Concise Introduction to Tonal Harmony
Author | : L. Poundie Burstein |
Publisher | : |
Total Pages | : |
Release | : 2019 |
Genre | : Harmony |
ISBN | : 9780393679601 |
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Author | : L. Poundie Burstein |
Publisher | : |
Total Pages | : |
Release | : 2019 |
Genre | : Harmony |
ISBN | : 9780393679601 |
Author | : Randy Sandke |
Publisher | : Hal Leonard Corporation |
Total Pages | : 60 |
Release | : 2001 |
Genre | : Music |
ISBN | : 9780634044267 |
(Book). This book by versatile trumpet player and composer Randy Sandke is divided into three parts. In Part One, he identifies and organizes all four-note chords which lie beyond the tonal system and cannot be represented by conventional chord systems. Part Two deals with deriving melodic material from these metatonal chords, and in Part Three, Sandke shows how he has used these ideas in his own music, with example pieces included for symphony orchestra and jazz quintet. "A fresh, creative approach to improvisation ... Highly recommended." Michael Brecker
Author | : Joe Mulholland |
Publisher | : Hal Leonard Corporation |
Total Pages | : 262 |
Release | : 2013-08-01 |
Genre | : Music |
ISBN | : 1480360856 |
(Berklee Guide). Learn jazz harmony, as taught at Berklee College of Music. This text provides a strong foundation in harmonic principles, supporting further study in jazz composition, arranging, and improvisation. It covers basic chord types and their tensions, with practical demonstrations of how they are used in characteristic jazz contexts and an accompanying recording that lets you hear how they can be applied.
Author | : |
Publisher | : Hal Leonard Corporation |
Total Pages | : 130 |
Release | : 1996-05-01 |
Genre | : Music |
ISBN | : 1476863121 |
(Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.
Author | : Edward Aldwell |
Publisher | : |
Total Pages | : 202 |
Release | : 1978 |
Genre | : Harmony |
ISBN | : |
Harmony and voice leading is a textbook in two volumes dealing with tonal organization in the music of the eighteenth and nineteenth centuries.
Author | : Ernst Levy |
Publisher | : State University of New York Press |
Total Pages | : 144 |
Release | : 2024-01-01 |
Genre | : Music |
ISBN | : 143849632X |
Ernst Levy was a visionary Swiss pianist, composer, and teacher who developed an approach to music theory that has come to be known as "negative harmony." Levy's theories have had a wide influence, from young British performer/composer Jacob Collier to jazz musicians like Steve Coleman. His posthumous text, A Theory of Harmony, summarizes his innovative ideas. A Theory of Harmony is a highly original explanation of the harmonic language of the modern era, illuminating the approaches of diverse styles of music. By breaking through age-old conceptions, Levy was able to reorient the way we experience musical harmony. British composer/music pedagogue Paul Wilkinson has written a new introduction that offers multiple points of entry to Levy’s work to make this text more accessible for a new generation of students, performers, and theorists. He relates Levy's work to innovations in improvisation, jazz, twentieth-century classical music, and the theoretical writings of a wide range of musical mavericks, including Harry Partch, Hugo Riemann, and David Lewin. Wilkinson shows how A Theory of Harmony continues to inspire original musical expression across multiple musical genres.
Author | : Arnold Schoenberg |
Publisher | : W. W. Norton & Company |
Total Pages | : 226 |
Release | : 1969 |
Genre | : Music |
ISBN | : 9780393004786 |
This book is Schoenberg's last completed theoretical work and represents his final thoughts on the subject of classical and romantic harmony. The earlier chapters recapitulate in condensed form the principles laid down in his 'Theory of Harmony'; the later chapters break entirely new ground, for they analyze the system of key relationships within the structure of whole movements and affirm the principle of 'monotonality, ' showing how all modulations within a movement are merely deviations from, and not negations of, its main tonality.
Author | : Stefan M. Kostka |
Publisher | : |
Total Pages | : 0 |
Release | : 2000 |
Genre | : Harmony |
ISBN | : 9780072419962 |
Tonal Harmony with an Introduction to 20th-Century Music is intended for a two-year course in music theory/harmony. It offers a clear and thorough introduction to the resources and practice of Western music from the 17th century to the present day. Its concise, one-volume format and flexible approach make the book usable in a broad range of theory curricula. The text provides students with a comprehensive but accessible and highly practical set of tools for the understanding of music. Actual musical practice is emphasized more than rules or prohibitions. Principles are explained and illustrated, and exceptions are noted. In its presentation of harmonic procedures, the text introduces students to the most common vocal and instrumental textures encountered in tonal music. Traditional four-part chorale settings are used to introduce many concepts, but three-part instrumental and vocal textures are also presented in illustrations and drill work, along with a variety of keyboard styles. To encourage the correlation of writing and performing skills, we have included musical examples in score and reduced-score formats as well as charts on instrumental ranges and transpositions. Some of the assignments ask the student to write for small ensembles suitable for performance in class. Instructors may modify these assignments to make them most appropriate for their particular situations. - Preface.
Author | : Drew Nobile |
Publisher | : |
Total Pages | : 297 |
Release | : 2020 |
Genre | : Music |
ISBN | : 0190948353 |
Overturning the inherited belief that popular music is unrefined, Form as Harmony in Rock Music brings the process-based approach of classical theorists to popular music scholarship. Author Drew Nobile offers the first comprehensive theory of form for 1960s, 70s, and 80s classic rock repertoire, showing how songs in this genre are not simply a series of discrete elements, but rather exhibit cohesive formal-harmonic structures across their entire timespan. Though many elements contribute to the cohesion of a song, the rock music of these decades is built around a fundamentally harmonic backdrop, giving rise to distinct types of verses, choruses, and bridges. Nobile's rigorous but readable theoretical analysis demonstrates how artists from Bob Dylan to Stevie Wonder to Madonna consistently turn to the same compositional structures throughout rock's various genres and decades, unifying them under a single musical style. Using over 200 transcriptions, graphs, and form charts, Form as Harmony in Rock Music advocates a structural approach to rock analysis, revealing essential features of this style that would otherwise remain below our conscious awareness.