Caricature and Realism in the Romantic Novel

Caricature and Realism in the Romantic Novel
Author: Olivia Ferguson
Publisher:
Total Pages: 280
Release: 2023-10-25
Genre: Literary Criticism
ISBN: 100927421X

What was caricature to novelists in the Romantic period? Why does Jane Austen call Mr Dashwood's wife 'a strong caricature of himself'? Why does Mary Shelley describe the body of Frankenstein's creature as 'in proportion', but then 'distorted in its proportions' - and does caricature have anything to do with it? This book answers those questions, shifting our understanding of 'caricature' as a literary-critical term in the decades when 'the English novel' was first defined and canonised as a distinct literary entity. Novels incorporated caricature talk and anti-caricature rhetoric to tell readers what different realisms purported to show them. Recovering the period's concept of caricature, Caricature and Realism in the Romantic Novel sheds light on formal realism's self-reflexivity about the 'caricature' of artifice, exaggeration and imagination. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

An Exact Likeness

An Exact Likeness
Author: Prof. Richard P. Heitzenrater
Publisher: Abingdon Press
Total Pages: 262
Release: 2016-04-05
Genre: Art
ISBN: 1501816616

Faces are more than a montage of organs that see, breathe, speak, hear, eat, sing, smell, and yell. As Josephine Tey points out in her mystery novel, The Daughter of Time, the slant of an eyebrow, the set of a mouth, the look of the eye, the firmness of a chin, often can provide evidence of character that is as telling as a report card or a police blotter. Those features depicted on portraits of individuals can be equally telling of the person’s inner nature or perhaps of what the artist thinks (or wants the viewer to think) about the person being portrayed. Sometimes a portrait might be even more useful than a biography. While examining these portraits, the author considers three questions: what was Wesley’s attitude toward the portrait (if any), how did the public respond to these portrayals, and what was the artist attempting to convey? This book focuses on the main portraits and their derivatives, looking at them within the three main categories that developed over the years: Oxford don, Methodist preacher, and notable person. Although these types seemed to arise in chronological order, there is some overlap between categories, especially toward the end of Wesley’s life and beyond.

The Correspondence of James Boswell and Sir William Forbes of Pitsligo

The Correspondence of James Boswell and Sir William Forbes of Pitsligo
Author: James Boswell
Publisher: Yale University Press
Total Pages: 562
Release: 2022
Genre: Authors, Scottish
ISBN: 030025038X

This volume, tenth in the Research Correspondence Series of the Yale Editions of the Private Papers of James Boswell, documents the long friendship between Boswell and Sir William Forbes This volume, tenth in the Research Correspondence Series of the Yale Editions of the Private Papers of James Boswell, collects the letters exchanged between lawyer, diarist, and biographer James Boswell and Sir William Forbes of Pitsligo, eminent Scottish banker, civic improver, philanthropist, literary and cultural patron, and lay leader of Edinburgh's "English Episcopal" community. Forbes served as Boswell's most valued Scottish advisor, to whom he would often turn for personal, financial, moral, and religious guidance, and whom he would name executor of his estate and co-guardian of his children. The volume includes a total of 111 comprehensively annotated letters, few of which have appeared previously in print, between Forbes and Boswell and other correspondents. It illuminates in particular the period in which Boswell moved from Edinburgh to London and wrote his major books, The Journal of a Tour to the Hebrides with Samuel Johnson and The Life of Samuel Johnson.

Jamieson's Dictionary of Scots

Jamieson's Dictionary of Scots
Author: Susan Rennie
Publisher: Oxford University Press
Total Pages:
Release: 2012-06-07
Genre: Language Arts & Disciplines
ISBN: 0191623695

This is the first full account of the making of John Jamieson's Etymological Dictionary of the Scottish Language. The dictionary was published in two volumes in 1808, with a two-volume Supplement following in 1825. Lists of Scots words had been compiled before, but Jamieson's was the first complete dictionary of the language. It was a landmark in the development of historical lexicography and was an inspiration for later lexicographers, including Sir James Murray, founding editor of the OED. Susan Rennie's account of Jamieson's work and the methods he developed interweaves biography, lexicography, and linguistic, social, and book history to present a rounded account of the man, his work, and his times. It is the first study to draw on Jamieson's correspondence and the surviving manuscript materials for the Dictionary and Supplement to reveal Jamieson's working methods and the important contributions made by Sir Walter Scott and others to his work.

William Hunter's World

William Hunter's World
Author: Nick Pearce
Publisher: Routledge
Total Pages: 425
Release: 2017-07-05
Genre: Art
ISBN: 1351536923

Despite William Hunter's stature as one of the most important collectors and men of science of the eighteenth century, and the fact that his collection is the foundation of Scotland's oldest public museum, The Hunterian, until now there has been no comprehensive examination in a single volume of all his collections in their diversity. This volume restores Hunter to a rightful position of prominence among the medical men whose research and amassing of specimens transformed our understanding of the natural world and man's position within it. This volume comprises essays by international specialists and are as diverse as Hunter's collections themselves, dealing as they do with material that ranges from medical and scientific specimens, to painting, prints, books and manuscripts. The first sections focus upon Hunter's own collection and his response to it, while the final section contextualises Hunter within the wider sphere. A special feature of the volume is the inclusion of references to the Hunterian's web pages and on-line databases. These enable searches for items from Hunter's collections, both from his museum and library. Locating Hunter's collecting within the broader context of his age and environment, this book provides an original approach to a man and collection whose importance has yet to be comprehensively assessed.