Fifty Years Ago
Author | : United States Holocaust Memorial Museum |
Publisher | : |
Total Pages | : 468 |
Release | : 1994 |
Genre | : Holocaust Remembrance Day |
ISBN | : |
Download 50 Years Kg Saur full books in PDF, epub, and Kindle. Read online free 50 Years Kg Saur ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : United States Holocaust Memorial Museum |
Publisher | : |
Total Pages | : 468 |
Release | : 1994 |
Genre | : Holocaust Remembrance Day |
ISBN | : |
Author | : Bowker |
Publisher | : R. R. Bowker |
Total Pages | : 362 |
Release | : 2000 |
Genre | : Business & Economics |
ISBN | : 9780835243162 |
Author | : Art Libraries Society of North America |
Publisher | : |
Total Pages | : 118 |
Release | : 1982 |
Genre | : Art libraries |
ISBN | : |
Author | : G. Holton |
Publisher | : Springer |
Total Pages | : 277 |
Release | : 2006-12-25 |
Genre | : History |
ISBN | : 0230601790 |
The result of a four-year, in-depth study of those refugees who came as children or youths from Central Europe to the United States during the 1930s and 1940s, fleeing persecution from the National Socialist regime. This study uses social science methodology and examines their fates in their new country, their successes and tribulations.
Author | : Stephen D. Youngkin |
Publisher | : University Press of Kentucky |
Total Pages | : 680 |
Release | : 2005-09-30 |
Genre | : Biography & Autobiography |
ISBN | : 0813137004 |
Often typecast as a menacing figure, Peter Lorre achieved Hollywood fame first as a featured player and later as a character actor, trademarking his screen performances with a delicately strung balance between good and evil. His portrayal of the child murderer in Fritz Lang's masterpiece M (1931) catapulted him to international fame. Lang said of Lorre: "He gave one of the best performances in film history and certainly the best in his life." Today, the Hungarian-born actor is also recognized for his riveting performances in The Man Who Knew Too Much (1934), The Maltese Falcon (1941), and Casablanca (1942). Lorre arrived in America in 1934 expecting to shed his screen image as a villain. He even tried to lose his signature accent, but Hollywood repeatedly cast him as an outsider who hinted at things better left unknown. Seeking greater control over his career, Lorre established his own production company. His unofficial "graylisting" by the House Committee on Un-American Activities, however, left him with little work. He returned to Germany, where he co-authored, directed, and starred in the film Der Verlorene (The Lost One) in 1951. German audiences rejected Lorre's dark vision of their recent past, and the actor returned to America, wearily accepting roles that parodied his sinister movie personality.The first biography of this major actor, The Lost One: A Life of Peter Lorre draws upon more than three hundred interviews, including conversations with directors Fritz Lang, Alfred Hitchcock, Billy Wilder, John Huston, Frank Capra, and Rouben Mamoulian, who speak candidly about Lorre, both the man and the actor. Author Stephen D. Youngkin examines for the first time Lorre's pivotal relationship with German dramatist Bertolt Brecht, his experience as an émigré from Hitler's Germany, his battle with drug addiction, and his struggle with the choice between celebrity and intellectual respectability.Separating the enigmatic person from the persona long associated with one of classic Hollywood's most recognizable faces, The Lost One is the definitive account of a life triumphant and yet tragically riddled with many failed possibilities.
Author | : Mary Fulbrook |
Publisher | : Oxford University Press |
Total Pages | : 694 |
Release | : 2018-09-04 |
Genre | : History |
ISBN | : 019068125X |
Winner of the Wolfson History Prize 2019 Shortlisted for the 2019 Cundill History Prize From the Holocaust Museum in Washington, D.C. to the "stumbling stones" embedded in Berlin sidewalks, memorials to victims of Nazi violence have proliferated across the globe. More than a million visitors as many as killed there during its operation now visit Auschwitz each year. There is no shortage of commemoration of Nazi crimes. But has there been justice? Reckonings shows persuasively that there has not. The name "Auschwitz," for example, is often evoked to encapsulate the Holocaust. Yet focusing on one concentration camp, however horrific the scale of the crimes committed there, does not capture the myriad ways individuals became tangled up on the side of the perpetrators, or the diversity of experiences among their victims. And it can obscure the continuing legacies of Nazi persecution across generations and across continents. Exploring the lives of individuals across a spectrum of suffering and guilt each one capturing one small part of the greater story Mary Fulbrook's haunting and powerful book uses "reckoning" in the widest possible sense: to reveal the disparity between the extent of inhumanity and later attempts to interpret and rectify wrongs, as the consequences of violent reverberated through time. From the early brutality of political oppression and anti-Semitic policies, through the "euthanasia" program, to the full devastation of the ghettos and death camps, then moving across the post-war decades of selective confrontation with perpetrators and ever-expanding recognition of victims, Reckonings exposes the disjuncture between official myths about "dealing with the past" and the fact that the vast majority of Nazi perpetrators were never held accountable. In the successor states to the Third Reich East Germany, West Germany, and Austria prosecution varied widely and selective justice was combined with the reintegration of former Nazis. Meanwhile, those who had lived through this period, as well as their children, the "second generation," continued to face the legacies of Nazism in the private sphere - in ways often at odds with those of public remembrance and memorials. By following the various phases of trials and testimonies, from those immediately after the war through succeeding decades and up to the present, Reckonings illuminates the shifting accounts by which both perpetrators and survivors have assessed the significance of this past for subsequent generations, and calibrates anew the scales of justice.
Author | : Abby Anderton |
Publisher | : Indiana University Press |
Total Pages | : 198 |
Release | : 2019-07-23 |
Genre | : Music |
ISBN | : 0253042437 |
As the seat of Hitler's government, Berlin was the most frequently targeted city in Germany for Allied bombing campaigns during World War II. Air raids shelled celebrated monuments, left homes uninhabitable, and reduced much of the city to nothing but rubble. After the war's end, this apocalyptic landscape captured the imagination of artists, filmmakers, and writers, who used the ruins to engage with themes of alienation, disillusionment, and moral ambiguity. In Rubble Music, Abby Anderton explores the classical music culture of postwar Berlin, analyzing archival documents, period sources, and musical scores to identify the sound of civilian suffering after urban catastrophe. Anderton reveals how rubble functioned as a literal, figurative, psychological, and sonic element by examining the resonances of trauma heard in the German musical repertoire after 1945. With detailed explorations of reconstituted orchestral ensembles, opera companies, and radio stations, as well as analyses of performances and compositions that were beyond the reach of the Allied occupiers, Anderton demonstrates how German musicians worked through, cleared away, or built over the debris and devastation of the war.