2004 Movie Video Guide
Download 2004 Movie Video Guide full books in PDF, epub, and Kindle. Read online free 2004 Movie Video Guide ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Leonard Maltin's Movie and Video Guide 2004
| Author | : Leonard Maltin |
| Publisher | : Plume |
| Total Pages | : 1668 |
| Release | : 2003-09-30 |
| Genre | : Performing Arts |
| ISBN | : 9780452284784 |
The leading authority on American film is back with the latest edition of his "indispensable" (Los Angeles Times) and bestselling movie and video guide. Leonard Maltin's Movie and Video Guide 2004 is the best, biggest, and most up-to-date of its kind. The comprehensive 2004 guide includes: € Capsule reviews of more than 18,000 films, including more than 300 new entries € More than 13,000 listings of videocassettes and 8,000 DVD listings € Write-ups on every film series € A revised index of leading actors and actresses € Leonard Maltin's exclusive list of Fifty Films That Got Away: Movies You Really Ought to See ...and much, much more.
DVD & Video Guide 2004
| Author | : Mick Martin |
| Publisher | : Arrow |
| Total Pages | : 1636 |
| Release | : 2003 |
| Genre | : Performing Arts |
| ISBN | : 9780345449931 |
Featuring more than 400 new entries among reviews and ratings of 18,000 movies, this guide to films that are available on video and DVD includes brand-new DVD listings, director and star indexes, and much more. Original.
Watching the World Die
| Author | : Mike Bogue |
| Publisher | : McFarland |
| Total Pages | : 270 |
| Release | : 2023-10-23 |
| Genre | : Performing Arts |
| ISBN | : 1476650705 |
During the 1980s, popular fear of World War III spurred moviemakers to produce dozens of nuclear threat films. Categories ranged from monster movies to post-apocalyptic adventures to realistic depictions of nuclear war and its immediate aftermath. Coverage of atomic angst films isn't new, but this is the first book to solely analyze 1980s nuclear threat movies as a group. Entries range from classics such as The Day After and WarGames to obscurities such as Desert Warrior and Massive Retaliation. Chronological coverage of the 121 films released between 1980 and 1990 includes production details, chapter notes, and critical commentaries.
Videoland
| Author | : Daniel Herbert |
| Publisher | : Univ of California Press |
| Total Pages | : 332 |
| Release | : 2014-01-24 |
| Genre | : Performing Arts |
| ISBN | : 0520279611 |
Videoland offers a comprehensive view of the "tangible phase" of consumer video, when Americans largely accessed movies as material commodities at video rental stores. Video stores served as a vital locus of movie culture from the early 1980s until the early 2000s, changing the way Americans socialized around movies and collectively made movies meaningful. When films became tangible as magnetic tapes and plastic discs, movie culture flowed out from the theater and the living room, entered the public retail space, and became conflated with shopping and salesmanship. In this process, video stores served as a crucial embodiment of movie cultureÕs historical move toward increased flexibility, adaptability, and customization. In addition to charting the historical rise and fall of the rental industry, Herbert explores the architectural design of video stores, the social dynamics of retail encounters, the video distribution industry, the proliferation of video recommendation guides, and the often surprising persistence of the video store as an adaptable social space of consumer culture. Drawing on ethnographic fieldwork, cultural geography, and archival research, Videoland provides a wide-ranging exploration of the pivotal role video stores played in the history of motion pictures, and is a must-read for students and scholars of media history.
Great Flicks
| Author | : Dr. Dean Keith Simonton |
| Publisher | : Oxford University Press |
| Total Pages | : 240 |
| Release | : 2011-02-23 |
| Genre | : Psychology |
| ISBN | : 0190454075 |
What does it take to make a great motion picture? What do we even mean by cinematic greatness? What is more important: movie awards, critical acclaim, or box office success? Who has the biggest impact: the writer, the director, or the actors? Scientific research has provided some provocative answers. This review of cinematic creativity and aesthetics is confined to scientific studies carried out by a multidisciplinary group of researchers. Do great films receive both shiny trophies and five stars? Chapter 2 concentrates on movie awards, including the Oscars and Golden Globes, and how those awards relate to critical acclaim. How do the dramatic awards compare with the visual, technical, and music awards? Chapter 3 studies more closely how these awards cluster together and which of these clusters best predict cinematic success. How does box office compare with critical evaluations and movie awards? Chapter 4 adds a new consideration, namely the film's financial performance. The following four chapters focus on specific contributions to a film's impact: Chapter 5 covers the script (including writers), Chapter 6 the director (or "auteur"), Chapter 7 the actors (especially gender differences), and Chapter 8 the music (both scores and songs). Chapter 9 addresses the question of whether the same cinematic factors that make some films great also make other films bad: Are bombs the exact opposite of masterpieces? The book closes with an epilogue on future directions in scientific studies of cinematic creativity and aesthetics. What do researchers need to do if we want a complete understanding of what it takes to create a powerful cinematic experience? This volume will be invaluable to anyone interested in film, including any aficionado who is open to a scientific approach, and researchers in the areas of creativity, aesthetics, and cultural economics. The reported research comes from many disciplines, including psychology, sociology, economics, management, marketing, communications, journalism, broadcasting, history, musicology, and statistics.
International Handbook on Giftedness
| Author | : Larisa Shavinina |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 1546 |
| Release | : 2009-08-12 |
| Genre | : Education |
| ISBN | : 1402061625 |
This handbook presents a panoramic view of the field of giftedness. It offers a comprehensive and authoritative account on what giftedness is, how it is measured, how it is developed, and how it affects individuals, societies, and the world as a whole. It examines in detail recent advances in gifted education. The handbook also presents the latest advances in the fast-developing areas of giftedness research and practice, such as gifted education and policy implications. In addition, coverage provides fresh ideas, from entrepreneurial giftedness to business talent, which will help galvanize and guide the study of giftedness for the next decade.
Film Noir and the Cinema of Paranoia
| Author | : Dixon Wheeler Winston Dixon |
| Publisher | : Edinburgh University Press |
| Total Pages | : 208 |
| Release | : 2019-07-29 |
| Genre | : Electronic books |
| ISBN | : 1474467768 |
Film Noir and the Cinema of Paranoia is an overview of 20th- and 21st-century noir and fatalist film practice from 1945 onwards. The book demonstrates the ways in which American cinema has inculcated a climate of fear in our daily lives, as reinforced, starting in the 1950s, by television, and later videocassettes, the web, and the Internet, to create, by the early 21st century a hypersurveillant atmosphere in which no one can avoid the barrage of images that continually assault our senses. The book begins with the return of American soldiers from World War II, 'liberated' from war in the Pacific by the newly created atomic bomb, which will come to rule American consciousness through much of the 1950s and 1960s and then, in a newer, more small-scale way, become a fixture of terrorist hardware in the post-paranoid ear of the 21st century. Film Noir and the Cinema of Paranoia is constructed in six chapters, each highlighting a particular 'raising of the cinematic stakes' in the creation of a completely immersible universe of images. Selling points:*Expands the definition of noir to include numerous lesser known works.*Deals with Red Scare films of the 1950s in the US.*Examines the 'dark side' of the 1960s, or films that questioned the emerging counterculture.*Explores such neo-noir films as The Last Seduction (1993), Angel Heart (1987), The Grifters (1990), Red Rock West (1993), The Usual Suspects (1995), Mulholland Drive (2001), L.A. Confidential (1997), and Memento (2000).*Details the 'noir' aspects of the cybernetic age, both in online and videogame uses.
The Landscapes of Western Movies
| Author | : Jeremy Agnew |
| Publisher | : McFarland |
| Total Pages | : 231 |
| Release | : 2020-09-24 |
| Genre | : Performing Arts |
| ISBN | : 1476642230 |
Western films have often been tributes to place and setting, with the magnificent backdrops mirroring the wildness of the narratives. As the splendid outdoor scenery of Westerns could not be found on a studio back lot or on a Hollywood sound stage, the movies have been filmed in the wide open spaces of the American West and beyond. This book chronicles the history of filming Westerns on location, from shooting on the East Coast in the early 1900s; through the use of locations in Utah, Arizona, and California in the 1940s and 1950s; and filming Westerns in Mexico, Spain, and other parts of the world in the 1960s. Also studied is the relationship between the filming location timeline and the evolving motion picture industry of the twentieth century, and how these factors shaped audience perceptions of the "Real West."
New Class Society
| Author | : Robert Perrucci |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 472 |
| Release | : 2008 |
| Genre | : Social Science |
| ISBN | : 9780742545540 |
This book explores how class-based resources and interests embedded in large organizations are linked to powerful structures and processes which in turn are rapidly polarizing the U.S. into a highly unequal, 'double diamond' class structure. The authors show how and why American class membership in the 21st century is based on an organizationally-based distribution of critical resources including income, investment capital, credentialed skills verified by elite schools, and social connections to organizational leaders.
