A Photographer On The Hajj
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Author | : Farid Kioumgi |
Publisher | : Amer Univ in Cairo Press |
Total Pages | : 124 |
Release | : 2009 |
Genre | : Religion |
ISBN | : 9789774162909 |
The diaries of Muhammad 'Ali Effendi Sa'udi, a civil servant and accomplished photographer, offer a rare glimpse of the Hajj through Egyptian eyes at the beginning of the twentieth century when the Ottoman Empire was on the wane and the advance of the Hijaz railway threatened to upset vested interests in the old pattern of pilgrimage. Sa'udi twice accompanied the Amir al-Hajj, Ibrahim Rif'at Pasha, attached to the official Egyptian caravan. His story of these journeys combines the thoughts of a devout Muslim with fine detail on the hardships and health hazards facing pilgrims, the high-level intrigues, and the ever-present dangers of taking photographs. The authors have compressed the diaries into a highly readable narrative with selected quotations, lavishly illustrated with Sa'udi's remarkable photographs.
Author | : Ann Parker |
Publisher | : American Univ in Cairo Press |
Total Pages | : 200 |
Release | : 2009 |
Genre | : Art |
ISBN | : 9789774162596 |
Since the seventh century, the Hajj, or Great Pilgrimage to Mecca, has been a lifelong goal of devout Muslims throughout the world. Egyptian pilgrims traditionally celebrate their sacred journey by commissioning a local artist to depict their religious odyssey on the walls of their homes. This book shows the richness and variety of this naive art form covering images from towns, villages, and isolated farm communities along the Nile, across the Delta, down the Red Sea coast, and into Sinai. On the walls of buildings ranging from alabaster factories to mud-brick farmhouses they found brilliant murals illuminated by the desert sun, portraying beloved icons of the pilgrims' faith and scenes from the Qur'an.
Author | : Seyyed Hossein Nasr |
Publisher | : Tuttle Publishing |
Total Pages | : 194 |
Release | : 2015-11-24 |
Genre | : Religion |
ISBN | : 1462915884 |
Mecca the Blessed, Medina the Radiant is an unprecedented photographic exploration of the most holy cities of Islam and the Hajj, or annual pilgrimage during Ramadan, when more than a million faithful journey to Mecca's Great Mosque to commemorate the first revelation of the Qur'an (Koran). This book allows both Muslims and those unfamiliar with the Islamic faith complete access to the holiest sites of one of the world's major religions, practiced by a quarter of the world's population but often misunderstood in the West. Photographer Ali Kazuyoshi Namachi, a Muslim convert from Japan, garnered the full support of Saudi Arabian authorities--rarely given--to shoot in cities where photography is strictly controlled and non-Muslims are not allowed. An expansive work of photojournalism, Mecca the Blessed, Medina the Radiant includes: 140 full-color, never-before-seen photographs Mystical places and scenes of Islam Breathtaking aerial photographs of the Arabian terrain Vistas of teeming crowds of worshippers surrounding the Kacbah, Mecca's sacred center Intense portraits of faithful Muslims in prayer Magnificent architecture reflecting the faith of the believers Archival illustrations Text by Seyyed Hossein Nasr, one of the most highly regarded scholars of Islam, enhances the stunning Islamic holy city photographs to illuminate many aspects of Islamic belief that have remained enigma to non-Muslims--until now.
Author | : ʻAlī Sharīʻatī |
Publisher | : |
Total Pages | : 190 |
Release | : 1980 |
Genre | : Islam |
ISBN | : |
Author | : Richard van Leeuwen |
Publisher | : BRILL |
Total Pages | : 1078 |
Release | : 2024-06-06 |
Genre | : History |
ISBN | : 9004514031 |
In Hajj Travelogues: Texts and Contexts from the 12th Century until 1950 Richard van Leeuwen maps the corpus of hajj accounts from the Muslim world and Europe. The work outlines the main issues in a field of study which has largely been neglected. A large number of hajj travelogues are described as a textual type integrating religious discourse into the form of the journey. Special attention is given to their intertextual embedding in the broader discursive tradition of the hajj. Since the corpus is seen as dynamic and responsive to historical developments, the texts are situated in their historical context and the subsequent phases of globalisation. It is shown how in travelogues forms of religious subjectivity are constructed and expressed.
Author | : Stephen Sheehi |
Publisher | : Princeton University Press |
Total Pages | : 264 |
Release | : 2016-04-12 |
Genre | : Art |
ISBN | : 0691151326 |
The birth of photography coincided with the expansion of European imperialism in the Middle East, and some of the medium's earliest images are Orientalist pictures taken by Europeans in such places as Cairo and Jerusalem—photographs that have long shaped and distorted the Western visual imagination of the region. But the Middle East had many of its own photographers, collectors, and patrons. In this book, Stephen Sheehi presents a groundbreaking new account of early photography in the Arab world. The Arab Imago concentrates primarily on studio portraits by Arab and Armenian photographers in the late Ottoman Empire. Examining previously known studios such as Abdullah Frères, Pascal Sébah, Garabed Krikorian, and Khalil Raad, the book also provides the first account of other pioneers such as Georges and Louis Saboungi, the Kova Brothers, Muhammad Sadiq Bey, and Ibrahim Rif'at Pasha—as well as the first detailed look at early photographs of the annual pilgrimage to Mecca. In addition, the book explores indigenous photography manuals and albums, newspapers, scientific journals, and fiction. Featuring extensive previously unpublished images, The Arab Imago shows how native photography played an essential role in the creation of modern Arab societies in Egypt, Palestine, Syria, and Lebanon before the First World War. At the same time, the book overturns Eurocentric and Orientalist understandings of indigenous photography and challenges previous histories of the medium.
Author | : F. E. Peters |
Publisher | : Princeton University Press |
Total Pages | : 451 |
Release | : 2021-02-09 |
Genre | : Religion |
ISBN | : 0691225141 |
Among the duties God imposes upon every Muslim capable of doing so is a pilgrimage to the holy places in and around Mecca in Arabia. Not only is it a religious ritual filled with blessings for the millions who make the journey annually, but it is also a social, political, and commercial experience that for centuries has set in motion a flood of travelers across the world's continents. Whatever its outcome--spiritual enrichment, cultural exchange, financial gain or ruin--the road to Mecca has long been an exhilarating human adventure. By collecting the firsthand accounts of these travelers and shaping their experiences into a richly detailed narrative, F. E. Peters here provides an unparalleled literary history of the central ritual of Islam from its remote pre-Islamic origins to the end of the Hashimite Kingdom of the Hijaz in 1926.
Author | : Stephen Sheehi |
Publisher | : Princeton University Press |
Total Pages | : 264 |
Release | : 2021-08-10 |
Genre | : Photography |
ISBN | : 069123535X |
The first history of indigenous photography in the Middle East The birth of photography coincided with the expansion of European imperialism in the Middle East, and some of the medium's earliest images are Orientalist pictures taken by Europeans in such places as Cairo and Jerusalem—photographs that have long shaped and distorted the Western visual imagination of the region. But the Middle East had many of its own photographers, collectors, and patrons. In this book, Stephen Sheehi presents a groundbreaking new account of early photography in the Arab world. The Arab Imago concentrates primarily on studio portraits by Arab and Armenian photographers in the late Ottoman Empire. Examining previously known studios such as Abdullah Frères, Pascal Sébah, Garabed Krikorian, and Khalil Raad, the book also provides the first account of other pioneers such as Georges and Louis Saboungi, the Kova Brothers, Muhammad Sadiq Bey, and Ibrahim Rif'at Pasha—as well as the first detailed look at early photographs of the annual pilgrimage to Mecca. In addition, the book explores indigenous photography manuals and albums, newspapers, scientific journals, and fiction. Featuring extensive previously unpublished images, The Arab Imago shows how native photography played an essential role in the creation of modern Arab societies in Egypt, Palestine, Syria, and Lebanon before the First World War. At the same time, the book overturns Eurocentric and Orientalist understandings of indigenous photography and challenges previous histories of the medium.
Author | : Eric Tagliacozzo |
Publisher | : Cambridge University Press |
Total Pages | : 365 |
Release | : 2016 |
Genre | : History |
ISBN | : 110703051X |
Scholars from a range of fields tell the story of the Hajj and explain its significance as one of the key events in the Muslim religious calendar. This volume pays attention to the diverse aspects of the Hajj, as lived every year by hundreds of millions of Muslims worldwide.
Author | : John Slight |
Publisher | : Harvard University Press |
Total Pages | : 249 |
Release | : 2015-09-21 |
Genre | : History |
ISBN | : 0674915828 |
The British Empire at its height governed more than half the world’s Muslims. It was a political imperative for the Empire to present itself to Muslims as a friend and protector, to take seriously what one scholar called its role as “the greatest Mohamedan power in the world.” Few tasks were more important than engagement with the pilgrimage to Mecca. Every year, tens of thousands of Muslims set out for Mecca from imperial territories throughout Africa, the Middle East, and Asia, from the Atlantic Ocean to the South China Sea. Men and women representing all economic classes and scores of ethnic and linguistic groups made extraordinary journeys across waterways, deserts, and savannahs, creating huge challenges for officials charged with the administration of these pilgrims. They had to balance the religious obligation to travel against the desire to control the pilgrims’ movements, and they became responsible for the care of those who ran out of money. John Slight traces the Empire’s complex interactions with the Hajj from the 1860s, when an outbreak of cholera led Britain to engage reluctantly in medical regulation of pilgrims, to the Suez Crisis of 1956. The story draws on a varied cast of characters—Richard Burton, Thomas Cook, the Begums of Bhopal, Lawrence of Arabia, and frontline imperial officials, many of them Muslim—and gives voice throughout to the pilgrims themselves. The British Empire and the Hajj is a crucial resource for understanding how this episode in imperial history was experienced by rulers and ruled alike.