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| Author | : Robin D. G. Kelley |
| Publisher | : Simon and Schuster |
| Total Pages | : 522 |
| Release | : 1996-06-01 |
| Genre | : Fiction |
| ISBN | : 1439105049 |
Many black strategies of daily resistance have been obscured--until now. Race rebels, argues Kelley, have created strategies of resistance, movements, and entire subcultures. Here, for the first time, everyday race rebels are given the historiographical attention they deserve, from the Jim Crow era to the present.
| Author | : Amy Sonnie |
| Publisher | : Melville House |
| Total Pages | : 258 |
| Release | : 2011 |
| Genre | : History |
| ISBN | : 1935554662 |
The historians of the late 1960s have emphasised the work of a small group of white college activists and the Black Panthers, activists who courageously took to the streets to protest the war in Vietnam and continuing racial inequality. Poor and working-class whites have tended to be painted as spectators, reactionaries and even racists. Tracy and Amy Sonnie have been interviewing activists from the 1960s for nearly 10 years and here reject this narrative, showing how working-class whites, inspired by the Civil Rights Movement, fought inequality in the 1960s.
| Author | : Paul Lopes |
| Publisher | : Princeton University Press |
| Total Pages | : 244 |
| Release | : 2019-06-11 |
| Genre | : Social Science |
| ISBN | : 0691189811 |
How creative freedom, race, class, and gender shaped the rebellion of two visionary artists Postwar America experienced an unprecedented flourishing of avant-garde and independent art. Across the arts, artists rebelled against traditional conventions, embracing a commitment to creative autonomy and personal vision never before witnessed in the United States. Paul Lopes calls this the Heroic Age of American Art, and identifies two artists—Miles Davis and Martin Scorsese—as two of its leading icons. In this compelling book, Lopes tells the story of how a pair of talented and outspoken art rebels defied prevailing conventions to elevate American jazz and film to unimagined critical heights. During the Heroic Age of American Art—where creative independence and the unrelenting pressures of success were constantly at odds—Davis and Scorsese became influential figures with such modern classics as Kind of Blue and Raging Bull. Their careers also reflected the conflicting ideals of, and contentious debates concerning, avant-garde and independent art during this period. In examining their art and public stories, Lopes also shows how their rebellions as artists were intimately linked to their racial and ethnic identities and how both artists adopted hypermasculine ideologies that exposed the problematic intersection of gender with their racial and ethnic identities as iconic art rebels. Art Rebels is the essential account of a new breed of artists who left an indelible mark on American culture in the second half of the twentieth century. It is an unforgettable portrait of two iconic artists who exemplified the complex interplay of the quest for artistic autonomy and the expression of social identity during the Heroic Age of American Art.
| Author | : Julia Suárez-Krabbe |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 213 |
| Release | : 2015-12-11 |
| Genre | : Philosophy |
| ISBN | : 1783484624 |
Human rights and development cannot be understood separately. They are historically connected by the idea of race, and have evolved concomitantly with the latter. As the tools of race, human rights and development have been forged in the effort to legitimize and maintain coloniality. While rights and development can be used as tools to achieve protection, specific political goals, or access in the dominant society, they limit radical social change because they are framed within a specific dominant ontology, and sustain a particular political horizon. This book provides an original analysis of the evolution of the overlapping histories of human rights and development through the prism of coloniality, and offers an important contribution to the search for alternatives to these through the lens of indigenous and other southern theories and epistemologies. In this effort, Julia Suárez-Krabbe brings new perspectives to discussions pertaining to the decolonial perspective, race, knowledge, pluriversality, mestizaje and identity while elaborating on original philosophical concepts that can ground alternatives to human rights and development.
| Author | : Sikivu Hutchinson |
| Publisher | : Sikivu Hutchinson |
| Total Pages | : 122 |
| Release | : 2013 |
| Genre | : Political Science |
| ISBN | : 0615586104 |
In Godless Americana, author Sikivu Hutchinson challenges the myths behind Americana images of Mom, Apple pie, white picket fences, and racially segregated god-fearing Main Street USA. In this timely essay collection, Hutchinson argues that the Christian evangelical backlash against Women's rights, social justice, LGBT equality, and science threatens to turn back the clock on civil rights. As a result of this climate, more people of color are exploring atheism, agnosticism, and freethought. Godless Americana examines these trends, providing a groundbreaking analysis of faith and radical humanist politics in an era of racial, sexual, and religious warfare.
| Author | : Bruce Baum |
| Publisher | : Duke University Press |
| Total Pages | : 342 |
| Release | : 2009-07-29 |
| Genre | : Literary Criticism |
| ISBN | : 0822392151 |
Racially Writing the Republic investigates the central role of race in the construction and transformation of American national identity from the Revolutionary War era to the height of the civil rights movement. Drawing on political theory, American studies, critical race theory, and gender studies, the contributors to this collection highlight the assumptions of white (and often male) supremacy underlying the thought and actions of major U.S. political and social leaders. At the same time, they examine how nonwhite writers and activists have struggled against racism and for the full realization of America’s political ideals. The essays are arranged chronologically by subject, and, with one exception, each essay is focused on a single figure, from George Washington to James Baldwin. The contributors analyze Thomas Jefferson’s legacy in light of his sexual relationship with his slave, Sally Hemings; the way that Samuel Gompers, the first president of the American Federation of Labor, rallied his organization against Chinese immigrant workers; and the eugenicist origins of the early-twentieth-century birth-control movement led by Margaret Sanger. They draw attention to the writing of Sarah Winnemucca, a Northern Piute and one of the first published Native American authors; the anti-lynching activist Ida B. Wells-Barnett; the Filipino American writer Carlos Bulosan; and the playwright Lorraine Hansberry, who linked civil rights struggles in the United States to anticolonial efforts abroad. Other figures considered include Alexis de Tocqueville and his traveling companion Gustave de Beaumont, Juan Nepomuceno Cortina (who fought against Anglo American expansion in what is now Texas), Abraham Lincoln, Theodore Roosevelt, and W. E. B. Du Bois. In the afterword, George Lipsitz reflects on U.S. racial politics since 1965. Contributors. Bruce Baum, Cari M. Carpenter, Gary Gerstle, Duchess Harris, Catherine A. Holland, Allan Punzalan Isaac, Laura Janara, Ben Keppel, George Lipsitz, Gwendolyn Mink, Joel Olson, Dorothy Roberts, Patricia A. Schechter, John Kuo Wei Tchen, Jerry Thompson
| Author | : Priscilla Layne |
| Publisher | : University of Michigan Press |
| Total Pages | : 273 |
| Release | : 2018-03-13 |
| Genre | : History |
| ISBN | : 0472130803 |
Investigates the appropriation of black popular culture as a symbol of rebellion in postwar Germany
| Author | : Reuben Zahler |
| Publisher | : University of Arizona Press |
| Total Pages | : 352 |
| Release | : 2013-12-19 |
| Genre | : History |
| ISBN | : 0816599084 |
Murder, street brawls, marital squabbles, infidelity, official corruption, public insults, and rebellion are just a few of the social layers Reuben Zahler investigates as he studies the dramatic shifts in Venezuela as it transformed from a Spanish colony to a modern republic. His book Ambitious Rebels illuminates the enormous changes in honor, law, and political culture that occurred and how ordinary men and women promoted or rejected those changes. In a highly engaging style, Zahler examines gender and class against the backdrop of Venezuelan institutions and culture during the late colonial period through post-independence (known as the “middle period”). His fine-grained analysis shows that liberal ideals permeated the elite and popular classes to a substantial degree while Venezuelan institutions enjoyed impressive levels of success. Showing remarkable ambition, Venezuela’s leaders aspired to transform a colony that adhered to the king, the church, and tradition into a liberal republic with minimal state intervention, a capitalistic economy, freedom of expression and religion, and an elected, representative government. Subtle but surprisingly profound changes of a liberal nature occurred, as evidenced by evolving standards of honor, appropriate gender roles, class and race relations, official conduct, courtroom evidence, press coverage, economic behavior, and church-state relations. This analysis of the philosophy of the elites and the daily lives of common men and women reveals in particular the unwritten, unofficial norms that lacked legal sanction but still greatly affected political structures. Relying on extensive archival resources, Zahler focuses on Venezuela but provides a broader perspective on Latin American history. His examination provides a comprehensive look at intellectual exchange across the Atlantic, comparative conditions throughout the Americas, and the tension between traditional norms and new liberal standards in a postcolonial society.
| Author | : Liz Reinhardt |
| Publisher | : Harlequin |
| Total Pages | : 320 |
| Release | : 2017-02-28 |
| Genre | : Young Adult Fiction |
| ISBN | : 1488015309 |
"It's not like I never thought about being mixed race. I guess it was just that, in Brooklyn, everyone was competing to be unique or surprising. By comparison, I was boring, seriously. Really boring." Culture shock knocks city girl Agnes "Nes" Murphy-Pujols off-kilter when she's transplanted mid–senior year from Brooklyn to a small Southern town after her mother's relationship with a coworker self-destructs. On top of the move, Nes is nursing a broken heart and severe homesickness, so her plan is simple: keep her head down, graduate and get out. Too bad that flies out the window on day one, when she opens her smart mouth and pits herself against the school's reigning belle and the principal. Her rebellious streak attracts the attention of local golden boy Doyle Rahn, who teaches Nes the ropes at Ebenezer. As her friendship with Doyle sizzles into something more, Nes discovers the town she's learning to like has an insidious undercurrent of racism. The color of her skin was never something she thought about in Brooklyn, but after a frightening traffic stop on an isolated road, Nes starts to see signs everywhere—including at her own high school where, she learns, they hold proms. Two of them. One black, one white. Nes and Doyle band together with a ragtag team of classmates to plan an alternate prom. But when a lit cross is left burning in Nes's yard, the alterna-prommers realize that bucking tradition comes at a price. Maybe, though, that makes taking a stand more important than anything.
| Author | : Amy Sonnie |
| Publisher | : Melville House |
| Total Pages | : 321 |
| Release | : 2021-08-17 |
| Genre | : Social Science |
| ISBN | : 1612199410 |
UPDATED AND REVISED EDITION THE LITTLE-KNOWN STORY OF POOR AND WORKING-CLASS WHITES, URBAN ETHNIC GROUPS AND BLACK PANTHERS ORGANIZING SIDE BY SIDE FOR SOCIAL JUSTICE IN THE 1960S AND '70S Some of the most important and little-known activists of the 1960s were poor and working-class radicals. Inspired by the Civil Rights movement, the Black Panthers, and progressive populism, they started to organize significant political struggles against racism and inequality during the 1960s and into the 1970s. Historians of the period have traditionally emphasized the work of white college activists who courageously took to the streets to protest the war in Vietnam and continuing racial inequality. Poor and working-class whites have often been painted as spectators, reactionaries, and, even, racists. But authors James Tracy and Amy Sonnie disprove that narrative. Through over ten years of research, interviewing activists along with unprecedented access to their personal archives, Tracy and Sonnie tell a crucial, untold story of the New Left. Their deeply sourced narrative history shows how poor and working-class individuals from diverse ethnic, rural and urban backgrounds cooperated and drew strength from one another. The groups they founded redefined community organizing, and transformed the lives and communities they touched. Hillbilly Nationalists, Urban Race Rebels and Black Power is an important contribution to our understanding of a pivotal moment in U.S. history. Among the groups in the book: + JOIN Community Union brought together southern migrants, student radicals, and welfare recipients in Chicago to fight for housing, health, and welfare . . . + The Young Patriots Organization and Rising Up Angry organized self-identified hillbillies, Chicago greasers, Vietnam vets, and young feminists into a legendary “Rainbow Coalition” with Black and Puerto Rican activists . . . + In Philadelphia, the October 4th Organization united residents of industrial Kensington against big business, war, and a repressive police force . . . + In the Bronx, White Lightning occupied hospitals and built coalitions with doctors to fight for the rights of drug addicts and the poor.
