19 New American Poets of the Golden Gate

19 New American Poets of the Golden Gate
Author: Philip Dow
Publisher: Houghton Mifflin Harcourt P
Total Pages: 502
Release: 1984
Genre: Poetry
ISBN:

This new collection contains poetry by northern Californian writers who began to publish no earlier than 1962, have completed at least a second full-length book of poetry and have created a mature art, distinct in itself. The selections, spanning the poets' careers to date, draw outstanding poems from unpublished manuscripts as well as from earlier volumes and are complemented by essays written by the poets themselves. The essays are about the writing and reading of poetry, the intent, the influences and the life behind the work. ISBN 0-15-136418-4 : $12.95.

Leaving Lines of Gender

Leaving Lines of Gender
Author: Ann Vickery
Publisher: Wesleyan University Press
Total Pages: 374
Release: 2000
Genre: Language Arts & Disciplines
ISBN: 9780819564320

The most significant contribution to the literary history of Language writing to date.

Contemporary Poetry

Contemporary Poetry
Author: Nerys Williams
Publisher: Edinburgh University Press
Total Pages: 173
Release: 2011-04-06
Genre: Literary Criticism
ISBN: 0748688021

Discussing the work of more than 60 poets from the US, UK, Ireland, Australia, New Zealand and the Caribbean, Nerys Williams guides students through the key ideas and movements in the study of poetry today.

Languages of Liberation

Languages of Liberation
Author: Walter B. Kalaidjian
Publisher: Columbia University Press
Total Pages: 296
Release: 1989
Genre: Education
ISBN: 9780231068369

American Women Poets in the 21st Century

American Women Poets in the 21st Century
Author: Claudia Rankine
Publisher: Wesleyan University Press
Total Pages: 457
Release: 2013-10-01
Genre: Poetry
ISBN: 0819574449

Poetry in America is flourishing in this new millennium and asking serious questions of itself: Is writing marked by gender and if so, how? What does it mean to be experimental? How can lyric forms be authentic? This volume builds on the energetic tensions inherent in these questions, focusing on ten major American women poets whose collective work shows an incredible range of poetic practice. Each section of the book is devoted to a single poet and contains new poems; a brief "statement of poetics" by the poet herself in which she explores the forces — personal, aesthetic, political — informing her creative work; a critical essay on the poet's work; a biographical statement; and a bibliography listing works by and about the poet. Underscoring the dynamic give and take between poets and the culture at large, this anthology is indispensable for anyone interested in poetry, gender and the creative process. CONTRIBUTORS: Rae Armantrout, Mei-mei Berssenbrugge, Lucie Brock Broido, Jorie Graham, Barbara Guest, Lyn Hejinian, Brenda Hillman, Susan Howe, Ann Lauterbach, Harryette Mullen.

The Columbia Granger's Dictionary of Poetry Quotations

The Columbia Granger's Dictionary of Poetry Quotations
Author: Edith P. Hazen
Publisher: Columbia University Press
Total Pages: 1172
Release: 1992
Genre: Literary Criticism
ISBN: 9780231075466

Why do smokers claim that the first cigarette of the day is the best? What is the biological basis behind some heavy drinkers' belief that the "hair-of-the-dog" method alleviates the effects of a hangover? Why does marijuana seem to affect ones problem-solving capacity? Intoxicating Minds is, in the author's words, "a grand excavation of drug myth." Neither extolling nor condemning drug use, it is a story of scientific and artistic achievement, war and greed, empires and religions, and lessons for the future. Ciaran Regan looks at each class of drugs, describing the historical evolution of their use, explaining how they work within the brain's neurophysiology, and outlining the basic pharmacology of those substances. From a consideration of the effect of stimulants, such as caffeine and nicotine, and the reasons and consequences of their sudden popularity in the seventeenth century, the book moves to a discussion of more modern stimulants, such as cocaine and ecstasy. In addition, Regan explains how we process memory, the nature of thought disorders, and therapies for treating depression and schizophrenia. Regan then considers psychedelic drugs and their perceived mystical properties and traces the history of placebos to ancient civilizations. Finally, Intoxicating Minds considers the physical consequences of our co-evolution with drugs -- how they have altered our very being -- and offers a glimpse of the brave new world of drug therapies.

Everyday and Prophetic

Everyday and Prophetic
Author: Nick Halpern
Publisher: Univ of Wisconsin Press
Total Pages: 314
Release: 2003
Genre: Literary Criticism
ISBN: 9780299173401

Everyday and Prophetic is the first book to describe and analyze at length the prophetic voice and the everyday voice in postwar and contemporary American poetry. Nick Halpern's commentaries on the work of Robert Lowell, A.R. Ammons, James Merrill, Adrienne Rich, Jorie Graham, and Louise Glück, serve the reader with a fresh and original context in which to see their work, and Postwar American poetry as a whole.

Jorie Graham

Jorie Graham
Author: Thomas Gardner
Publisher: Univ of Wisconsin Press
Total Pages: 324
Release: 2005
Genre: Literary Criticism
ISBN: 9780299203245

Jorie Graham is one of the most important American poets now writing. This first book-length study brings together thirteen previously published essays and review essays by many of the major critics currently interested in her work and five new essays commissioned for this volume. Commenting on each of Graham's eight poetry collections, these essays encompass the range of critical thought that her work has attracted, both surveying it broadly and engaging closely with individual poems. These essays identify three broad concerns that run through each of her strikingly different volumes of poems: the movement of the mind in action, the role of the body in experiencing the world, and the pressures of material conditions on mind and body alike. Gardner both shows how Graham is being read at the moment and charts new areas of investigation likely to dominate thinking about her over the next decade. This collection is sure to become the crucial first step for all future work on Graham and on American poetry of the last two decades.