The Voice of America

The Voice of America
Author: Holly Cowan Shulman
Publisher:
Total Pages: 304
Release: 1990
Genre: History
ISBN:

Alarmed by the reach and power of Nazi propaganda, President Roosevelt in 1941 authorized the creation of the office that became the Overseas Branch of the Office of War Information - the Voice of America. In this history, Holly Cowan Shulman provides an account to date of how America's wartime propaganda policy evolved. Working from the original radio scripts, personal interviews with former members of OWI and their families, and from extensive archival research in both the United States and Great Britain, she analyzes the cultural myths and symbols reworked by the VOA into instruments of propaganda: a vision of America as the innocent giant whose mission was to save war-torn Europe.

The Moon is Down and A Bell for Adano: Two specific examples of American propaganda literature in the Second World War

The Moon is Down and A Bell for Adano: Two specific examples of American propaganda literature in the Second World War
Author: Liane Weigel
Publisher: GRIN Verlag
Total Pages: 27
Release: 2005-04-20
Genre: Literary Collections
ISBN: 3638368904

Seminar paper from the year 2004 in the subject American Studies - Literature, grade: 1, University of Potsdam, language: English, abstract: “By ten- forty-five, it was all over. The town was occupied, the defenders defeated, and the war finished” and “Invasion had come to the town of Adano.” these are the opening lines of John Steinbeck's novel The Moon is Down and John Hersey’s A Bell for Adano. Although the first merely describes, what could happen when an invading army proclaims “mission accomplished” prematurely because of undemocratic and inhumane oppression and the second focuses on a humanistic approach towards invasion from a more democratic point of view, both can be considered novels of war propaganda. This is at least what is claimed by many of the reviews. Indeed the historical and biographical background refers to a time, where it was very likely that literature was used for war propaganda. This could open on the one hand the possibility to compare both works on the basis of influencing “America’s mind”. On the other hand, Pulitzer price winning novels seem to contain more than purely negative features of propagandizing. Therefore discussing The Moon is Down and A Bell for Adano as two specific examples of American propaganda literature in the Second World War, at first, means to analyse the importance and the meaning of propaganda with respect to literature as a means of it. Considering the biographical background of the authors as primarily linked to the time, where the novels were written, the next part attempts to present the relationship between personal experiences as war reporters and writing the novels The Moon is Down and A Bell for Adano. In order to compare both works with regard to means of war propaganda the third part includes a discussion of structural features, content and the choosing of the titles. This works also as a kind of preparation for analysing how the enemy is displayed that means the characteristic features in his personality in The Moon is Down and the discussion of the ideal hero represented by Major Joppolo in A Bell for Adano. The last part will then summarize the comparison of the two literary works also as an attempt to reveal problems in considering these works as (purely negative) propaganda in a unilateral sense.

The Voice of America and the Domestic Propaganda Battles, 1945-1953

The Voice of America and the Domestic Propaganda Battles, 1945-1953
Author: David F. Krugler
Publisher: University of Missouri Press
Total Pages: 276
Release: 2000
Genre: International broadcasting
ISBN: 9780826213020

Examines the troubled existence of the Voice of America (VOA), the US government's international shortwave radio agency, following WWII. Explains that the VOA's troubles, including slashed budgets, canceled projects, and neglect by its operating agency, were the results of rivalries that shaped American politics during these years, especially the Republican drive to roll back the New Deal, the ongoing contest between conservative members of Congress and the Truman administration, and disputes over the VOA's proper purposes. Krugler teaches history at the University of Wisconsin-Platteville. Annotation copyrighted by Book News Inc., Portland, OR

A Companion to the History of American Broadcasting

A Companion to the History of American Broadcasting
Author: Aniko Bodroghkozy
Publisher: John Wiley & Sons
Total Pages: 600
Release: 2018-07-23
Genre: Performing Arts
ISBN: 1118646282

Presented in a single volume, this engaging review reflects on the scholarship and the historical development of American broadcasting A Companion to the History of American Broadcasting comprehensively evaluates the vibrant history of American radio and television and reveals broadcasting’s influence on American history in the twentieth and twenty-first centuries. With contributions from leading scholars on the topic, this wide-ranging anthology explores the impact of broadcasting on American culture, politics, and society from an historical perspective as well as the effect on our economic and social structures. The text’s original and accessibly-written essays offer explorations on a wealth of topics including the production of broadcast media, the evolution of various television and radio genres, the development of the broadcast ratings system, the rise of Spanish language broadcasting in the United States, broadcast activism, African Americans and broadcasting, 1950’s television, and much more. This essential resource: Presents a scholarly overview of the history of radio and television broadcasting and its influence on contemporary American history Contains original essays from leading academics in the field Examines the role of radio in the television era Discusses the evolution of regulations in radio and television Offers insight into the cultural influence of radio and television Analyzes canonical texts that helped shape the field Written for students and scholars of media studies and twentieth-century history, A Companion to the History of American Broadcasting is an essential and field-defining guide to the history and historiography of American broadcasting and its many cultural, societal, and political impacts.

Theater of the Mind

Theater of the Mind
Author: Neil Verma
Publisher: University of Chicago Press
Total Pages: 305
Release: 2012-07-11
Genre: History
ISBN: 0226853500

In this work, Neil Verma applies an array of critical methods to more than 6000 recordings to produce an account of radio drama from the Depression to the Cold War.

Modernism at the Microphone

Modernism at the Microphone
Author: Melissa Dinsman
Publisher: Bloomsbury Publishing
Total Pages: 282
Release: 2015-09-24
Genre: History
ISBN: 1472595084

As the Second World War raged throughout Europe, modernist writers often became crucial voices in the propaganda efforts of both sides. Modernism at the Microphone: Radio, Propaganda, and Literary Aesthetics During World War II is a comprehensive study of the role modernist writers' radio works played in the propaganda war and the relationship between modernist literary aesthetics and propaganda. Drawing on new archival research, the book covers the broadcast work of such key figures as George Orwell, Orson Welles, Dorothy L. Sayers, Louis MacNeice, Mulk Raj Anand, T.S. Eliot, and P.G. Wodehouse. In addition to the work of Anglo-American modernists, Melissa Dinsman also explores the radio work of exiled German writers, such as Thomas Mann, as well as Ezra Pound's notorious pro-fascist broadcasts. In this way, the book reveals modernism's engagement with new technologies that opened up transnational boundaries under the pressures of war.

Intelligence Work

Intelligence Work
Author: Jonathan Kahana
Publisher: Columbia University Press
Total Pages: 460
Release: 2008-07-07
Genre: Performing Arts
ISBN: 9780231512121

Intelligence Work establishes a new genealogy of American social documentary, proposing a fresh critical approach to the aesthetic and political issues of nonfiction cinema and media. Jonathan Kahana argues that the use of documentary film by intellectuals, activists, government agencies, and community groups constitutes a national-public form of culture, one that challenges traditional oppositions between official and vernacular speech, between high art and popular culture, and between academic knowledge and common sense. Placing iconic images and the work of celebrated filmmakers next to overlooked and rediscovered productions, Kahana demonstrates how documentary collects and delivers the evidence of the American experience to the public sphere, where it lends force to political movements and gives substance to the social imaginary.