A Sociology Of Sound Technicians
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| Author | : Andy Battentier |
| Publisher | : Springer Nature |
| Total Pages | : 170 |
| Release | : 2021-07-23 |
| Genre | : Political Science |
| ISBN | : 3658330295 |
If art, and especially music, has been framed in cultural sociology as a collective production relying on a variety of actors, technicians have been mostly framed as “support personnel” marginally impacting the meaning of a cultural production. This book analyzes sound technicians as technical intermediaries. They are autonomous actors of cultural production, and contribute in various ways to the meaning of live or recorded music performances, framed as a form of interaction rituals. From this analysis, it argues that artists should not be considered at the center of art worlds, and proposes a model including various types of actors in different roles, all necessary to produce a cultural object.
| Author | : Gabrielle Kielich |
| Publisher | : CRC Press |
| Total Pages | : 185 |
| Release | : 2023-12-28 |
| Genre | : Music |
| ISBN | : 1003837069 |
The Road Crew: Live Music and Touring is an in-depth study of the road crew – the group of workers who handle the logistical and technical requirements of popular music concert tours – that provides an extensive look at the activities and personnel involved in the daily operation of these events. Using interviews with road crew members, participant observation at concert venues and archival research, this book covers a range of topics, including how they learn their roles and maintain work through networks and informal practices, the experience of being on tour and the workplace culture of road crews, the daily tasks and necessary documents that contribute to the realisation of concert events, and the integral role that tour managers play in the working lives of musicians. The book also provides important insights into the experience of women working in a male-dominated field, the ways in which hierarchy shapes the working lives of “support” workers and the effects of touring on road crew members. The Road Crew will be of interest to scholars and students of popular music, live music and the creative industries, as well as music fans, journalists, and professionals and practitioners in the music industries.
| Author | : Arturo Rodríguez Morató |
| Publisher | : Springer Nature |
| Total Pages | : 346 |
| Release | : 2023-01-31 |
| Genre | : Social Science |
| ISBN | : 3031113055 |
This edited collection carries out an extensive coverage of the sociology of arts’ most characteristic thematic areas (production, creation, the artwork, and reception) across an important range of artistic fields, from the most traditional to the more unusual. It makes an argument for the theoretical creativity and empirical expansion that characterizes the study of contemporary sociology of the arts. Such creativity is present in the increasingly predominant approach to a sociology of the arts in action, in all areas of inquiry within the discipline. The range of theoretical paradigms evoked is rich, analysing several of the most important theoretical frameworks currently handled in the discipline (Bourdieu, Becker, Peterson, ANT), and combining them with the works of many other influential contemporary specialists (De Nora, Hennion, Lamont, Menger and Born et al.). The book also establishes links to less known theoretical frameworks and some from different fields including economic sociology,microsociology, ethnomethodology, semiotics, and cultural history. The volume argues that Spanish-speaking scholars are now at the forefront of new developments in the field of the sociology of the arts, and is the first effort to gather research by these influential Spanish-language scholars in a single volume for an English-language audience.
| Author | : Julia Rothenberg |
| Publisher | : Routledge |
| Total Pages | : 376 |
| Release | : 2014-02-05 |
| Genre | : Social Science |
| ISBN | : 1317913272 |
Sociology Looks at the Arts is intended as a concise yet nuanced introduction to the sociology of art. This book will provide a foundation for teaching and discussing a range of questions and perspectives used by sociologists who study the relationship between the arts – including music, performing arts, visual arts, literature, film and new media – and society.
| Author | : Wiebe E. Bijker |
| Publisher | : MIT Press |
| Total Pages | : 428 |
| Release | : 1989 |
| Genre | : Science |
| ISBN | : 9780262521376 |
"The impact of technology on society is clear and unmistakeable. The influence of society on technology is more subtle. The 13 essays in this book have been written by a diverse group of scholars united by a common interest in creating a new field - the sociology of technology. They draw on a wide array of case studies - from cooking stoves to missile systems, from 15th-century Portugal to today's Al labs - to outline an original research program based on a synthesis of ideas from the social studies of science and the history of technology. Together they affirm the need for a study of technology that gives equal weight to technical, social, economic, and political questions"--Back cover.
| Author | : Alphons Silbermann |
| Publisher | : Psychology Press |
| Total Pages | : 230 |
| Release | : 1998 |
| Genre | : Music |
| ISBN | : 9780415175999 |
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Jeremy Tanner |
| Publisher | : Routledge |
| Total Pages | : 296 |
| Release | : 2004-06-02 |
| Genre | : Art |
| ISBN | : 1134393296 |
Introducing the fundamental theories and debates in the sociology of art, this broad ranging book, the only edited reader of the sociology of art available, uses extracts from the core foundational and most influential contemporary writers in the field. As such it is essential reading both for students of the sociology of art, and of art history. Divided into five sections, it explores the following key themes: * classical sociological theory and the sociology of art * the social production of art * the sociology of the artist * museums and the social construction of high culture * sociology aesthetic form and the specificity of art. With the addition of an introductory essay that contextualizes the readings within the traditions of sociology and art history, and draws fascinating parallels between the origins and development of these two disciplines, this book opens up a productive interdisciplinary dialogue between sociology and art history as well as providing a fascinating introduction to the subject.
| Author | : Paul D. Greene |
| Publisher | : Wesleyan University Press |
| Total Pages | : 301 |
| Release | : 2012-01-01 |
| Genre | : Music |
| ISBN | : 0819570621 |
Winner of the Society for Ethnmusicology's Klaus Wachsmann Award (2006) Wired for Sound is the first anthology to address the role of sound engineering technologies in the shaping of contemporary global music. Wired sound is at the basis of digital audio editing, multi-track recording, and other studio practices that have powerfully impacted the world's music. Distinctions between musicians and engineers increasingly blur, making it possible for people around the globe to imagine new sounds and construct new musical aesthetics. This collection of 11 essays employs primarily ethnographical, but also historical and psychological, approaches to examine a range of new, technology-intensive musics and musical practices such as: fusions of Indian film-song rhythms, heavy metal, and gamelan in Jakarta; urban Nepali pop which juxtaposes heavy metal, Tibetan Buddhist ritual chant, rap, and Himalayan folksongs; collaborations between Australian aboriginals and sound engineers; the production of "heaviness" in heavy metal music; and the production of the "Austin sound." This anthology is must reading for anyone interested in the global character of contemporary music technology. CONTRIBUTORS: Harris M. Berger, Beverley Diamond, Cornelia Fales, Ingemar Grandin, Louise Meintjes, Frederick J. Moehn, Karl Neunfeldt, Timothy D. Taylor, Jeremy Wallach.
| Author | : Alphons Silbermann |
| Publisher | : Routledge |
| Total Pages | : 223 |
| Release | : 2013-10-08 |
| Genre | : Social Science |
| ISBN | : 1136239308 |
First Published in 1998. This is Volume VIII, of nine in the Sociology of Culture series and discusses how to approach the area of a sociology of music, looking at scope, definition, evaluation methods such as philosophical, idealist and aestheticism and then looking at socio-musical groups, their behaviours and functions.
| Author | : Antoine Hennion |
| Publisher | : Routledge |
| Total Pages | : 352 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351541668 |
Music is an accumulation of mediators: instruments, languages, sheets, performers, scenes, media and so on. There is no musical objectin itself ; music must always be made again. In this innovative book, Hennion turns the elusiveness of music into a resource for a pragmatic analysis: by which collective process do we make music appear among us? Rather than offering a sociology of music, The Passion for Music listens to the lesson provided by the case of music - this art of infinite mediations. Learning from music allows us to transform the paradigm to be offered by sociology, by confronting it (from Durkheim and Weber to Bourdieu) with a different way of considering objects. For this task, Hennion draws on aesthetics (Adorno) and art history (Haskell, Baxandall), as well as science and technology studies and popular music studies (Latour, Frith, DeNora). As part of that project, The Passion for Music presents a wide-ranging series of case studies, restoring attention to the rich and varied intermediaries through which music is brought to life: from the debate around the reinterpretation of baroque music, to the classroom, the rock scene, the classical music concert, Bach‘s ‘social career in the nineteenth and twentieth centuries, and the practices of musicamateurs today. This is the first English translation of one of the most important works of French scholarship on music and society.
