A Letter From M Rousseau Of Geneva To M Dalembert Of Paris Concerning The Effects Of Theatrical Entertainments On The Manners Of Mankind
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Author | : Mary Fairclough |
Publisher | : Cambridge University Press |
Total Pages | : 311 |
Release | : 2013-01-17 |
Genre | : Literary Criticism |
ISBN | : 1139620444 |
In the long eighteenth century, sympathy was understood not just as an emotional bond, but also as a physiological force, through which disruption in one part of the body produces instantaneous disruption in another. Building on this theory, Romantic writers explored sympathy as a disruptive social phenomenon, which functioned to spread disorder between individuals and even across nations like a 'contagion'. It thus accounted for the instinctive behaviour of people swept up in a crowd. During this era sympathy assumed a controversial political significance, as it came to be associated with both riotous political protest and the diffusion of information through the press. Mary Fairclough reads Edmund Burke, Mary Wollstonecraft, William Godwin, John Thelwall, William Hazlitt and Thomas De Quincey alongside contemporary political, medical and philosophical discourse. Many of their central questions about crowd behaviour still remain to be answered by the modern discourse of collective psychology.
Author | : Georgina Green |
Publisher | : OUP Oxford |
Total Pages | : 257 |
Release | : 2014-02-13 |
Genre | : Literary Criticism |
ISBN | : 0191003077 |
The Majesty of the People links emerging Romantic ideas about the role of the writer to the ambivalence of the concept of popular sovereignty. By closely examining how theories about the role of the intellectual or the writer are developed as part of the 1790s' contestation of the concept of the majesty of the people, Georgina Green provides a coherent account of debates about popular sovereignty, and contributes to understanding of authorship and the rise of 'culture' in this period. Part one, 'the political existence of the people', shows how the history of ideas about the political role of the people in the eighteenth century meant there was a role for writers and organisations who could challenge the invisibility of the 'people out of doors'. Part two, 'the sovereignty of justice' shows how this urge to give the people a tangible form was moderated by the tension between the sovereignty of will and the sovereignty of justice, a tension foregrounded by Revolutionary France and addressed in the writing of Thomas Paine, Helen Maria Williams, and William Godwin. Part three analyses how this potential tension between popular sovereignty and absolute values such as reason, justice or divinity pressurizes Wordsworth and Coleridge's conception of their role as writers. These enquiries demonstrate the impact of the idea of the Majesty of the People in the 1790s and in emerging conceptions of the role of culture in society.
Author | : Mary Peace |
Publisher | : Taylor & Francis |
Total Pages | : 218 |
Release | : 2016-11-25 |
Genre | : History |
ISBN | : 1315308347 |
Sentimentalism became popular in the eighteenth century, part of the philosophical idea that truth is founded on emotion or moral sentiment. Peace uses the London Magdalen Hospital for Penitent Prostitutes as a prism through which to explore the sentimental writing of this period.
Author | : Monika Fludernik |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 751 |
Release | : 2019-12-16 |
Genre | : Literary Criticism |
ISBN | : 3110484994 |
The study of narrative—the object of the rapidly growing discipline of narratology—has been traditionally concerned with the fictional narratives of literature, such as novels or short stories. But narrative is a transdisciplinary and transmedial concept whose manifestations encompass both the fictional and the factual. In this volume, which provides a companion piece to Tobias Klauk and Tilmann Köppe’s Fiktionalität: Ein interdisziplinäres Handbuch, the use of narrative to convey true and reliable information is systematically explored across media, cultures and disciplines, as well as in its narratological, stylistic, philosophical, and rhetorical dimensions. At a time when the notion of truth has come under attack, it is imperative to reaffirm the commitment to facts of certain types of narrative, and to examine critically the foundations of this commitment. But because it takes a background for a figure to emerge clearly, this book will also explore nonfactual types of narratives, thereby providing insights into the nature of narrative fiction that could not be reached from the narrowly literary perspective of early narratology.
Author | : Maria Grazia Turri |
Publisher | : Routledge |
Total Pages | : 234 |
Release | : 2016-11-25 |
Genre | : Performing Arts |
ISBN | : 1315517310 |
From Aristotle’s theory of tragic katharsis onwards, theorists of the theatre have long engaged with the question of what spectatorship entails. This question has, directly or indirectly, often been extended to the investigation of acting. Acting, Spectating, and the Unconscious approaches the unconscious aspects of spectatorship and acting afresh. Interweaving psychoanalytic descriptions of processes such as transference, unconscious phantasy, and alpha-function with an in-depth survey of theories of spectating and acting from thinkers such as Brecht, Diderot, Rousseau and Plato, Maria Grazia Turri offers a significant insight into the emotions inherent in both the art of the actor, and the spectator’s experience. A compelling investigation of the unconscious communication between spectators and actors, this volume is a must-read for students and scholars fascinated by theatre spectatorship.
Author | : Theodore Schroeder |
Publisher | : |
Total Pages | : 264 |
Release | : 1922 |
Genre | : Censorship |
ISBN | : |
Author | : Oskar Cox Jensen |
Publisher | : Springer |
Total Pages | : 270 |
Release | : 2015-10-12 |
Genre | : History |
ISBN | : 1137555386 |
This study offers a radical reassessment of a crucial period of political and cultural history. By looking at some 400 songs, many of which are made available to hear, and at their writers, singers, and audiences, it questions both our relationship with song, and ordinary Britons' relationship with Napoleon, the war, and the idea of Britain itself.
Author | : Philippe MACQUER |
Publisher | : |
Total Pages | : 498 |
Release | : 1760 |
Genre | : |
ISBN | : |
Author | : Lisa Forman Cody |
Publisher | : OUP Oxford |
Total Pages | : 376 |
Release | : 2005-02-03 |
Genre | : History |
ISBN | : 0191514977 |
How could the professional triumph of man-midwifery and contemporary tales of pregnant men, rabbit-breeding mothers, and meddling midwives in eighteenth-century Britain help construct the emergence of modern corporate and individual identities? By uncovering long-lost tales and artefacts about sexuality, birth, and popular culture, Lisa Forman Cody argues that Enlightenment Britons understood themselves and their relationship to others through their experiences and beliefs about the reproductive body. Birthing the Nation traces two intertwined narratives that shaped eighteenth-century British life: the development of the modern British nation, and the emergence of the male expert as the pre-eminent authority over matters of sexual behaviour, reproduction, and childbirth. By taking seriously contemporary caricatures, jokes, and rumours that used gender, birth, and family to make claims about religious, ethnic and national identity, Cody illuminates an entirely new view of the eighteenth-century public sphere as focused on the bodily and the bizarre. In a monarchy arbitrated by its official religion, regulation of reproduction and childbirth was vital to the very stability of British political authority and the coherence of British culture, challenged as it was by Catholicism, the French Revolution, and social change. In the late seventeenth century, the English feared the power of female midwives to control the destiny of the royal family, yet men-midwives and male experts had hardly proved their superiority to manage the successful birth of children. By the mid-eighteenth century, however, male midwives became experts over the domestic world of pregnancy and childbirth, largely replacing female midwives among the middling and elite families. Cody suggests that these new professionals provided a new model for masculine comportment and emergent intimate relationships within the middle-class and elite home. Most surprisingly, Cody has discovered many interconnections between obstetrics and politics, and shows how male experts transformed what had once been the private, feminine domain of birth and midwifery into topics of public importance and universal interest, leading even Adam Smith and Edmund Burke to attend lectures on obstetrical anatomy. This is the first book to place the eighteenth-century shift from female midwives to male midwives as the dominant experts over childbirth in a larger cultural and political context. Cody illuminates how eighteenth-century Britons understood and symbolized political, national, and religious affiliation through the experiences of the body, sex, and birth. In turn, she takes seriously how the political arguments and rhetoric of the age were not always made on disembodied, rational terms, but instead referenced deep cultural beliefs about gender, reproduction, and the family.
Author | : Grant Wiedenfeld |
Publisher | : Oxford University Press |
Total Pages | : 297 |
Release | : 2022 |
Genre | : Motion pictures |
ISBN | : 0197624928 |
"Through the heart of Hollywood cinema runs a surprising current of progressive politics. Sports movies, a genre that has flourished since the mid-seventies, evoke the American dream and represent the nation to itself. Once considered mere credos for Reaganism, on closer view, movies from Rocky (1976) to Ali (2001) dream of democratic participation and recognition more than individual success. In every case, off-field relationships take precedence over on-field competition. Arranged chronologically, this critical study of six major sports films also tells the story of multiculturalism's gradual adoption. The mainstream's first minority heroes are paradoxically white ethnic, rural, working-class men, exemplified by Rocky, Slap Shot (1977) and The Natural (1984); Black, brown, and women characters follow in White Men Can't Jump (1992), A League of Their Own (1992), and Ali. But despite their insistence on community and diversity these popular dramas show limited faith in civic institutions. Hannah Arendt, Jeffrey Alexander, and others inform original analysis and commentary on the political significance of popular culture. Reading these familiar movies from another angle paints a fresh picture of how the United States has imagined democracy since its bicentennial"--