A Curators Quest
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Author | : William Rubin |
Publisher | : Harry N. Abrams |
Total Pages | : 0 |
Release | : 2012-05-10 |
Genre | : Art |
ISBN | : 9781590201176 |
The distinguished curator, critic, collector, art historian, and teacher William Rubin was a forceful presence for over two decades at The Museum of Modern Art (MoMA) from the late 1960s through the 1980s.
Author | : Mark Byford |
Publisher | : |
Total Pages | : 676 |
Release | : 2018-03-25 |
Genre | : |
ISBN | : 9781906113254 |
Mark Byford's 'The Annunciation: A Pilgrim's Quest' explores through conversations with clerics, theologians, historians and laypersons the encounter between the angel Gabriel and the Virgin Mary, a meeting that may be a pivotal point in Christianity. Has the status and significance of the Annunciation been lost in today's world?
Author | : David Balzer |
Publisher | : Coach House Books |
Total Pages | : 144 |
Release | : 2014-09-22 |
Genre | : Social Science |
ISBN | : 1770563873 |
"Now that we ‘curate’ even lunch, what happens to the role of the connoisseur in contemporary culture? ‘Curate’ is now a buzzword applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of individual artists. At the same time, curatorial studies programs continue to grow in popularity, and businesses are increasingly adopting curation as a means of adding value to content and courting demographics. Everyone, it seems, is a now a curator. But what is a curator, exactly? And what does the explosive popularity of curating say about our culture’s relationship with taste, labour and the avant-garde? In this incisive and original study, critic David Balzer travels through art history and around the globe to explore the cult of curation – where it began, how it came to dominate museums and galleries, and how it was co-opted at the turn of the millennium as the dominant mode of organizing and giving value to content. At the centre of the book is a paradox: curation is institutionalized and expertise-driven like never before, yet the first independent curators were not formally trained, and any act of choosing has become ‘curating.’ Is the professional curator an oxymoron? Has curation reached a sort of endgame, where its widespread fetishization has led to its own demise? David Balzer has contributed to publications including the Believer, Modern Painters, Artforum.com, and The Globe and Mail, and is the author of Contrivances, a short-fiction collection. He is currently Associate Editor at Canadian Art magazine. Balzer was born in Winnipeg and currently resides in Toronto, where he makes a living as a critic, editor and teacher.
Author | : United States National Museum |
Publisher | : |
Total Pages | : 1564 |
Release | : 1886 |
Genre | : Science |
ISBN | : |
Author | : David Balzer |
Publisher | : Coach House Books |
Total Pages | : 144 |
Release | : 2014-10-14 |
Genre | : Art |
ISBN | : 1552452999 |
Now that we ‘curate’ even lunch, what happens to the role of the connoisseur in contemporary culture?
Author | : Donald S. Lopez Jr. |
Publisher | : University of Chicago Press |
Total Pages | : 312 |
Release | : 1995-08-15 |
Genre | : Religion |
ISBN | : 9780226493084 |
A critical history of the study of Buddhism in the West, incorporating insights of colonial and post-colonial cultural studies. Social, political and cultural conditions that have shaped the course of Buddhist studies are discussed.
Author | : Graeme Sullivan |
Publisher | : SAGE |
Total Pages | : 294 |
Release | : 2005 |
Genre | : Art |
ISBN | : 9781412905367 |
'Art Practice as Research' presents a compelling argument that the creative and cultural inquiry undertaken by artists is a form of research. The text explores themes, practice, and contexts of artistic inquiry and positions them within the discourse of research.
Author | : Simon Goodman |
Publisher | : Simon and Schuster |
Total Pages | : 368 |
Release | : 2016-08-16 |
Genre | : Art |
ISBN | : 1451697643 |
The passionate, true story of one man's quest to reclaim what the Nazis stole from his family--their beloved art collection--and to restore their legacy. Simon Goodman's grandparents came from German Jewish banking dynasties and perished in concentration camps. And that's almost all he knew--his father rarely spoke of their family history or heritage. But when he passed away, and Simon received his father's papers, a story began to emerge. The Gutmanns, as they were known then, rose from a small Bohemian hamlet to become one of Germany's most powerful banking families. They also amassed a world-class art collection that included works by Degas, Renoir, Botticelli, and many others, including a Renaissance clock engraved with scenes from the legend of Orpheus. The Nazi regime snatched everything the Gutmanns had labored to build: their art, their wealth, their social standing, and their very lives. Simon grew up in London with little knowledge of his father's efforts to recover their family's possessions. It was only after his father's death that Simon began to piece together the clues about the stolen legacy and the Nazi looting machine. He learned much of the collection had gone to Hitler and Goring; other works had been smuggled through Switzerland, sold and resold, with many pieces now in famous museums. More still had been recovered by Allied forces only to be stolen again by bureaucrats-- European governments quietly absorbed thousands of works of art into their own collections. Through painstaking detective work across two continents, Simon proved that many pieces belonged to his family, and successfully secured their return-- the first Nazi looting case to be settled in the United States. Goodman's dramatic story reveals a rich family history almost obliterated by the Nazis. It is not only the account of a twenty-year long detective hunt for family treasure, but an unforgettable tale of redemption and restoration.
Author | : Kymberly N. Pinder |
Publisher | : Routledge |
Total Pages | : 439 |
Release | : 2013-04-15 |
Genre | : Art |
ISBN | : 1136056580 |
Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Art produced by non-Europeans has naturally been compared to Western art and its study, which refers to a binary way of viewing both. Each essay in this collection is a response to this vision, to the distant mirror of looking at the other.
Author | : Collections |
Publisher | : Rowman & Littlefield |
Total Pages | : 82 |
Release | : 2014-04-28 |
Genre | : Business & Economics |
ISBN | : 1442267895 |
"Collections: A Journal for Museum and Archives Professionals" is a multi-disciplinary peer-reviewed journal dedicated to the discussion of all aspects of handling, preserving, researching, and organizing collections. Curators, archivists, collections managers, preparators, registrars, educators, students, and others contribute.