A Cultural History Of Memory In The Eighteenth Century
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| Author | : Patrick H. Hutton |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2024-02-08 |
| Genre | : History |
| ISBN | : 1350408603 |
A Cultural History of Memory presents an authoritative survey from ancient times to the present. The set of six volumes covers over 2500 years of history, charting the evolving nature and role of memory throughout history. This volume, A Cultural History of Memory in the Eighteenth Century, explores memory in the 1700s. As with all the volumes in the illustrated Cultural History of Memory set, this volume presents essays on memory and: power and politics; time and space; media and technology; science and education; philosophy, religion and history, high culture and popular culture; rituals, faith, practices and the everyday; and remembering and forgetting. A Cultural History of Memory in the Eighteenth Century is the most authoritative and comprehensive survey available on memory in this era.
| Author | : Susan Stabile |
| Publisher | : Cornell University Press |
| Total Pages | : 302 |
| Release | : 2018-09-05 |
| Genre | : Literary Criticism |
| ISBN | : 1501729934 |
A renowned literary coterie in eighteenth-century Philadelphia—Elizabeth Fergusson, Hannah Griffitts, Deborah Logan, Annis Stockton, and Susanna Wright—wrote and exchanged thousands of poems and maintained elaborate handwritten commonplace books of memorabilia. Through their creativity and celebrated hospitality, they initiated a salon culture in their great country houses in the Delaware Valley. In this stunningly original and heavily illustrated book, Susan M. Stabile shows that these female writers sought to memorialize their lives and aesthetic experience—a purpose that stands in marked contrast to the civic concerns of male authors in the republican era. Drawing equally on material culture and literary history, Stabile discusses how the group used their writings to explore and at times replicate the arrangement of their material possessions, including desks, writing paraphernalia, mirrors, miniatures, beds, and coffins. As she reconstructs the poetics of memory that informed the women's lives and structured their manuscripts, Stabile focuses on vernacular architecture, penmanship, souvenir collecting, and mourning. Empirically rich and nuanced in its readings of different kinds of artifacts, this engaging work tells of the erasure of the women's lives from the national memory as the feminine aesthetic of scribal publication was overshadowed by the proliferating print culture of late eighteenth-century America.
| Author | : |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2024-02-08 |
| Genre | : History |
| ISBN | : 1350408581 |
A Cultural History of Memory presents an authoritative survey from ancient times to the present. The set of six volumes covers over 2500 years of history, charting the evolving nature and role of memory throughout history. This volume, A Cultural History of Memory in the in the Middle Ages explores memory in the years 500-1450. As with all the volumes in the illustrated Cultural History of Memory set, this volume presents essays on memory and: power and politics; time and space; media and technology; science and education; philosophy, religion and history, high culture and popular culture; rituals, faith, practices and the everyday; and remembering and forgetting. A Cultural History of Memory in the Middle Ages is the most authoritative and comprehensive survey available on memory in the Medieval era.
| Author | : Michael S. Martin |
| Publisher | : Liverpool University Press |
| Total Pages | : 208 |
| Release | : 2022-10-15 |
| Genre | : Literary Criticism |
| ISBN | : 1638040192 |
This project overall attempts to recast Appalachian literature in terms of a ‘lost tradition’ of texts that are generally out-of-print though of central importance to understanding the history of the region and its current environmental and cultural challenges. The epilogue will also consider the way that ecological-based literary criticism offers a vital language for how antebellum travel writers sought to frame the region from a 19th-century environmental point of view. The book aims to resituate the field of Appalachian Studies to an earlier historic genesis in the 19th-century and bring to light several books which have received scant scholarly attention in the canon of Appalachian and American literature, respectively. The book centers on the argument that mid-19th-century travel writers going through or from the Appalachian region drew on familiar versions of 18th-century European, mainly British, landscape aesthetics that would help make the readerly experience less alien to their erudite regional and Northern audiences. These travel writers, such as Philip Pendleton Kennedy and David Hunter Strother, consciously appropriated such aesthetic tropes as the pastoral as a way to further dramatic the effect in their nonfiction accounts of Appalachia, while the reader could find such references comforting as they considered whether to domesticate or tour the Appalachian region.
| Author | : Gerald Schwedler |
| Publisher | : |
| Total Pages | : |
| Release | : 2020 |
| Genre | : Civilization |
| ISBN | : 9781474206785 |
| Author | : Anne Eriksen |
| Publisher | : Berghahn Books |
| Total Pages | : 188 |
| Release | : 2014-05-01 |
| Genre | : Art |
| ISBN | : 1782382992 |
Eighteenth-century gentleman scholars collected antiquities. Nineteenth-century nation states built museums to preserve their historical monuments. In the present world, heritage is a global concern as well as an issue of identity politics. What does it mean when runic stones or medieval churches are transformed from antiquities to monuments to heritage sites? This book argues that the transformations concern more than words alone: They reflect fundamental changes in the way we experience the past, and the way historical objects are assigned meaning and value in the present. This book presents a series of cases from Norwegian culture to explore how historical objects and sites have changed in meaning over time. It contributes to the contemporary debates over collective memory and cultural heritage as well to our knowledge about early modern antiquarianism.
| Author | : Giovanni Ciappelli |
| Publisher | : BRILL |
| Total Pages | : 321 |
| Release | : 2014-04-10 |
| Genre | : History |
| ISBN | : 9004270752 |
The family book, a kind of diary written by and about the family for its various members, was established by scholars as a genre in Italy in the 1980s. Although initially regarded as an Italian genre, the family book can also be found in other parts of Europe. Nevertheless, the genre can be traced back to Florence, where it first emerged and consequently flourished with the lavish production of such documents. This abundance springs from the social structure of the city, where such texts were essential for establishing and cultivating the basis for the social promotion of Florentine families. This book presents a reconstruction of the evolution and persistency of Tuscan family books, as well as a study of several aspects of social history, including: reading and private libraries, domestic devotion, and the memory of historical events. Starting with the Renaissance, the investigation then broadens to the 17th-18th centuries and considers other forms of memory, such as private diaries and autobiographies. A final section is dedicated to the issue of memory in the egodocuments of early modern Europe. This book was translated by Susan Amanda George.
| Author | : Geoffrey Cubitt |
| Publisher | : Manchester University Press |
| Total Pages | : 276 |
| Release | : 2007 |
| Genre | : History |
| ISBN | : 9780719060786 |
In recent years, "memory" has become a central and controversial concept in historical studies. It is a term that denotes a new and distinctive field of study and a fresh way of conceptualizing history as a more general field of inquiry. This book provides historians with an accessible and stimulating introduction to debates and theories about memory and approaches to the study of it in history and other disciplines. The book explores the relationships between the individual and the collective, between memory as survival and memory as reconstruction, between remembering as a subjective experience and as a social or cultural practice, and between memory and history as modes of retrospective knowledge.
| Author | : Herbert Grabes |
| Publisher | : Gunter Narr Verlag |
| Total Pages | : 408 |
| Release | : 2005 |
| Genre | : |
| ISBN | : 9783823341758 |
| Author | : Matthew Daniel Eddy |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 409 |
| Release | : 2023-12-14 |
| Genre | : History |
| ISBN | : 1350251534 |
A Cultural History of Chemistry in the Eighteenth Century covers the period from 1700 to 1815. Setting the progress of science and technology in its cultural context, the volume re-examines the changes that many have considered to constitute a "chemical revolution". Already boasting a laboratory culture open to both manufacturing and commerce, the discipline of chemistry now extended into academies and universities. Chemists studied myriad materials - derived from minerals, plants, and animals - and produced an increasing number of chemical substances such as acids, alkalis, and gases. New textbooks offered opportunities for classifying substances, rethinking old theories and elaborating new ones. By the end of the period – in Europe and across the globe - chemistry now embodied the promise of unifying practice and theory. The 6 volume set of the Cultural History of Chemistry presents the first comprehensive history from the Bronze Age to today, covering all forms and aspects of chemistry and its ever-changing social context. The themes covered in each volume are theory and concepts; practice and experiment; laboratories and technology; culture and science; society and environment; trade and industry; learning and institutions; art and representation. Matthew Daniel Eddy is Professor and Chair in the History and Philosophy of Science at Durham University, UK. Ursula Klein is Senior Research Scholar at the Max Planck Institute for the History of Science, Germany. Volume 4 in the Cultural History of Chemistry set. General Editors: Peter J. T. Morris, University College London, UK, and Alan Rocke, Case Western Reserve University, USA.
