Impressionism and the Modern Landscape

Impressionism and the Modern Landscape
Author: James H. Rubin
Publisher: Univ of California Press
Total Pages: 208
Release: 2008-04-03
Genre: Art
ISBN: 0520248015

The examples convey not only these major themes but also the painters' belief in the progress of civilization through science and industry. The book thus expands the scope of Impressionist celebrations of modernity to include what might be called Impressionism's "other landscape" and proposes that in the Impressionists' effort to forge a modern landscape art, those signs of modernity defined their vision most clearly."--BOOK JACKET.

19th-century Realist Art

19th-century Realist Art
Author: Gerald Needham
Publisher: HarperCollins Publishers
Total Pages: 368
Release: 1988
Genre: Art
ISBN:

"This is the first thorough history and analysis of Realism in the 19th Century art from the 1830s to the 1880s when the Impressionist group broke up. The book begins with the origins of Realism at the start of the century and ends with the last phase of Realism after 1880. In addition to artists from England and France, the book includes artists from Germany, Scandinavia, Russia, and Italy. A distinctive feature is the coverage of prints and the graphic arts that played a crucial role in the development of realism, ranging from popular illustrations in magazines and books to painter's etchings and engravings. Photography an as art form and an influence is examined as are such new visual media as the Panorama and Diorama. Some of the artists indluded are : Corot, Constable, Gericault, Daumier, Boudin, Cassatt, Krohg, Hunt, Monet, Manet, Renoir, Courbet, Millet, Klinger, Menzel, Signorini, Van Gogh, Pissarro, Whistler, Degas, Lieberman, Shevchenko, Repin, Caillebott"--back cover.

From the Classicists to the Impressionists

From the Classicists to the Impressionists
Author: Elizabeth Basye Gilmore Holt
Publisher: Yale University Press
Total Pages: 639
Release: 1986-01-01
Genre: Art
ISBN: 0300033583

The nineteenth-century historian and artist shared the same aim, to present the unsystematic diversity of peoples, cultures, customs, and myths in a process of evolutionary transformation, that was to be comprehended by feeling.