America's Indomitable Character Volume II

America's Indomitable Character Volume II
Author: Frederick William Dame
Publisher: BoD – Books on Demand
Total Pages: 442
Release: 2014-09-09
Genre: History
ISBN: 3735746276

Volume II of America's Indomitable Character has information on: A synopsis of Volume I. A preview concerning the content of Volume II with the sub-themes of Nature, human nature, society, the social contract, and education and how they weave into American character identity. American character identity and its Colonial connection to the philosophy of Jean-Jacques Rousseau. The historical personage Michel Guillaume (J. Hector St. John) de Crèvecoeur, a French, British, American Colonial citizen, and the America farmer par excellence who posed the famous question: What is an American? Benjamin Franklin's contributions to the developing American character identity. Thomas Paine's revolutionary views on American character identity. Thomas Jefferson's philosophical contributions to American character identity. John Dickinson, America's soldier and founding father. Hugh Henry Brackenridge, American publisher and author who educated Colonial Americans in politics. The literary group the Connecticut Wits who were both for and against America's independent development. The role of Colonial Religion and early attitudes concerning the American Colonial Theater as they relate to American character identity. The American dramatist and jurist Royall Tyler and his play The Contrast (A Comedy in Five Acts) in which the newly developing American consciousness of independence, including female independence, vis-à-vis English foppery and buffoonery are presented. Further, the use of the Native American's chanson du mort, in this case the Song of Alknomook and the dramaturgical presentation of Yankee Doodle are of utmost importance in understanding The Contrast and how they interplay with American character identity. The Albany Plan of Union. The Declaration of Independence written by the Founding Fathers. The Articles of Confederation (and Perpetual Union). A chronology of theatrical events between 1600 and 1800.

Inkface

Inkface
Author: Miles P. Grier
Publisher: University of Virginia Press
Total Pages: 331
Release: 2023-12-28
Genre: Literary Criticism
ISBN: 0813950384

In Inkface, Miles P. Grier traces productions of Shakespeare's Othello from seventeenth-century London to the Metropolitan Opera in twenty-first-century New York. Grier shows how the painted stage Moor and the wife whom he theatrically stains became necessary types, reduced to objects of interpretation for a presumed white male audience. In an era of booming print production, popular urban theater, and increasing rates of literacy, the metaphor of Black skin as a readable, transferable ink became essential to a fraternity of literate white men who, by treating an elastic category of marked people as reading material, were able to assert authority over interpretation and, by extension, over the state, the family, and commerce. Inkface examines that fraternity’s reading of the world as well as the ways in which those excluded attempted to counteract it.

Nineteenth Century American Plays

Nineteenth Century American Plays
Author: Myron Matlaw
Publisher: Hal Leonard Corporation
Total Pages: 520
Release: 2001
Genre: Drama
ISBN: 9781557834645

(Applause Books). Seven hits that have been the staples of the American dramatic repertoire. Myron Matlaw's introduction provides a splendid survey of the development of American drama. Individual prefaces focus each work in the perspective of its historical context.

Pauline Elizabeth Hopkins

Pauline Elizabeth Hopkins
Author: Lois Brown
Publisher: Univ of North Carolina Press
Total Pages: 706
Release: 2008
Genre: Biography & Autobiography
ISBN: 0807831662

Born into an educated free black family in Portland, Maine, Pauline Elizabeth Hopkins (1859-1930) was a pioneering playwright, journalist, novelist, feminist, and public intellectual, best known for her 1900 novel Contending Forces: A Romance of Negro

A History of the American Musical Theatre

A History of the American Musical Theatre
Author: Nathan Hurwitz
Publisher: Taylor & Francis
Total Pages: 286
Release: 2024-12-24
Genre: Performing Arts
ISBN: 1040230849

From the diverse proto-musicals of the mid-1800s, through the revues of the 1920s, the ‘true musicals’ of the 1940s, the politicization of the 1960s, the ‘mega-musicals’ of the 1980s, and the explosive jukebox musicals of the 2010s and ’20s, every era in American musical theatre reflected a unique set of socio-cultural factors. This new edition has been brought up to date to include musicals from the last ten years, reflecting on the impact of Covid-19 and the state of the contemporary musical theatre industry. Author Nathan Hurwitz uses these factors to explain the output of each decade in turn, showing how the most popular productions spoke directly to the audiences of the time. He explores the function of musical theatre as commerce, tying each big success to the social and economic realities in which it flourished. This textbook guides students from the earliest spectacles and minstrel shows to contemporary musicals such as Hadestown, Six, and Back to the Future. It traces the trends of this most commercial of art forms from the perspective of its audiences, explaining how staying in touch with writers and producers strove to stay in touch with these changing moods. Each chapter deals with a specific decade, introducing the main players, the key productions, and the major developments in musical theatre during that period. This new edition has been updated to include the 2010s and 2020s, including the impact of Covid-19 on the American Musical Theatre industry, and new features such as end-of-chapter questions for class discussions. Ideal for undergraduate students of Musical Theatre, this is the most comprehensive and accessible guide to the history of the American Musical from the mid-1800s to the present day.

The Cambridge History of American Theatre

The Cambridge History of American Theatre
Author: Don B. Wilmeth
Publisher: Cambridge University Press
Total Pages: 626
Release: 1998
Genre: Drama
ISBN: 9780521651790

The second volume of the authoritative, multi-volume Cambridge History of American Theatre, first published in 1999, begins in the post-Civil War period and traces the development of American theatre up to 1945. It covers all aspects of theatre from plays and playwrights, through actors and acting, to theatre groups and directors. Topics examined include vaudeville and popular entertainment, European influences, theatre in and beyond New York, the rise of the Little Theatre movement, changing audiences, modernism, the Federal Theatre movement, scenography, stagecraft, and architecture. Contextualising chapters explore the role of theatre within the context of American social and cultural history, and the role of American theatre in relation to theatre in Europe and beyond. This definitive history of American theatre includes contributions from the following distinguished academics - Thomas Postlewait, John Frick, Tice L. Miller, Ronald Wainscott, Brenda Murphy, Mark Fearnow, Brooks McNamara, Thomas Riis, Daniel J. Watermeier, Mary C. Henderson, and Warren Kliewer.