A Study Of English And American Poets
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Author | : David Lehman |
Publisher | : Oxford University Press, USA |
Total Pages | : 1193 |
Release | : 2006 |
Genre | : Poetry |
ISBN | : 019516251X |
Redefines the great canon of American poetry from its origins in the 17th century right up to the present.
Author | : Karen L. Kilcup |
Publisher | : University of Michigan Press |
Total Pages | : 426 |
Release | : 2019-10-25 |
Genre | : Literary Criticism |
ISBN | : 0472131559 |
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
Author | : David Caplan |
Publisher | : Oxford University Press |
Total Pages | : 161 |
Release | : 2021-11-11 |
Genre | : Literary Criticism |
ISBN | : 0190640197 |
American poetry's two characteristics -- American English as a poetic resource -- Convention and idiosyncrasy -- Auden and Eliot : two complicating examples -- On the present and future of American poetry.
Author | : Cecilia Vicuña |
Publisher | : |
Total Pages | : 603 |
Release | : 2009 |
Genre | : Literary Collections |
ISBN | : 0195124545 |
The most inclusive single-volume anthology of Latin American poetry intranslation ever produced.
Author | : Harriet Semmes Alexander |
Publisher | : Manchester University Press |
Total Pages | : 512 |
Release | : 1984 |
Genre | : Literary Criticism |
ISBN | : 9780719017063 |
Author | : Margaret Ronda |
Publisher | : Stanford University Press |
Total Pages | : 233 |
Release | : 2018-03-20 |
Genre | : Literary Criticism |
ISBN | : 1503604896 |
A literary history of the Great Acceleration, Remainders examines an archive of postwar American poetry that reflects on new dimensions of ecological crisis. These poems portray various forms of remainders—from obsolescent goods and waste products to atmospheric pollution and melting glaciers—that convey the ecological consequences of global economic development. While North American ecocriticism has tended to focus on narrative forms in its investigations of environmental consciousness and ethics, Margaret Ronda highlights the ways that poetry explores other dimensions of ecological relationships. The poems she considers engage in more ambivalent ways with the problem of human agency and the limits of individual perception, and they are attuned to the melancholic and damaging aspects of environmental existence in a time of generalized crisis. Her method, which emphasizes the material histories and uneven effects of capitalist development, models a unique critical approach to understanding the causes and conditions of ongoing biospheric catastrophe.
Author | : William C. Spengemann |
Publisher | : |
Total Pages | : 252 |
Release | : 2010 |
Genre | : Literary Criticism |
ISBN | : |
Describes the different sorts of poetry Whitman, Dickinson, and Melville wrote, their comparable reasons for writing, and the posthumous critical effects of their having done so.
Author | : Edward Hirsch |
Publisher | : HarperCollins |
Total Pages | : 683 |
Release | : 2014-04-08 |
Genre | : Poetry |
ISBN | : 0547737467 |
A major addition to the literature of poetry, Edward Hirsch’s sparkling new work is a compilation of forms, devices, groups, movements, isms, aesthetics, rhetorical terms, and folklore—a book that all readers, writers, teachers, and students of poetry will return to over and over. Hirsch has delved deeply into the poetic traditions of the world, returning with an inclusive, international compendium. Moving gracefully from the bards of ancient Greece to the revolutionaries of Latin America, from small formal elements to large mysteries, he provides thoughtful definitions for the most important poetic vocabulary, imbuing his work with a lifetime of scholarship and the warmth of a man devoted to his art. Knowing how a poem works is essential to unlocking its meaning. Hirsch’s entries will deepen readers’ relationships with their favorite poems and open greater levels of understanding in each new poem they encounter. Shot through with the enthusiasm, authority, and sheer delight that made How to Read a Poem so beloved, A Poet’s Glossary is a new classic.
Author | : Rita Dove |
Publisher | : Penguin Group |
Total Pages | : 656 |
Release | : 2011 |
Genre | : American poetry |
ISBN | : 0143106430 |
An anthology of twentieth-century American poetry, featuring Wallace Stevens, T.S. Eliot, Elizabeth Bishop, Robert Hayden, Gwendolyn Brooks, Derek Walcott, Adrienne Rich, John Ashbery, Anne Sexton, and many others.
Author | : Mark Richardson |
Publisher | : Cambridge University Press |
Total Pages | : 491 |
Release | : 2015-10-15 |
Genre | : Literary Criticism |
ISBN | : 1107123828 |
This Companion brings together essays on some fifty-four American poets, from Anne Bradstreet to contemporary performance poetry. This book also examines such movements in American poetry as modernism, the Harlem (or New Negro) Renaissance, "confessional" poetry, the Black Mountain School, the New York School, the Beats, and L=A=N=G=U=A=G=E poetry.