Biennials and Beyond
Author | : Bruce Altshuler |
Publisher | : Phaidon Press |
Total Pages | : 402 |
Release | : 2013-04-02 |
Genre | : Art |
ISBN | : 9780714864952 |
Documents significant and pioneering exhibitions that took place between 1962 and 2002.
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Author | : Bruce Altshuler |
Publisher | : Phaidon Press |
Total Pages | : 402 |
Release | : 2013-04-02 |
Genre | : Art |
ISBN | : 9780714864952 |
Documents significant and pioneering exhibitions that took place between 1962 and 2002.
Author | : Jane Panetta |
Publisher | : Yale University Press |
Total Pages | : 321 |
Release | : 2019-01-01 |
Genre | : Art |
ISBN | : 0300242751 |
Showcasing the work of an exciting group of contemporary artists, this book reflects the trends shaping art in the United States today.
Author | : David Breslin |
Publisher | : Whitney Museum of American Art |
Total Pages | : 264 |
Release | : 2022-04-26 |
Genre | : |
ISBN | : 9780300263893 |
Presenting the latest iteration of this crucial exhibition, always a barometer of contemporary American art The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States.
Author | : Alexandra Schwartz |
Publisher | : Univ of California Press |
Total Pages | : 114 |
Release | : 2015-01-02 |
Genre | : Art |
ISBN | : 0520282884 |
"Come as You Are: Art of the 1990s is the largest and most ambitious contemporary art exhibition ever to be mounted by the Montclair Art Museum. The exhibition and book spotlight a pivotal moment in the recent history of art. Chronicling the "long" 1990s between 1989 and 2001-from the fall of the Berlin Wall to 9/11-"Come As You Are" examines how the art of this period both reflected and helped shape the dramatic societal events of the era, when the combined forces of new technologies and globalization gave rise to the accelerated international art world that we know today"--
Author | : Henk Oosterling |
Publisher | : Lexington Books |
Total Pages | : 243 |
Release | : 2012-07-10 |
Genre | : Philosophy |
ISBN | : 0739146556 |
Bringing together an international and interdisciplinary group of scholars, Intermedialities: Philosophy, Arts, Politics is a comprehensive collection devoted to the new field of research called 'intermedialities.' The concept of intermedialities stresses the necessity of situating philosophical and political debates on social relations in the divergent contexts of media theories, avant-garde artistic practices, continental philosophy, feminism, and political theory. The 'intermedial' approach to social relations does not focus on the shared identity but instead on the epistemological, ethical, and political status of inter (being-in-between). At stake here are the political analyses of new modes of being in common that transcend national boundaries, the critique of the new forms of domination that accompany them, and the search for new emancipatory possibilities. Opening a new approach to social relations, intermedialities investigates not only engagements between already constituted positions but even more the interval, antagonism, and differences that form and decenter these positions. Consequently, in opposition to the resurgence of cultural and ethnic particularisms and to the leveling of difference produced by globalization, the political and ethical analysis of the 'in-between' enables a conception of community based on difference, exposure, and interaction with others rather than on an identification with a shared identity. Investigations of 'in-betweenness,' both as medium specific and between heterogeneous 'sites' of inquiry, range here from philosophical conceptuality to artistic practices, from the political circulation of money and power to the operation of new technologies. They inevitably invoke the crucial role of embodiment in creative thought and collective acting. As a mediating instance between the psyche and society, matter and spirit, nature and culture, and biology and technology, the body is another interval forming and informed by socio-linguistic relations. As these complex intersections between media, materiality, art, and the philosophy and politics of the in-between suggest, the project of intermedialities provides new ways of rethinking relations among arts, politics, and science.
Author | : Anthony Gardner |
Publisher | : John Wiley & Sons |
Total Pages | : 306 |
Release | : 2016-05-16 |
Genre | : Business & Economics |
ISBN | : 1444336657 |
This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or 'biennials', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990s Introduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Méditerranée in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014 Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art scene Uses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art
Author | : Jane Livingston |
Publisher | : Univ of California Press |
Total Pages | : 248 |
Release | : 2002 |
Genre | : Abstract expressionism |
ISBN | : 0520235703 |
This exquisitely illustrated volume and the exhibition that it accompanies restore Joan Mitchell to her rightful place in the history of American artists--one of the few women among the first-rank Abstract Expressionist painters. 145 illustrations, 85 in color.
Author | : Chrissie Iles |
Publisher | : |
Total Pages | : 198 |
Release | : 2001 |
Genre | : Art |
ISBN | : |
Since that time, the projected image has become a prominent feature of contemporary art-making, and the incorporation of large-scale moving images by artists into installations now has a rich history. But due to the ephemeral nature of the original art works, many classic installations, while remembered, have not been widely seen.".
Author | : Cameron J. Anderson |
Publisher | : InterVarsity Press |
Total Pages | : 304 |
Release | : 2016-11-10 |
Genre | : Art |
ISBN | : 083089442X |
Drawing upon his experiences as both a Christian and an artist, Cameron J. Anderson traces the relationship between the evangelical church and modern art in postwar America. While acknowledging the tensions between faith and visual art, he casts a vision for how Christian artists can faithfully pursue their vocational calling in contemporary culture.