A Unique Brazilian Composer
Author | : Márcio Bezerra |
Publisher | : New Consonant Music |
Total Pages | : 110 |
Release | : 2000 |
Genre | : Composers |
ISBN | : 2873040009 |
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Author | : Márcio Bezerra |
Publisher | : New Consonant Music |
Total Pages | : 110 |
Release | : 2000 |
Genre | : Composers |
ISBN | : 2873040009 |
Author | : Marc A Hertzman |
Publisher | : Duke University Press |
Total Pages | : 389 |
Release | : 2013-04-16 |
Genre | : History |
ISBN | : 0822354306 |
In November 1916, a young Afro-Brazilian musician named Donga registered sheet music for the song "Pelo telefone" ("On the Telephone") at the National Library in Rio de Janeiro. This apparently simple act—claiming ownership of a musical composition—set in motion a series of events that would shake Brazil's cultural landscape. Before the debut of "Pelo telephone," samba was a somewhat obscure term, but by the late 1920s, the wildly popular song had helped to make it synonymous with Brazilian national music. The success of "Pelo telephone" embroiled Donga in controversy. A group of musicians claimed that he had stolen their work, and a prominent journalist accused him of selling out his people in pursuit of profit and fame. Within this single episode are many of the concerns that animate Making Samba, including intellectual property claims, the Brazilian state, popular music, race, gender, national identity, and the history of Afro-Brazilians in Rio de Janeiro. By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.
Author | : Carmen Nava |
Publisher | : Rowman & Littlefield Publishers |
Total Pages | : 249 |
Release | : 2006-03-09 |
Genre | : History |
ISBN | : 0742572013 |
This innovative volume traces Brazil's singular character, exploring both the remarkable richness and cohesion of the national culture and the contradictions and tensions that have developed over time. What shared experiences give its citizens their sense of being Brazilian? What memories bind them together? What metaphors and stereotypes of identity have emerged? Which groups are privileged over others in idealized representations of the nation? The contributors—a multidisciplinary group of U.S. and Brazilian scholars—offer a fresh look at questions that have been asked since the early nineteenth century and that continue to drive nationalist discourse today. Their chapters explore Brazilian identity through an innovative framework that brings in seldom-considered aspects of art, music, and visual images, offering a compelling analysis of how nationalism functions as a social, political, and cultural construction in Latin America. Contributions by: Cristina Antunes, Dain Borges, Valéria Costa e Silva, James Green, Efrain Kristal, Ludwig Lauerhass Jr., Cristina Magaldi, Elizabeth A. Marchant, José Mindlin, Carmen Nava, José Luis Passos, Robert Stam, and Valéria Torres
Author | : Idelber Avelar |
Publisher | : Duke University Press |
Total Pages | : 377 |
Release | : 2011-05-09 |
Genre | : History |
ISBN | : 082234906X |
Covering more than one hundred years of history, this multidisciplinary collection of essays illuminates the important links between citizenship, national belonging, and popular music in Brazil.
Author | : Tom Schnabel |
Publisher | : Universe Publishing(NY) |
Total Pages | : 172 |
Release | : 1998 |
Genre | : Biography & Autobiography |
ISBN | : |
Public Radio personality Tom Schnabel spotlights giants of the global genre like the late Sufi singer Nusrat Feteh Ali Kahn and this year's Grammy winner Milton Nascimiento, making "Rhythm Planet" both an antidote to the latest flavor of pop and an affirmation of music's power. 125 illustrations, 25 in color.
Author | : Bryan McCann |
Publisher | : Duke University Press |
Total Pages | : 315 |
Release | : 2004-05-04 |
Genre | : Music |
ISBN | : 0822385635 |
“Hello, hello Brazil” was the standard greeting Brazilian radio announcers of the 1930s used to welcome their audience into an expanding cultural marketplace. New genres like samba and repackaged older ones like choro served as the currency in this marketplace, minted in the capital in Rio de Janeiro and circulated nationally by the burgeoning recording and broadcasting industries. Bryan McCann chronicles the flourishing of Brazilian popular music between the 1920s and the 1950s. Through analysis of the competing projects of composers, producers, bureaucrats, and fans, he shows that Brazilians alternately envisioned popular music as the foundation for a unified national culture and used it as a tool to probe racial and regional divisions. McCann explores the links between the growth of the culture industry, rapid industrialization, and the rise and fall of Getúlio Vargas’s Estado Novo dictatorship. He argues that these processes opened a window of opportunity for the creation of enduring cultural patterns and demonstrates that the understandings of popular music cemented in the mid–twentieth century continue to structure Brazilian cultural life in the early twenty-first.
Author | : Ilan Stavans |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 1751 |
Release | : 2014-07-29 |
Genre | : Social Science |
ISBN | : |
This definitive two-volume encyclopedia of Latin music spans 5 centuries and 25 countries, showcasing musicians from Celia Cruz to Plácido Domingo and describing dozens of rhythms and essential themes. Eight years in the making, Latin Music: Musicians, Genres, and Themes is the definitive work on the topic, providing an unparalleled resource for students and scholars of music, Latino culture, Hispanic civilization, popular culture, and Latin American countries. Comprising work from nearly 50 contributors from Spain, Latin America, the Caribbean, and the United States, this two-volume work showcases how Latin music—regardless of its specific form or cultural origins—is the passionate expression of a people in constant dialogue with the world. The entries in this expansive encyclopedia range over topics as diverse as musical instruments, record cover art, festivals and celebrations, the institution of slavery, feminism, and patriotism. The music, traditions, and history of more than two dozen countries—such as Argentina, Brazil, Costa Rica, Cuba, El Salvador, Guatemala, Honduras, Mexico, Panama, Spain, and Venezuela—are detailed, allowing readers to see past common stereotypes and appreciate the many different forms of this broadly defined art form.
Author | : David P. Appleby |
Publisher | : University of Texas Press |
Total Pages | : 224 |
Release | : 1983-04 |
Genre | : Music |
ISBN | : 0292751117 |
Here is the most comprehensive history of Brazilian music available in English. Concise yet remarkably detailed, it provides professional musicologists and music lovers alike with a clear outline of the major trends, important composers, and currents of thought that have shaped the folk, popular, and art music that are an important part of Brazil's unique cultural heritage. The Music of Brazil contains over seventy musical examples representing musical idiom and form throughout recent history. A useful glossary introduces the reader to the key terms of Brazilian music, from agogô—a percussion instrument composed of two bells—to xocalho—a wooden or metal rattler.