Catalogue

Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
Total Pages: 982
Release: 1901
Genre: Antiquarian booksellers
ISBN:

Portraits by Ingres

Portraits by Ingres
Author: Jean-Auguste-Dominique Ingres
Publisher: Metropolitan Museum of Art
Total Pages: 610
Release: 1999
Genre: Drawing, French
ISBN: 0870998919

Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)

Ingres and His Critics

Ingres and His Critics
Author: Andrew Carrington Shelton
Publisher: Cambridge University Press
Total Pages: 340
Release: 2005-10-03
Genre: Art
ISBN: 9780521842433

This book examines the critical writing and journalistic reportage on Jean-Auguste-Dominque Ingres, from the time of his renunciation of the Salon in1834 until his large retrospective at the 1855 Universal Exposition, the crucial middle decades of his career. This massive body of writing demonstrates how Ingres shaped his career in the rapidly evolving art world of mid-nineteenth century Paris. Enjoying the benefits of his affiliation with the Academy, the artist also employed certain modes of presentation, most notably the single-artist exhibition and illustrated monograph, through which he distanced himself and his work from the embattled world of artistic officialdom.

Classified List ...

Classified List ...
Author: Princeton University. Library
Publisher:
Total Pages: 626
Release: 1920
Genre: Catalogs, Classified
ISBN:

French Images from the Greek War of Independence (1821-1830)

French Images from the Greek War of Independence (1821-1830)
Author: Nina Athanassoglou-Kallmyer
Publisher: Yale University Press
Total Pages: 190
Release: 1989-01-01
Genre: Art
ISBN: 9780300045321

The Greek struggle against Ottoman rule was a crucial event in the history and politics of nineteenth-century Europe. In particular it had a strong impact on the political and cultural life of France during the Bourbon Restoration, where it was appropriated and promoted as the symbolic spearhead of liberal ideas and of the growing Romantic rebellion. This book by Nina Athanassoglou-Kallmyer examines the French paintings, prints, and sculptures inspired by the Greek War of Independence. Athanassoglou-Kallmyer reinterprets important works by the foremost exponents of the Romantic movement - including Delacroix, Gericault, Horace Vernet, Ary Scheffer, and David d’Angers - showing how they viewed the Greek struggle as a setting for the opposing forces of conservatism and liberalism. She explains that, far from being mere pictorial records of specific war episodes such as the massacre at Chios or the fall of Missolonghi, images of the clashes between Greeks and Turks reflected the mottos and arguments of the French liberal propaganda echoed as well by contemporary newspapers, parliamentary debates, broadsides, pamphlets, popular plays, and poems.

French Master Drawings from the Collection of Muriel Butkin

French Master Drawings from the Collection of Muriel Butkin
Author: Carter E. Foster
Publisher: Hudson Hills
Total Pages: 170
Release: 2001
Genre: Art
ISBN: 9780940717671

Accompanying an exhibition at the Cleveland Museum of Art last fall and now at the Dahesh Museum in New York, this catalog focuses upon the French drawings in Muriel Butkin's highly specialized collection which she has promised to the Cleveland Museum. To assemble her diverse yet nicely integrated set of drawings, Butkin started buying 18th-century French drawings when they were affordable. In the mid-1970s, with the guidance of art historian Gabriel Weisberg, she expanded her collection to include 19th-century French drawings. These drawings were counter to the mainstream impressionist and postimpressionist taste of the time and focused more on academic French subject matter such as life drawings, portraits, or compositional studies. In the preface, Butkin herself reinforces her taste by saying that drawings are much more personal and spontaneous than paintings, often demonstrating the artistic process. Foster, curator of drawings at the Cleveland Museum, and other scholars present a well-researched volume that contributes new information to a very specialized field of art history. It is greatly disappointing, however, that the bulk of the reproductions are in black and white, often missing the subtly colored tones in many of the drawings. Nonetheless, this is recommended for museum and academic libraries that support graduate programs in art history. 183 b/w illustrations