A Treatise on Counterpoint & Fugue
Author | : Luigi Cherubini |
Publisher | : London : Novello, Ewer and Company, [between 1875 and 1884] |
Total Pages | : 140 |
Release | : 1854 |
Genre | : Counterpoint |
ISBN | : |
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Author | : Luigi Cherubini |
Publisher | : London : Novello, Ewer and Company, [between 1875 and 1884] |
Total Pages | : 140 |
Release | : 1854 |
Genre | : Counterpoint |
ISBN | : |
Author | : Alfred Mann |
Publisher | : Courier Corporation |
Total Pages | : 369 |
Release | : 2012-11-20 |
Genre | : Music |
ISBN | : 0486171345 |
Features a historical survey of writings on the fugue from the Renaissance to the present as well as four 18th-century studies: works by J. J. Fux, F. W. Marpurg, and more. Includes introductions, commentary, and 255 musical examples.
Author | : Johann Fux |
Publisher | : W. W. Norton & Company |
Total Pages | : 164 |
Release | : 1965 |
Genre | : Music |
ISBN | : 9780393002775 |
The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.
Author | : Luigi Cherubini |
Publisher | : |
Total Pages | : 128 |
Release | : 1900 |
Genre | : Counterpoint |
ISBN | : |
Author | : Luigi Cherubini |
Publisher | : |
Total Pages | : 128 |
Release | : 2001-01-01 |
Genre | : Music |
ISBN | : 9780722256893 |
Author | : Luigi Cherubini |
Publisher | : |
Total Pages | : 128 |
Release | : 1854 |
Genre | : Counterpoint |
ISBN | : |
Author | : Luigi Cherubini |
Publisher | : Sagwan Press |
Total Pages | : 134 |
Release | : 2015-08-22 |
Genre | : |
ISBN | : 9781297977244 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Christoph Neidhofer |
Publisher | : State University of New York Press |
Total Pages | : 624 |
Release | : 2024-01-01 |
Genre | : Music |
ISBN | : 143849324X |
This book teaches Baroque compositional techniques through writing and improvisation exercises and analysis of repertoire examples. It provides readers with a historical outlook by focusing largely on principles taught in treatises from the period 1680–1780. This expanded edition includes new sections with keyboard exercises that provide training in Partimento performance as it was practiced at the time, helping students master Baroque style from the inside. While the focus of the book is on fugue, it also treats chorale preludes, stylized dances, inventions, and trio sonatas. The volume is divided into two parts—basic and advanced— which could be taught in a two-semester sequence. There are various options to introduce material from Part II into Part I for a one-semester course.
Author | : Luigi Cherubini |
Publisher | : Forgotten Books |
Total Pages | : 132 |
Release | : 2017-05-27 |
Genre | : Music |
ISBN | : 9780282061258 |
Excerpt from A Treatise on Counterpoint and Fugue The second are called imperfect, because they admit of being altered, and may be either major or minor. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.