Historical Dictionary of Russian Music

Historical Dictionary of Russian Music
Author: Daniel Jaffé
Publisher: Rowman & Littlefield
Total Pages: 563
Release: 2022-02-15
Genre: Music
ISBN: 1538130084

Russian music today has a firm hold around the world in the repertoire of opera houses, ballet companies, and orchestras. The music of Pyotr Tchaikovsky, Nikolai Rimsky-Korsakov, Sergey Rachmaninov, Sergey Prokofiev, and Dmitri Shostakovich is very much today’s lingua franca both in the concert hall and on the soundtracks of international blockbusters from Hollywood. Meanwhile, the innovations of Modest Musorgsky, Alexander Borodin, and Igor Stravinsky have played their crucial role in the development of Western music, influencing the work of virtually every notable composer of the past century. Historical Dictionary of Russian Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries for each of Russia’s major performing organizations and performance venues, and on specific genres such as ballet, film music, symphony and church music. This book is an excellent resource for students, researchers, and anyone wanting to know more about Russian Music.

A History of Russian Music

A History of Russian Music
Author: Francis Maes
Publisher: Univ of California Press
Total Pages: 468
Release: 2006-02-20
Genre: Music
ISBN: 0520248252

Introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Summarizes the new view of Russian music and provides an overview of the relationships between artistic movements and political ideas.

History of Music in Russia from Antiquity to 1800, Volume 2

History of Music in Russia from Antiquity to 1800, Volume 2
Author: Nikolai Findeizen
Publisher: Indiana University Press
Total Pages: 910
Release: 2008-02-07
Genre: Music
ISBN: 0253023521

In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history. Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century.

On Russian Music

On Russian Music
Author: Richard Taruskin
Publisher: Univ of California Press
Total Pages: 416
Release: 2009
Genre: Biography & Autobiography
ISBN: 0520268067

This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.

History of Music in Russia from Antiquity to 1800, Volume 1

History of Music in Russia from Antiquity to 1800, Volume 1
Author: Nikolai Findeizen
Publisher: Indiana University Press
Total Pages: 645
Release: 2008-02-07
Genre: Music
ISBN: 0253026377

In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history. Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century.

Modern Central Asia

Modern Central Asia
Author: Yuriy Malikov
Publisher: Rowman & Littlefield
Total Pages: 379
Release: 2019-12-04
Genre: History
ISBN: 1793612188

Modern Central Asia: A Primary Source Reader is an academic resource that discusses the basic political, social, and economic evolution of Central Asian civilization in its colonial (1731–1991) and post-colonial (1991–present) periods. Among other aspects of Central Asian history, this source reader discusses resistance and accommodation of native societies to the policies of the imperial center, the transformation of Central Asian societies under Tsarist and Soviet rule, and the history of Islam in Central Asia and its role in nation and state-building processes. This primary source book will be instrumental for familiarizing students with the nationality policies of imperial Russian, Soviet, and post-Soviet governments as well as the effects produced by these policies on the natives of the region. The documents collected in this reader challenge the traditional approach, which has viewed Central Asians as passive recipients of the policies imposed on them by central authorities. Modern Central Asia: A Primary Source Reader demonstrates the active participation of the indigenous peoples in contact with other peoples by examining the natives’ ways of organizing societies, their pre-colonial experience of contact with outsiders, and the structure of their subsistence systems. The source book will also help students situate the major events and activities of Central Asia in a global context. In addition to the value of this collection to the Central Asian historical record, many of the included texts will be essential for comparative analyses and cross-disciplinary approaches in the study of world history.

The Russian Origins of the First World War

The Russian Origins of the First World War
Author: Sean McMeekin
Publisher: Harvard University Press
Total Pages: 345
Release: 2013-05-06
Genre: History
ISBN: 0674072332

The catastrophe of the First World War, and the destruction, revolution, and enduring hostilities it wrought, make the issue of its origins a perennial puzzle. Since World War II, Germany has been viewed as the primary culprit. Now, in a major reinterpretation of the conflict, Sean McMeekin rejects the standard notions of the war’s beginning as either a Germano-Austrian preemptive strike or a “tragedy of miscalculation.” Instead, he proposes that the key to the outbreak of violence lies in St. Petersburg. It was Russian statesmen who unleashed the war through conscious policy decisions based on imperial ambitions in the Near East. Unlike their civilian counterparts in Berlin, who would have preferred to localize the Austro-Serbian conflict, Russian leaders desired a more general war so long as British participation was assured. The war of 1914 was launched at a propitious moment for harnessing the might of Britain and France to neutralize the German threat to Russia’s goal: partitioning the Ottoman Empire to ensure control of the Straits between the Black Sea and the Mediterranean. Nearly a century has passed since the guns fell silent on the western front. But in the lands of the former Ottoman Empire, World War I smolders still. Sunnis and Shiites, Arabs and Jews, and other regional antagonists continue fighting over the last scraps of the Ottoman inheritance. As we seek to make sense of these conflicts, McMeekin’s powerful exposé of Russia’s aims in the First World War will illuminate our understanding of the twentieth century.

A Concise History of Russia

A Concise History of Russia
Author: Paul Bushkovitch
Publisher: Cambridge University Press
Total Pages: 517
Release: 2011-12-05
Genre: History
ISBN: 1139504444

Accessible to students, tourists and general readers alike, this book provides a broad overview of Russian history since the ninth century. Paul Bushkovitch emphasizes the enormous changes in the understanding of Russian history resulting from the end of the Soviet Union in 1991. Since then, new material has come to light on the history of the Soviet era, providing new conceptions of Russia's pre-revolutionary past. The book traces not only the political history of Russia, but also developments in its literature, art and science. Bushkovitch describes well-known cultural figures, such as Chekhov, Tolstoy and Mendeleev, in their institutional and historical contexts. Though the 1917 revolution, the resulting Soviet system and the Cold War were a crucial part of Russian and world history, Bushkovitch presents earlier developments as more than just a prelude to Bolshevik power.

Russian Music and Nationalism

Russian Music and Nationalism
Author: Marina Frolova-Walker
Publisher:
Total Pages: 424
Release: 2007
Genre: Music
ISBN:

Challenging what is widely regarded as the distinguishing feature of Russian music--its ineffable "Russianness"--Marina Frolova-Walker examines the history of Russian music from the premiere of Glinka's opera A Life for the Tsar in 1836 to the death of Stalin in 1953, the years in which musical nationalism was encouraged and endorsed by the Russian state and its Soviet successor. The author identifies and discusses two central myths that dominated Russian culture during this period--that art revealed the Russian soul, and that this nationalist artistic tradition was founded by Glinka and Pushkin. The author also offers a critical account of how the imperatives of nationalist thought affected individual composers. In this way Frolova-Walker provides a new perspective on the brilliant creativity, innovation, and eventual stagnation within the tradition of Russian nationalist music.