molinas Plays
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Author | : Washington State University |
Publisher | : |
Total Pages | : 508 |
Release | : 1959 |
Genre | : Dissertations, Academic |
ISBN | : |
Author | : University of Washington. Libraries |
Publisher | : |
Total Pages | : 262 |
Release | : 1959 |
Genre | : Dissertations, Academic |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 310 |
Release | : 1990 |
Genre | : Bibliography |
ISBN | : |
Author | : Thomas A. Abercrombie |
Publisher | : Penn State Press |
Total Pages | : 193 |
Release | : 2019-07-16 |
Genre | : History |
ISBN | : 0271082798 |
In 1803 in the colonial South American city of La Plata, Doña Martina Vilvado y Balverde presented herself to church and crown officials to denounce her husband of more than four years, Don Antonio Yta, as a “woman in disguise.” Forced to submit to a medical inspection that revealed a woman’s body, Don Antonio confessed to having been María Yta, but continued to assert his maleness and claimed to have a functional “member” that appeared, he said, when necessary. Passing to América is at once a historical biography and an in-depth examination of the sex/gender complex in an era before “gender” had been divorced from “sex.” The book presents readers with the original court docket, including Don Antonio’s extended confession, in which he tells his life story, and the equally extraordinary biographical sketch offered by Felipa Ybañez of her “son María,” both in English translation and the original Spanish. Thomas A. Abercrombie’s analysis not only grapples with how to understand the sex/gender system within the Spanish Atlantic empire at the turn of the nineteenth century but also explores what Antonio/María and contemporaries can teach us about the complexities of the relationship between sex and gender today. Passing to América brings to light a previously obscure case of gender transgression and puts Don Antonio’s life into its social and historical context in order to explore the meaning of “trans” identity in Spain and its American colonies. This accessible and intriguing study provides new insight into historical and contemporary gender construction that will interest students and scholars of gender studies and colonial Spanish literature and history. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses and the Association of Research Libraries—and the generous support of New York University. Learn more at the TOME website: openmonographs.org.
Author | : George Ticknor |
Publisher | : |
Total Pages | : 560 |
Release | : 1849 |
Genre | : Spanish literature |
ISBN | : |
Author | : Martin Banham |
Publisher | : Cambridge University Press |
Total Pages | : 1268 |
Release | : 1995-09-21 |
Genre | : Drama |
ISBN | : 9780521434379 |
Provides information on the history and present practice of theater in the world.
Author | : Lincoln Kirstein |
Publisher | : Courier Corporation |
Total Pages | : 308 |
Release | : 1984-01-01 |
Genre | : Performing Arts |
ISBN | : 9780486246314 |
Traces the development of dance's basic components, choreography, gesture, music, costume, and scenery, and discusses the backgrounds of the most important ballets
Author | : Folke Gernert |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 260 |
Release | : 2021-02-08 |
Genre | : Foreign Language Study |
ISBN | : 3110695758 |
Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.
Author | : Robert Lima |
Publisher | : University Press of Kentucky |
Total Pages | : 282 |
Release | : 2021-10-21 |
Genre | : Literary Criticism |
ISBN | : 0813184509 |
The mythological, folkloric, and religious beliefs of Western culture have resulted in a long and ongoing history of esoteric themes in theatre from the Middle Ages to the present in Spain and the America. Now Robert Lima, a noted comparatist, brings to bear on this material his wide knowledge of the world of the occult. Lima defines the terms "occult" and "occultism" broadly to embrace the many ways in which humans have sought to fathom a secret knowledge held to be accessible only through such supernatural agencies as alchemy, angelology, asceticism, astrology, demonolatry, divination, ecstasy, magic, necromancy, possession, Santeria, séances, voudoun, and witchcraft. The dramatic works covered range from medieval materializations of Hell to the Golden Age plays of Lope de vega, Tirso de Molina, and Calderón de la Barca, to modern stage works by Valle-Inclán, García Lorca, Casona, Miras, and a number of significant Afro-Brazilian and Caribbean dramatists. The concluding comprehensive bibliography of the drama of the occult is invaluable.
Author | : Jonathan Thacker |
Publisher | : Liverpool University Press |
Total Pages | : 222 |
Release | : 2002-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780853235484 |
The theatrum mundi metaphor was well-known in the Golden Age, and was often employed, notably by Calderón in his religious theatre. However, little account has been given of the everyday exploitation of the idea of the world as stage in the mainstream drama of the Golden Age. This study examines how and why playwrights of the period time and again created characters who dramatize themselves, who re-invent themselves by performing new roles and inventing new plots within the larger frame of the play. The prevalence of metatheatrical techniques among Golden Age dramatists, including Lope de Vega, Tirso de Molina, Calderón de la Barca and Guillén de Castro, reveals a fascination with role-playing and its implications. Thacker argues that in comedy, these playwrights saw role-playing as a means by which they could comment on and criticize the society in which they lived, and he reveals a drama far less supportive of the social status quo in Golden Age Spain than has been traditionally thought to be the case.