A Muganda In Europe
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Author | : Sarah Mukiibi |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 100 |
Release | : 2017-10-09 |
Genre | : |
ISBN | : 9781977930781 |
A Muganda in Europe is an English reproduction of a book, Omuganda mu Bulaaya, originally written in the Luganda language in 1927, by a Chief from the Kingdom of Buganda, Uganda, John Nsubuga ( 1894-1933). The book narrates his journey to Europe undertaken between 1926-1927 by ferry, ship, and railroad. Through the unpaved roads of Africa, vast seas and deserts he traveled to Europe on a mission for his Kingdom. The events that led the book into the hands of its translator are as fascinating as the journey itself. Spirits of legends never die!
Author | : Katharina Kunter |
Publisher | : Otto Harrassowitz Verlag |
Total Pages | : 264 |
Release | : 2008 |
Genre | : Christianity and politics |
ISBN | : 9783447054515 |
Proceedings from the conference "Changing relationships between churches in Africa and Europe in the 20th century: Christian identity in the times of political crises," which took place October 8-12, 2005 at Makumira University College of Tumaini University in Tanzania.
Author | : R. F. Holland |
Publisher | : Routledge |
Total Pages | : 218 |
Release | : 2005-08-12 |
Genre | : History |
ISBN | : 1135778760 |
First Published in 1988. These essays have been written to mark the retirement of Ronald Robinson as Beit Professor of the History of the British Commonwealth at the University of Oxford. The contributors have all at various times worked closely with ‘Robbie’ as pupils, colleagues and friends. They offer this volume to him with their thanks and great affection, both in recognition of his immense contribution to the revival and development of imperial or commonwealth history, and in the conviction that he has still much to offer all scholars in the field.
Author | : Gurminder K. Bhambra |
Publisher | : Taylor & Francis |
Total Pages | : 200 |
Release | : 2016-10-26 |
Genre | : Social Science |
ISBN | : 1317335724 |
This book provides a fresh examination of the cosmopolitan project of post-war Europe from a variety of perspectives. It explores the ways in which European cosmopolitanism can be theorized differently if we take into account histories which have rarely been at the forefront of such understandings. It also uses neglected historical resources to draw out new and unexpected entanglements and connections between understandings of European cosmopolitanism both in Europe and elsewhere. The final part of the book places European cosmopolitanism in tension with contemporary postcolonial configurations around diaspora, migration, and austerity. Overall, it seeks to draw attention to the ways in which Europe’s posited others have always been very much a part of Europe’s colonial histories and its postcolonial present.
Author | : |
Publisher | : |
Total Pages | : 106 |
Release | : 1960 |
Genre | : Ethnology |
ISBN | : |
Author | : Mila Gasco |
Publisher | : Academic Conferences Limited |
Total Pages | : 520 |
Release | : 2012 |
Genre | : Electronic government information |
ISBN | : 1908272813 |
Author | : Hannah W. Kinoti |
Publisher | : Action Publishers |
Total Pages | : 230 |
Release | : 1997 |
Genre | : Bible |
ISBN | : |
Author | : Raymond Firth |
Publisher | : Routledge |
Total Pages | : 420 |
Release | : 2013-10-11 |
Genre | : Reference |
ISBN | : 1136537171 |
A great classic of British anthropology, Primitive Polynesian Economy is structured as follows: · Problems of Primitive Economics · Food and Population in Tikopia · Knowledge, Technique and Economic Lore · The Labour Situation · Ritual in Productive Activity · Economic Functions of the Chiefs · Property and Capital in Production · Principles of Distribution and Payment · Exchange and Value · Characteristics of a Primitive Economy First published in 1939.
Author | : Ruth M. Stone |
Publisher | : Routledge |
Total Pages | : 923 |
Release | : 2010-04-02 |
Genre | : Music |
ISBN | : 1135900000 |
The Garland Handbook of African Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 1, Africa, (1997). Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Africa and examine the ways in which music helps to define the identity of this particular area. Part One provides an in-depth introduction to Africa. Part Two focuses on issues and processes, such as notation and oral tradition, dance in communal life, and intellectual property. Part Three focuses on the different regions, countries, and cultures of Africa with selected regional case studies. The second edition has been expanded to include exciting new scholarship that has been conducted since the first edition was published. Questions for Critical Thinking at the end of each major section guide and focus attention on what musical and cultural issues arise when one studies the music of Africa -- issues that might not occur in the study of other musics of the world. An accompanying audio compact disc offers musical examples of some of the music of Africa.
Author | : Frits Andersen |
Publisher | : Aarhus Universitetsforlag |
Total Pages | : 692 |
Release | : 2015-12-31 |
Genre | : Literary Criticism |
ISBN | : 8771248544 |
Africa: a forgotten continent that evades all attempts at control and transcends reason. Or does it? This book describes Europe's image of Africa and relates how the conception of the Dark Continent has been fabricated in European culture--with the Congo as an analytical focal point. It also demonstrates that the myth was more than a creation of colonial propaganda; the Congo reform movement--the first international human rights movement--spread horror stories that still have repercussions today. The book cross-examines a number of witness testimonies, reports and novels, from Stanley's travelogues and Conrad's Heart of Darkness to Herge's Tintin and Burroughs' Tarzan, as well as recent Danish and international Congo literature. The Dark Continent? proposes that the West's attitudes to Africa regarding free trade, emergency aid and intervention are founded on the literary historical assumptions of stories and narrative forms that have evolved since 1870.